
Book contents
- Frontmatter
- Contents
- Introduction: Ethical Approaches in Contemporary German-Language Literature and Culture
- “The Absoluteness of the Knowledge Once Possessed”: 1968 Ethics and Consensual Ethics in Uwe Timm's Novel Rot
- What the World Needs Now: Rancière, Ethology, and Christian Petzold's Toter Mann (2001) and Wolfsburg (2003)
- Materiality and Ethics in Recent German Prose Narratives by Angelika Overath and Angela Krauß
- Shameful Stories: The Ethics of East German Memory Contests in Fiction by Julia Schoch, Stefan Moster, Antje Rávic Strubel, and Judith Schalansky
- Affective Encounters and Ethical Responses in Robert Schneider's Die Luftgängerin and Sybille Berg's Vielen Dank für das Leben
- Narrative Ethics and the Problems of Age and Aging in Annette Pehnt's Haus der Schildkröten
- “So ähnlich könnte es gewesen sein, aber […]”: Unethical Narrations of Emily Ruete's “Große Wandlungen”
- Enlightenment Fundamentalism: Zafer Şenocak, Navid Kermani, and Multiculturalism in Germany Today
- Voicing Rupture: Ethical Concerns in Short Prose and Lyric Texts by Yoko Tawada
“So ähnlich könnte es gewesen sein, aber […]”: Unethical Narrations of Emily Ruete's “Große Wandlungen”
Published online by Cambridge University Press: 05 December 2013
- Frontmatter
- Contents
- Introduction: Ethical Approaches in Contemporary German-Language Literature and Culture
- “The Absoluteness of the Knowledge Once Possessed”: 1968 Ethics and Consensual Ethics in Uwe Timm's Novel Rot
- What the World Needs Now: Rancière, Ethology, and Christian Petzold's Toter Mann (2001) and Wolfsburg (2003)
- Materiality and Ethics in Recent German Prose Narratives by Angelika Overath and Angela Krauß
- Shameful Stories: The Ethics of East German Memory Contests in Fiction by Julia Schoch, Stefan Moster, Antje Rávic Strubel, and Judith Schalansky
- Affective Encounters and Ethical Responses in Robert Schneider's Die Luftgängerin and Sybille Berg's Vielen Dank für das Leben
- Narrative Ethics and the Problems of Age and Aging in Annette Pehnt's Haus der Schildkröten
- “So ähnlich könnte es gewesen sein, aber […]”: Unethical Narrations of Emily Ruete's “Große Wandlungen”
- Enlightenment Fundamentalism: Zafer Şenocak, Navid Kermani, and Multiculturalism in Germany Today
- Voicing Rupture: Ethical Concerns in Short Prose and Lyric Texts by Yoko Tawada
Summary
The chapter “Grosse Wandelungen” in nineteenth-century Arab German writer Emily Ruete's Memoiren einer arabischen Prinzessin (1886) devotes three skeletal paragraphs to a narration of the author's relationship with a Hamburg trader and her departure for Germany, staged as a direct antidote to the “unrichtige[n] Darstellungen” at that time circulating in the German public realm that depicted these events as a grand narrative with a plot seemingly inspired by Mozart's Entführung aus dem Serail. Centering on the notion of contested representation raised by Ruete in the chapter in question, my essay will go on to explore, under the same terms, three contemporary engagements with this episode that use Ruete's narrative as source material— Tink Diaz's documentary film Die Prinzessin von Sansibar (2007), Hans Christoph Buch's novel Sansibar Blues (2008), and Nicole C. Vosseler's historical romance Sterne über Sansibar (2010). Employing a Deleuzian reading of ethics and representation, which broadly understands an ethical encounter as experiencing rather than interpreting the other's narrative, I will show how all three, precisely in their filling in the skeletal frame, work to thwart the opportunities for the ethical reading that Ruete's narrative itself presents, instead reframing her account in terms of existing narratives by and about young Muslim women.
Emily Ruete (1844–1924), born Sayyida Salme, daughter of the Sultan of Oman and Zanzibar, published her memoirs—considered the earliest surviving autobiography by an Arab woman—in Berlin in 1886. Ruete spent her childhood and young adulthood in several residences around the island of Zanzibar, and included a detailed account of this period of her life in her memoirs. In her early twenties she bought a house in Zanzibar Town, and it was there that she later became acquainted with her neighbor, a German trader named Heinrich Ruete, and the couple fell in love. In 1866 she left Zanzibar for Aden after becoming pregnant with Heinrich Ruete’s child, and he rejoined her the following year, having remained on the island to wind up his business affairs.
- Type
- Chapter
- Information
- Edinburgh German Yearbook 7Ethical Approaches in Contemporary German-Language Literature and Culture, pp. 115 - 138Publisher: Boydell & BrewerPrint publication year: 2013