Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Introduction
- 254 Opera
- 255 Ballet
- 256 Musical Comedy
- 257 Symphonic Music
- 258 Pantomime
- 259 Puppetry
- 260 Jazz
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
257 - Symphonic Music
from Part XXVI - Shakespeare and the Performing Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Introduction
- 254 Opera
- 255 Ballet
- 256 Musical Comedy
- 257 Symphonic Music
- 258 Pantomime
- 259 Puppetry
- 260 Jazz
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1832 - 1838Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Dowden, Edward. Shakspere: A Critical Study of His Mind and Art. London: Henry S. King, 1875.Google Scholar
Hepokoski, James A., and Darcy, Warren. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. New York: Oxford UP, 2006.Google Scholar
Hoffmann, E. T. A. “Beethoven’s Instrumental Music.” Trans. Locke, Arthur Ware. The Musical Quarterly 3.1 (1917): 123–33. http://www.jstor.org/stable/738009.Google Scholar
Morgann, Maurice. An Essay on the Dramatic Character of Sir John Falstaff. London: T. Davies, 1777.Google Scholar
Nuttall, A. D. A New Mimesis: Shakespeare and the Representation of Reality. London: Methuen, 1983.Google Scholar
Rushton, Julian. Berlioz, “Roméo et Juliette.” Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Further reading
Harper-Scott, J. P. E. “Elgar’s Invention of the Human: Falstaff, op. 68.” 19th-Century Music 28.3 (2005): 230–53.Google Scholar
Hepokoski, James A. “Beethoven Reception: The Symphonic Tradition.” The Cambridge History of Nineteenth-Century Music. Ed. Samson, Jim. Cambridge: Cambridge University Press, 2002. 424–59.Google Scholar
Hepokoski, James A. “Structure and Program in Macbeth: A Proposed Reading of Strauss’s First Symphonic Poem.” Richard Strauss and His World. Ed. Gilliam, Bryan. Princeton: Princeton UP, 1992. 67–89.Google Scholar
Samson, Jim, ed. The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002.Google Scholar
Taruskin, Richard. Music in the Nineteenth Century. Vol. 3: Oxford History of Western Music. Oxford: Oxford UP, 2010.Google Scholar