Book contents
- Frontmatter
- Contents
- The Essential Beckett: A Preface to the Second Edition
- A Beckett Chronology
- Acknowledgments
- Crritics and Crriticism: “Getting Known”
- Preliminaries
- The Page
- The Stage
- MacGowran on Beckett
- Blin on Beckett
- Working with Beckett
- Notes from the Underground: Waiting for Godot and Endgame
- Beckett Directs Godot
- Beckett Directs: Endgame and Krapp's Last Tape
- Literary Allusions in Happy Days
- Counterpoint, Absence, and the Medium in Beckett's Not I
- Rehearsal Notes for the German Premiere of Beckett's That Time and Footfalls
- Footfalls
- Samuel Beckett and the Art of Radio
- Light, Sound, Movement, and Action in Beckett's Rockaby
- Beckett's Ohio Impromptu: A View from the Isle of Swans
- Quad and Catastrophe
- Coda
- Notes on Contributors
MacGowran on Beckett
from The Stage
Published online by Cambridge University Press: 05 May 2013
- Frontmatter
- Contents
- The Essential Beckett: A Preface to the Second Edition
- A Beckett Chronology
- Acknowledgments
- Crritics and Crriticism: “Getting Known”
- Preliminaries
- The Page
- The Stage
- MacGowran on Beckett
- Blin on Beckett
- Working with Beckett
- Notes from the Underground: Waiting for Godot and Endgame
- Beckett Directs Godot
- Beckett Directs: Endgame and Krapp's Last Tape
- Literary Allusions in Happy Days
- Counterpoint, Absence, and the Medium in Beckett's Not I
- Rehearsal Notes for the German Premiere of Beckett's That Time and Footfalls
- Footfalls
- Samuel Beckett and the Art of Radio
- Light, Sound, Movement, and Action in Beckett's Rockaby
- Beckett's Ohio Impromptu: A View from the Isle of Swans
- Quad and Catastrophe
- Coda
- Notes on Contributors
Summary
You have said that your first involvement with Beckett's plays had a profound impact on you and your career.
It certainly did. Up to that point, I was an average working actor, I suppose, making a reasonable living doing movies, television shows, and plays. But as a result of playing Beckett, my whole attitude to life changed—he expanded my potentialities as an actor very, very much.
What originally brought you and Samuel Beckett together?
I think it all arises from the fact that I am a frustrated writer, as all my life I've been chasing good literature no matter who wrote it and trying to find if the person was alive, so that I could talk about it with him. And it happens that in 1957 I was doing a small part in a play for the BBC called All That Fall, and I was struck tremendously by the writing. It seemed to me to be profound and yet ironically funny, in a style I had never come across before. I didn't know then who Beckett was—I'd never heard of him. I thought he was a Frenchman whose work had been translated into English. I was stimulated to read all I could of his work, and then I spoke to a producer about getting me an introduction to Beckett.
- Type
- Chapter
- Information
- On BeckettEssays and Criticism, pp. 157 - 166Publisher: Anthem PressPrint publication year: 2012