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13 - Artists’ Perspectives Experimental and Electronic Music in Australia

from Part III - Diversities

Published online by Cambridge University Press:  14 November 2024

Amanda Harris
Affiliation:
University of Sydney
Clint Bracknell
Affiliation:
University of Western Australia
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Summary

Written from the perspective of two people currently involved in experimental and electronic music in Australia, this chapter provides an overview of some of the key movements and works in the genre, from the twentieth century to the present day. Focusing primarily on music that exploits technology and experimental approaches that progress innovation in art music contexts, it highlights some of the diverse practitioners – performers, composers, improvisers, sound artists, and instrument makers – who have pushed the boundaries of what is possible, often blurring the lines between art forms in the process. While it is unable to provide an exhaustive historical or contemporary account of the innovations that have been achieved here, or those responsible, the selected representative survey should serve to contextualise Australia’s contributions to electronic and experimental music, demonstrating our reputation for presenting ‘mavericks’ to the music world.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Bandt, R., Sound Sculpture: Intersections in Sound and Sculpture in Australian Artworks (Sydney: Craftsman House, 2001).Google Scholar
Fox, R., ‘Experimental Music in Melbourne: A Definition and Historical Overview’, Context: Journal Music Research, 24 (2002), 15–32.Google Scholar
Hope, C., ‘Electronic Scores for Music: The Possibilities of Animated Notation’, Computer Music Journal, 41(3) (2017), 21–35.CrossRefGoogle Scholar
Kouvaras, L. I., Loading the Silence: Australian Sound Art in the Post-Digital Age (Abingdon and New York: Routledge, 2016).CrossRefGoogle Scholar
Linz, R., ‘NMA Publications’, Rainer Linz, www.rainerlinz.net/NMA/index.html, accessed 18 January 2023.Google Scholar
Priest, G. (ed.), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009).Google Scholar

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