Book contents
- Frontmatter
- Contents
- Series Editor's Preface
- 1 Introduction
- 2 Borges and Pynchon: The Tenuous Symmetries of Art
- 3 Toward the Schizo-Text: Paranoia as Semiotic Regime in The Crying of Lot 49
- 4 “Hushing Sick Transmissions”: Disrupting Story in The Crying of Lot 49
- 5 “A Metaphor of God Knew How Many Parts”: The Engine that Drives The Crying of Lot 49
- 6 A Re-cognition of Her Errand into the Wilderness
- Notes on Contributors
- Selected Bibliography
Notes on Contributors
Published online by Cambridge University Press: 12 January 2010
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Book contents
- Frontmatter
- Contents
- Series Editor's Preface
- 1 Introduction
- 2 Borges and Pynchon: The Tenuous Symmetries of Art
- 3 Toward the Schizo-Text: Paranoia as Semiotic Regime in The Crying of Lot 49
- 4 “Hushing Sick Transmissions”: Disrupting Story in The Crying of Lot 49
- 5 “A Metaphor of God Knew How Many Parts”: The Engine that Drives The Crying of Lot 49
- 6 A Re-cognition of Her Errand into the Wilderness
- Notes on Contributors
- Selected Bibliography
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- New Essays on The Crying of Lot 49 , pp. 171 - 172Publisher: Cambridge University PressPrint publication year: 1992