Book contents
- Instrumental Music in Late Eighteenth-Century Naples
- Instrumental Music in Late Eighteenth-Century Naples
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- 1 Naples on the Grand Tour and within the Historical Imagination
- 2 The Neapolitan Conservatories
- 3 Pedagogical Training and Formation in the Conservatory Curriculum
- 4 Maria Carolina as Cultural Patron and Icon
- 5 Music for the Queen and the Court of Naples
- 6 Genre, Style, and Transnational Crosscurrents
- 7 Maestri e operisti
- 8 Maestri e operisti
- 9 Epilogue
- Bibliography
- Index
2 - The Neapolitan Conservatories
Identity, Formation, and Operation
Published online by Cambridge University Press: 04 December 2020
- Instrumental Music in Late Eighteenth-Century Naples
- Instrumental Music in Late Eighteenth-Century Naples
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- 1 Naples on the Grand Tour and within the Historical Imagination
- 2 The Neapolitan Conservatories
- 3 Pedagogical Training and Formation in the Conservatory Curriculum
- 4 Maria Carolina as Cultural Patron and Icon
- 5 Music for the Queen and the Court of Naples
- 6 Genre, Style, and Transnational Crosscurrents
- 7 Maestri e operisti
- 8 Maestri e operisti
- 9 Epilogue
- Bibliography
- Index
Summary
One of the principal foundations for instrumental music culture in Naples was supplied by the educational system of the Neapolitan conservatories. Rather than a critical investigation of their (well-known) histories, this chapter elucidates an understanding of their cultural, social, and educational identities, forming a holistic portrait of these establishments. Several areas of operation are examined, including the institutional culture, the admission process, the financial operation (in brief terms), and the basic training of students, as well as particular reference to responsibilities and opportunities geared toward artistic formation.
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- Instrumental Music in Late Eighteenth-Century NaplesPolitics, Patronage and Artistic Culture, pp. 27 - 58Publisher: Cambridge University PressPrint publication year: 2020