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New Perspectives in Music History and Criticism

Published online by Cambridge University Press:  15 September 2017

Phyllis Weliver
Phyllis Weliver
Affiliation:
Saint Louis University, Missouri
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Mary Gladstone and the Victorian Salon
Music, Literature, Liberalism
 , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2017

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References

Published Titles

Dunn, Leslie C. and Jones, Nancy A. (eds.), Embodied Voices: Representing Female Vocality in Western CultureGoogle Scholar
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Grey, Thomas S., Wagner’s Musical ProseGoogle Scholar
Chua, Daniel K. L., Absolute Music and the Construction of MeaningGoogle Scholar
Krims, Adam, Rap Music and the Poetics of IdentityGoogle Scholar
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Will, Richard, The Characteristic Symphony in the Age of Haydn and BeethovenCrossRefGoogle Scholar
Morris, Christopher, Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to BergGoogle Scholar
Dillon, Emma, Medieval Music-Making and the ‘Roman de Fauvel’Google Scholar
Yearsley, David, Bach and the Meanings of CounterpointGoogle Scholar
Metzer, David, Quotation and Cultural Meaning in the Twentieth CenturyGoogle Scholar
Rehding, Alexander, Hugo Riemann and the Birth of Modern Musical ThoughtCrossRefGoogle Scholar
Gooley, Dana, The Virtuoso LisztGoogle Scholar
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Tomlinson, Gary, The Singing of the New World: Indigenous Voice in the Era of European ContactGoogle Scholar
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Watkins, Holly, Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold SchoenbergCrossRefGoogle Scholar
Caddy, Davinia, The Ballets Russes and Beyond: Music and Dance in Belle Époque ParisCrossRefGoogle Scholar
Cohen, Brigid, Stefan Wolpe and the Avant-Garde DiasporaCrossRefGoogle Scholar
Mathew, Nicholas, Political BeethovenCrossRefGoogle Scholar
Brown, Julie, Schoenberg and RedemptionCrossRefGoogle Scholar
Weliver, Phyllis, Mary Gladstone and the Victorian Salon: Music, Literature, LiberalismCrossRefGoogle Scholar

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