Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- Spectator Responses to an Image of Violence: Seeing Apollonia
- Der ernsthafte König oder die Hölle schon auf Erden: Gewalt im Dienste des Seelenheils
- Lazarus’s Vision of Hell: A Significant Passage in Late-Medieval Passion Plays
- Violence and Late-Medieval Justice
- La noblesse face à la violence: arrestations, exécutions et assassinats dans les Chroniques de Jean Froissart commandées par Louis de Gruuthuse (Paris, B.N.F., mss. fr. 2643–46)
- The Music of the Medieval Body in Pain
- The Emergence of Sexual Violence in Quattrocento Florentine Art
- Some Lesser-Known Ladies of Public Art: On Women and Lions
- The Self in the Eyes of the Other: Creating Violent Expectations in Late-Medieval German Drama
- Cleansing the Social Body: Andrea Mantegna’s: Judith and the Moor (1490–1505)
- Aggression and Annihilation: Spanish Sentimental Romances and the Legends of the Saints
- Der Malleus Maleficarum (1487) und die Hexenverfolgung in Deutschland
- “For They Know Not What They Do”: Violence in Medieval Passion Iconography
- Zur Bedeutung von Gewalt in der Reynaert-Epik des 15. Jahrhunderts
- Terror and Laughter in the Images of the Wild Man: The Case of the 1489 Valentin et Orson
- Rereading Rape in Two Versions of La fille du comte de Pontieu
- The French Kill Their King: The Assassination of Childeric II in Late-Medieval French Historiography
Preface
Published online by Cambridge University Press: 17 March 2023
- Frontmatter
- Contents
- Preface
- Introduction
- Spectator Responses to an Image of Violence: Seeing Apollonia
- Der ernsthafte König oder die Hölle schon auf Erden: Gewalt im Dienste des Seelenheils
- Lazarus’s Vision of Hell: A Significant Passage in Late-Medieval Passion Plays
- Violence and Late-Medieval Justice
- La noblesse face à la violence: arrestations, exécutions et assassinats dans les Chroniques de Jean Froissart commandées par Louis de Gruuthuse (Paris, B.N.F., mss. fr. 2643–46)
- The Music of the Medieval Body in Pain
- The Emergence of Sexual Violence in Quattrocento Florentine Art
- Some Lesser-Known Ladies of Public Art: On Women and Lions
- The Self in the Eyes of the Other: Creating Violent Expectations in Late-Medieval German Drama
- Cleansing the Social Body: Andrea Mantegna’s: Judith and the Moor (1490–1505)
- Aggression and Annihilation: Spanish Sentimental Romances and the Legends of the Saints
- Der Malleus Maleficarum (1487) und die Hexenverfolgung in Deutschland
- “For They Know Not What They Do”: Violence in Medieval Passion Iconography
- Zur Bedeutung von Gewalt in der Reynaert-Epik des 15. Jahrhunderts
- Terror and Laughter in the Images of the Wild Man: The Case of the 1489 Valentin et Orson
- Rereading Rape in Two Versions of La fille du comte de Pontieu
- The French Kill Their King: The Assassination of Childeric II in Late-Medieval French Historiography
Summary
What is violence? The word is derived from Latin violentia, itself from vis = force. The term usually denotes either great or excessive force as well as constraint. The diverse and multiple ways in which various societies handle violence, today as in the past, make us aware of the internal and external problems of men and women living with foreigners and with one another. We notice that at the dawn of the twenty-first century we are not as civilized as we may envision ourselves as being, when we encounter xenophobia, adolescent brutality, private vengeance, and domestic abuse, for example. The threat of chemical warfare, hurricanes, floods, wars, holocausts, road rage, and the easy availability of guns and drugs—all present dangers of violent consequences, as attested in daily news media. Often, violence engenders violence.
It is no wonder, then, that the last two congresses on Fifteenth-Century Studies had multiple sessions on “Violence in Fifteenth-Century Text and Image.” We have selected the best papers for a collection of essays on this evocative theme, essays which will interest the student of the late Middle Ages and the early Renaissance, the humanities, art history, sociology, anthropology, and even the general public. In addition, we have invited some experts in the field of violence studies to contribute their latest research on the subject. By chapters, we highlight medieval warfare and justice, violence in family and milieu (court, town, village, and forest), ethnocentricity and xenophobia, the relation between the genders and sexual violence, brutality in hagiography and historiography, both in literature and on the stage, and the relationship between text and image (for example, violence depicted graphically, in color, stone, or wood).
During the Middle Ages and early Renaissance, the increasing confidence, wealth, and power of some European countries resulted in extraordinary campaigns of aggression against their neighbors. In addition, remarkable trading exploration was often backed up by force, deep into the sub-Arctic and Atlantic. It is sometimes forgotten, for example, that the Americas were discovered by Europeans who still believed in conquest and slavery. Wendy Childs explains that in commerce and trade, contraction occurred in the first part of the fifteenth century because of demographic changes, bullion shortages, and wars, while, beginning in the 1460s, this crisis was mitigated with the opening of sea routes to Africa and Asia, culminating in the discovery of America.
- Type
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- Information
- Fifteenth-Century Studies Vol. 27A Special Issue on Violence in Fifteenth-Century Text and Image, pp. vii - xviPublisher: Boydell & BrewerPrint publication year: 2002