Book contents
- Europe in British Literature and Culture
- Cambridge Themes in British Literature and Culture
- Europe in British Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- General Editor’s Preface
- Acknowledgements
- Introduction
- Part I Zones of Influence
- Chapter 1 The Mediterranean
- Chapter 2 France
- Chapter 3 Central Europe
- Chapter 4 Ireland
- Chapter 5 Scandinavia
- Chapter 6 The Balkans and Ruritania
- Part II Pan-European Moods and Movements
- Part III Cultural Transfers
- Part IV Anxious Neighbourhoods, Uncertain Futures
- Index
Chapter 4 - Ireland
from Part I - Zones of Influence
Published online by Cambridge University Press: 06 June 2024
- Europe in British Literature and Culture
- Cambridge Themes in British Literature and Culture
- Europe in British Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- General Editor’s Preface
- Acknowledgements
- Introduction
- Part I Zones of Influence
- Chapter 1 The Mediterranean
- Chapter 2 France
- Chapter 3 Central Europe
- Chapter 4 Ireland
- Chapter 5 Scandinavia
- Chapter 6 The Balkans and Ruritania
- Part II Pan-European Moods and Movements
- Part III Cultural Transfers
- Part IV Anxious Neighbourhoods, Uncertain Futures
- Index
Summary
This chapter traces Ireland as a foundational zone of influence and creative disruption in the British imagination. Ireland’s political status has been altered by the Anglo-Irish relationship across centuries, while Britain, in turn, has been shaped by its interaction with the otherness of its closest island neighbour. Twelfth-century texts demonstrate that Ireland has acted as a foil to Britain’s imperial imagination, and it continued to do so throughout the subsequent literary and political history. The chapter discusses depictions of Ireland from Gerald of Wales to Edmund Spenser to William Shakespeare. Then it turns to examine the influence of Irish literature on the British imaginary. The enduring influence of Maria Edgeworth, W. B. Yeats, James Joyce, Elizabeth Bowen, Samuel Beckett, and Seamus Heaney allows Britain to see itself through Irish eyes. Often, they reveal the occlusions and silences that exist within Britain’s self-imaginings. With Brexit shadowing the contemporary relationship between Britain, Ireland, and, of course, Europe, this dialogical Anglo-Irish relationship, whereby Ireland both reflects and distorts Britain’s image, becomes all the more significant.
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- Europe in British Literature and Culture , pp. 70 - 84Publisher: Cambridge University PressPrint publication year: 2024