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Homer in a World of Song

from Part I - Homeric Song and Text

Published online by Cambridge University Press:  22 February 2020

Edited by
Corinne Ondine Pache
Edited in association with
Casey Dué ,
Susan Lupack  and
Robert Lamberton
Corinne Ondine Pache
Affiliation:
Trinity University, San Antonio
Casey Dué
Affiliation:
University of Houston
Susan Lupack
Affiliation:
Macquarie University, Sydney
Robert Lamberton
Affiliation:
Washington University, St Louis
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Summary

The Iliad and Odyssey from their earliest stages coexisted with smaller performative genres, many involving music (hymns to humans or gods; tunes to accompany work) or music and dance together, as well as paraliterary “genres of speaking” that had neither musical accompaniment nor strict formal rules. A survey of Homeric allusions to, and embedding of, performance events finds them to be further marked by distantiation and imaginative stylization, thus complicating any mining of epic as an historical source for early song-making traditions.

Keywords

paianmicropoeticsaoidosrhapsode
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Chapter
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The Cambridge Guide to Homer , pp. 36 - 48
Publisher: Cambridge University Press
Print publication year: 2020

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