Book contents
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- Part III Diversities
- 11 Exclusion and Inclusion in Australian Metal
- 12 New Directions in Australian Art Music: The Curatorial, Creative and Conceptual
- 13 Artists’ Perspectives Experimental and Electronic Music in Australia
- 14 ArtistPerspective Australian EDM in the 1990s – Finding the Magic between the Art and Commerce of the Dance Floor
- 15 Artists’ PerspectivesJazz in Australia – The State of Play
- 16 Diverse Musics: Shaping Music through Cultural Difference
- 17 Chinese Music Performance in Australia
- 18 African Musics in Australia
- 19 Artists’ Perspectives Ngarra-burria Indigenous Composers and Their Interventions in Art Music Practice
- Part IV Institutions
- Index
- References
13 - Artists’ Perspectives Experimental and Electronic Music in Australia
from Part III - Diversities
Published online by Cambridge University Press: 14 November 2024
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- Part III Diversities
- 11 Exclusion and Inclusion in Australian Metal
- 12 New Directions in Australian Art Music: The Curatorial, Creative and Conceptual
- 13 Artists’ Perspectives Experimental and Electronic Music in Australia
- 14 ArtistPerspective Australian EDM in the 1990s – Finding the Magic between the Art and Commerce of the Dance Floor
- 15 Artists’ PerspectivesJazz in Australia – The State of Play
- 16 Diverse Musics: Shaping Music through Cultural Difference
- 17 Chinese Music Performance in Australia
- 18 African Musics in Australia
- 19 Artists’ Perspectives Ngarra-burria Indigenous Composers and Their Interventions in Art Music Practice
- Part IV Institutions
- Index
- References
Summary
Written from the perspective of two people currently involved in experimental and electronic music in Australia, this chapter provides an overview of some of the key movements and works in the genre, from the twentieth century to the present day. Focusing primarily on music that exploits technology and experimental approaches that progress innovation in art music contexts, it highlights some of the diverse practitioners – performers, composers, improvisers, sound artists, and instrument makers – who have pushed the boundaries of what is possible, often blurring the lines between art forms in the process. While it is unable to provide an exhaustive historical or contemporary account of the innovations that have been achieved here, or those responsible, the selected representative survey should serve to contextualise Australia’s contributions to electronic and experimental music, demonstrating our reputation for presenting ‘mavericks’ to the music world.
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- Information
- The Cambridge Companion to Music in Australia , pp. 205 - 218Publisher: Cambridge University PressPrint publication year: 2024