Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-30T18:52:41.400Z Has data issue: false hasContentIssue false

2 - Milton before ‘Lycidas'

Published online by Cambridge University Press:  15 February 2024

Graham Parry
Affiliation:
University of York
Joad Raymond
Affiliation:
Queen Mary University of London
Get access

Summary

IN 1645, after four years in which he apparently wrote little poetry but in which he produced his five antiprelatical pamphlets, the divorce tracts, his tolerationist Areopagitica and his Hartlibian jottings, Of Education, Milton published his first collection of verse. This consists of almost all the extant poetry he had written since childhood, a curious volume that offers a family album of young Milton's poetic – and political – development. Twenty years ago, I attempted a political reading which argued that its publication, in 1645, constituted a claim to the respectability of its author that disputed attempts by Presbyterians and their allies to associate him with a crude stereotype of the Independent or sectary as tradesman preacher. In passing I remarked on the evidently unrevolutionary character of the poems he wrote before ‘Lycidas’ (1637). But other and more influentia lpolitical readings took a different view. In the masque Comus, David Norbrook, Leah Marcus and Michael Wilding identified counter-cultural elements deeply critical of the early Stuart ascendancy. More recently a substantial essay by Barbara Lewalski in a new collection by Stephen Dobranski and John Rumrich has confirmed the consensus, though Annabel Patterson's chapter in a Pebworth-Summers collection takes a different view and an article by David Loewenstein in Milton Studies approximates more closely to my own original position.

This paper represents a more irenic compromise than I should once have intended. First, and most simply, I take a more sympathetic view of the kinds of reading backwards that Wilding and others have done; that project seems wholly defensible, if somewhat self-fulfilling. If, like Martin Amis in Time's Arrow, you narrate events backwards, inevitably you come to the source and origin of all that follows. Milton in 1642, plainly, is a radical revolutionary on the militant wing of English antiprelatical sentiment; in 1649 he is regicidal and a republican; his writings in 1626 or 1634 inevitably are the early writings of such a militant; time's arrow unerringly flies backwards to its target. The subtext has with ingenuity been interrogated; but I shall argue that has been done at the expense of the text, not recognising its closer affinities to the dominant ideology.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×