Book contents
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- Copyright page
- Contents for Volume II
- Figures for Volume II
- Maps for Volume II
- Table for Volume II
- Contributors for Volume II
- Preface
- Part IV Fashion, Modernism, and Modernity
- 21 Fashionable Masculinities in England and Beyond
- 22 Fashion in Capitalism
- 23 Fashion and Youth in Western Societies
- 24 Fashion and Time in China’s Twentieth Century
- 25 The Totalitarian State and Fashion in the Twentieth Century
- 26 Hollywood and Beyond
- 27 Fashion and Non-Fashion Cultures
- 28 Fashion and Hypermodernity
- Part V Fashion, Colonialism, and Post-Colonialism
- Part VI Fashion Systems and Globalization
- Index
- References
26 - Hollywood and Beyond
Fashion and the Fiction Film
from Part IV - Fashion, Modernism, and Modernity
Published online by Cambridge University Press: 04 August 2023
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- Copyright page
- Contents for Volume II
- Figures for Volume II
- Maps for Volume II
- Table for Volume II
- Contributors for Volume II
- Preface
- Part IV Fashion, Modernism, and Modernity
- 21 Fashionable Masculinities in England and Beyond
- 22 Fashion in Capitalism
- 23 Fashion and Youth in Western Societies
- 24 Fashion and Time in China’s Twentieth Century
- 25 The Totalitarian State and Fashion in the Twentieth Century
- 26 Hollywood and Beyond
- 27 Fashion and Non-Fashion Cultures
- 28 Fashion and Hypermodernity
- Part V Fashion, Colonialism, and Post-Colonialism
- Part VI Fashion Systems and Globalization
- Index
- References
Summary
The significant and enduring interrelationship between fashion and film is ‘a force as old as film itself’; it remains an enduring truism that cinema reflects the fashions of its age but also that it has dictated and inspired fashion. The story of this relationship invariably starts with and centres on Hollywood, a globally dominant force since cinema’s earliest days, and although this chapter will look beyond Hollywood (especially when it comes to more recent decades), it will follow suit for, as surrealist fashion (and occasional costume) designer Elsa Schiaparelli once declared: ‘what Hollywood designs today, you will be wearing tomorrow’. From early examinations of clothes in film (such as Elizabeth Leese’s Costume Design in the Movies from 1976, a fabulous anecdotal compilation of random facts about costume and fashion in film) the rich but fragmented and at times elusive story of fashion and the fiction film has overwhelmingly prioritized Hollywood productions.
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- Information
- The Cambridge Global History of FashionFrom the Nineteenth Century to the Present, pp. 934 - 968Publisher: Cambridge University PressPrint publication year: 2023