Book contents
- Europe in British Literature and Culture
- Cambridge Themes in British Literature and Culture
- Europe in British Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- General Editor’s Preface
- Acknowledgements
- Introduction
- Part I Zones of Influence
- Chapter 1 The Mediterranean
- Chapter 2 France
- Chapter 3 Central Europe
- Chapter 4 Ireland
- Chapter 5 Scandinavia
- Chapter 6 The Balkans and Ruritania
- Part II Pan-European Moods and Movements
- Part III Cultural Transfers
- Part IV Anxious Neighbourhoods, Uncertain Futures
- Index
Chapter 3 - Central Europe
from Part I - Zones of Influence
Published online by Cambridge University Press: 06 June 2024
- Europe in British Literature and Culture
- Cambridge Themes in British Literature and Culture
- Europe in British Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- General Editor’s Preface
- Acknowledgements
- Introduction
- Part I Zones of Influence
- Chapter 1 The Mediterranean
- Chapter 2 France
- Chapter 3 Central Europe
- Chapter 4 Ireland
- Chapter 5 Scandinavia
- Chapter 6 The Balkans and Ruritania
- Part II Pan-European Moods and Movements
- Part III Cultural Transfers
- Part IV Anxious Neighbourhoods, Uncertain Futures
- Index
Summary
This chapter answers the question ’does central Europe exist?’ by first drawing a literary-historical line between Franz Kafka and Milan Kundera, focusing particularly on the critical tensions in Kundera’s construction of a vanished culture and on the West’s mythologizing of central Europe. It then turns to two Prague-set novels, Bruce Chatwin’s Utz, which explores the condition of stubborn aesthetic individualism under communism, and Tom McCarthy’s Men in Space, set in the months following the splitting-up of Czechoslovakia in 1992. Beyond the Czech lands, the Austrian Ingeborg Bachmann’s Malina, a significant work of avant-garde feminism, offers a doomed fantasy of post-war Austro-Hungarian relationships. Olga Tokarczuk’s Drive Your Plow over the Bones of the Dead, set in the Polish–Silesian borderlands, is a revenge thriller whose narrator is inspired by the radicalism of William Blake. These case studies signal the ways central Europe has been confabulated by British writers; they also show how an evolving canon of fiction-in-translation is appropriately pluralizing and updating the West’s idea of the ‘middle’.
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- Europe in British Literature and Culture , pp. 53 - 69Publisher: Cambridge University PressPrint publication year: 2024