Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-24T20:50:48.828Z Has data issue: false hasContentIssue false

Chapter 5 - Transnationalism

from Part I - Emerging Concepts in Stevens Criticism

Published online by Cambridge University Press:  18 June 2021

Bart Eeckhout
Affiliation:
Universiteit Antwerpen, Belgium
Gül Bilge Han
Affiliation:
Uppsala Universitet, Sweden
Get access

Summary

Although Wallace Stevens did not travel extensively outside the United States, his poetry is deeply concerned with expanding the boundaries of the poetic imagination to reach beyond its domestic and local settings. The desire to develop a poetics that is capable of establishing new nodes of interconnection between near and far places and cultures is palpable throughout Stevens’s oeuvre. Han’s chapter outlines and explores this aspect of Stevens’s poetry in view of recent theoretical interventions in literary transnationalism and global modernism. It argues that the poet’s exploration of diverse cultural materials and settings interrogates, rather than simply asserts, the border-traversing capacities of the poetic imagination. Stevens’s vision of artistic mobility and travel both displays a transnational aesthetic sensibility and reveals its moments of implosion; it explores at once the possibilities and limits of the imagination’s worldly affiliations and global circuits. The poet’s impulse toward national and cultural border crossings is composed of complex responses to the literary-political currents of his epoch, which range from the specific context of American nativism in the 1920s to more general developments of globalization and the Cold War.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Berman, Jessica. Modernist Commitments: Ethics, Politics, and Transnational Modernism. Columbia UP, 2011.Google Scholar
Berman, JessicaTransnational Modernisms.The Cambridge Companion to Transnational American Literature, edited by Goyal, Yogita, Cambridge UP, 2017, pp. 107–21.Google Scholar
Burt, Stephanie. “The Exotic.Wallace Stevens in Context, edited by MacLeod, Glen, Cambridge UP, 2017, pp. 316–25.Google Scholar
Costello, Bonnie. Planets on Tables: Poetry, Still Life, and the Turning World. Cornell UP, 2008.Google Scholar
Doyle, Laura, and Winkiel, Laura, editors. Geomodernisms: Race, Modernism, Modernity. Indiana UP, 2005.Google Scholar
Eeckhout, Bart, and Ragg, Edward, editors. Wallace Stevens across the Atlantic. Palgrave Macmillan, 2008.Google Scholar
Feinsod, Harris. The Poetry of the Americas: From Good Neighbors to Countercultures. Oxford UP, 2017.Google Scholar
Filreis, Alan. Wallace Stevens and the Actual World. Princeton UP, 1991.CrossRefGoogle Scholar
Friedman, Susan Stanford. Planetary Modernisms: Provocations on Modernity across Time. Columbia UP, 2015.Google Scholar
Galvin, Rachel. News of War: Civilian Poetry, 1936–1945. Oxford UP, 2017.CrossRefGoogle Scholar
Haglund, David. “Stevens, Duchamp and the American ‘ism,’ 1915–1919.” Wallace Stevens across the Atlantic, edited by Eeckhout and Ragg, pp. 121–32.Google Scholar
Han, Gül Bilge. Wallace Stevens and the Poetics of Modernist Autonomy. Cambridge UP, 2019.Google Scholar
Hayot, Eric, and Walkowitz, Rebecca L., editors. A New Vocabulary for Global Modernism. Columbia UP, 2016.Google Scholar
Kalliney, Peter. Modernism in a Global Context. Bloomsbury, 2016.Google Scholar
Keenaghan, Eric. Queering Cold War Poetry: Ethics of Vulnerability in Cuba and the United States. Ohio State UP, 2009.Google Scholar
Kenner, Hugh. A Homemade World: The American Modernist Writers. Alfred A. Knopf, 1975.Google Scholar
Lensing, George S. Wallace Stevens: A Poet’s Growth. Louisiana State UP, 1986.Google Scholar
Mao, Douglas, and Walkowitz, Rebecca L.. “The New Modernist Studies.PMLA, vol. 123, no. 3, May 2008, pp. 737–48.Google Scholar
Matterson, Stephen. “‘The Whole Habit of the Mind’: Stevens, Americanness, and the Use of Elsewhere.The Wallace Stevens Journal, vol. 25, no. 2, Fall 2001, pp. 111–21.Google Scholar
Moody, David. A. Ezra Pound: Poet. A Portrait of the Man and His Work. Vol. III: The Tragic Years, 1939–1972. Oxford UP, 2015.Google Scholar
Qian, Zhaoming. The Modernist Response to Chinese Art: Pound, Moore, Stevens. U of Virginia P, 2003.Google Scholar
Ragg, Edward. “The Orient.Wallace Stevens in Context, edited by MacLeod, Glen, Cambridge UP, 2017, pp. 5564.Google Scholar
Ramazani, Jahan. A Transnational Poetics. U of Chicago P, 2009.Google Scholar
Riddel, Joseph. “Walt Whitman and Wallace Stevens: Functions of a Literatus.Wallace Stevens: A Collection of Critical Essays, edited by Borroff, Marie, Prentice-Hall, 1963, pp. 3042.Google Scholar
Rieke, Alison. The Senses of Nonsense. U of Iowa P, 1992.Google Scholar
Rowe, John Carlos. Literary Culture and U.S. Imperialism: From the Revolution to World War II. Oxford UP, 2000.Google Scholar
Schjeldahl, Peter. “Insurance Man: The Life and Art of Wallace Stevens.” The New Yorker, 2 May 2016, www.newyorker.com/magazine/2016/05/02/the-thrilling-mind-of-wallace-stevens.Google Scholar
Stevens, Wallace. Letters of Wallace Stevens. Edited by Stevens, Holly, U of California P, 1996.Google Scholar
Stevens, Wallace Wallace Stevens: Collected Poetry and Prose. Edited by Kermode, Frank and Richardson, Joan, Library of America, 1997.Google Scholar
Vendler, Helen. “Wallace Stevens.Voices & Visions: The Poet in America, edited by Vendler, Helen, Random House, 1987, pp. 123–55.Google Scholar
Winks, Christopher. “Seeking a Cuba of the Self: Baroque Dialogues between José Lezama Lima and Wallace Stevens.Baroque New Worlds: Representation, Transculturation, Counterconquest, edited by Zamora, Lois Parkinson and Kaup, Monika, Duke UP, 2010, pp. 597621.Google Scholar
Wollaeger, Mark, and Eatough, Matt, editors. The Oxford Handbook of Global Modernisms. Oxford UP, 2014.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×