Book contents
- Frontmatter
- Contents
- Foreword: If life itself is a satire …
- Acknowledgments
- Editor's note
- Introduction: Carnival versus lashing laughter in Soviet cinema
- Part One The long view: Soviet satire in context
- Part Two Middle-distance shots: The individual satire considered
- Part Three Close-ups: Glasnost and Soviet satire
- XII A forgotten flute and remembered popular tradition
- XIII Perestroika of kitsch: Sergei Soloviev's Black Rose, Red Rose
- XIV Carnivals bright, dark, and grotesque in the glasnost satires of Mamin, Mustafayev, and Shakhnazarov
- XV Quick takes on Yuri Mamin's Fountain from the perspective of a Romanian
- XVI “One should begin with zero”: A discussion with satiric filmmaker Yuri Mamin
- Filmography
- Contributors
- Index
XVI - “One should begin with zero”: A discussion with satiric filmmaker Yuri Mamin
Published online by Cambridge University Press: 07 October 2009
- Frontmatter
- Contents
- Foreword: If life itself is a satire …
- Acknowledgments
- Editor's note
- Introduction: Carnival versus lashing laughter in Soviet cinema
- Part One The long view: Soviet satire in context
- Part Two Middle-distance shots: The individual satire considered
- Part Three Close-ups: Glasnost and Soviet satire
- XII A forgotten flute and remembered popular tradition
- XIII Perestroika of kitsch: Sergei Soloviev's Black Rose, Red Rose
- XIV Carnivals bright, dark, and grotesque in the glasnost satires of Mamin, Mustafayev, and Shakhnazarov
- XV Quick takes on Yuri Mamin's Fountain from the perspective of a Romanian
- XVI “One should begin with zero”: A discussion with satiric filmmaker Yuri Mamin
- Filmography
- Contributors
- Index
Summary
The following is an edited version of the conference discussion (moderated by Andrew Horton) with Yuri Mamin of his work.
Horton: Yuri, you are a satirist, but as Whiskers suggests, your films are becoming darker. Is there a danger that you will wind up with no audience, especially given Valentin Tolstykh's remarks that the Soviet people are fed up with chernukha films?
Mamin: It would be a failure, of course, if people don't go to see my films since they were made for audiences. But the problem is what kind of laughter is needed now. When I see angry people in the audience ready to tear each other apart for their ideological beliefs, I become frightened. I thus made Whiskers on a different level than my previous work. This film was made under the influence of my own anger. I want my audience to laugh and think and come out of the cinema, not fighting, but rather patting each other on the back. I want to promote through laughter the virtues of tolerance and kindness.
Horton: We have just looked at the closing scene from Zero City as the main character floats alone in a boat on a lake after his many strange encounters with … Zero City.
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- Information
- Inside Soviet Film Satire , pp. 154 - 156Publisher: Cambridge University PressPrint publication year: 1993