Book contents
- Music, Politics and Society in Ancient Rome
- Music, Politics and Society in Ancient Rome
- Copyright page
- Contents
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- 1 The Games of L. Anicius Gallus and the Cultural Politics of Music in the Second Century BCE
- 2 Popular Music and Popular Politics in the Late Republic
- 3 Augustus, Apollo’s Lyre and the Harmony of the Principate
- 4 Nero and the Age of Musomania
- Epilogue
- Bibliography
- Index
1 - The Games of L. Anicius Gallus and the Cultural Politics of Music in the Second Century BCE
Published online by Cambridge University Press: 24 November 2022
- Music, Politics and Society in Ancient Rome
- Music, Politics and Society in Ancient Rome
- Copyright page
- Contents
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- 1 The Games of L. Anicius Gallus and the Cultural Politics of Music in the Second Century BCE
- 2 Popular Music and Popular Politics in the Late Republic
- 3 Augustus, Apollo’s Lyre and the Harmony of the Principate
- 4 Nero and the Age of Musomania
- Epilogue
- Bibliography
- Index
Summary
This chapter takes as its central focus the triumphal games given by the Roman praetor Lucius Anicius Gallus in 167 BCE. The chapter deconstructs the hostile account of this event in Polybius’ Histories by examining how Anicius manipulated the musical dynamics of the spectacle in order to amplify the importance of his triumph. The second half of the chapter situates the episode in the context of broader developments in Greek and Roman musical culture during the second century BCE. As well as discussing the general treatment of music in Polybius’s Histories, it considers how the dissemination of Greek musical culture during this period sparked a reaction from senior members of the Roman political elite, as evidenced most notably by the fragmentary speeches of Cato the Elder and Scipio Aemilianus.
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- Music, Politics and Society in Ancient Rome , pp. 42 - 82Publisher: Cambridge University PressPrint publication year: 2022