Book contents
- The Cambridge Companion to Literature in a Digital Age
- The Cambridge Companion to Literature in a Digital Age
- Copyright page
- Contents
- Figures
- Contributors
- Chronology
- Introduction
- Chapter 1 Literary Data
- Chapter 2 Literary Change
- Chapter 3 The Canon
- Chapter 4 Voice and Performance
- Chapter 5 The Archive
- Chapter 6 Editions
- Chapter 7 Materiality
- Chapter 8 The Literary Marketplace
- Chapter 9 Fanfiction, Digital Platforms, and Social Reading
- Chapter 10 Narrative and Interactivity
- Chapter 11 Generated Literature
- Chapter 12 Literary Gaming
- Chapter 13 The Printed Book in the Digital Age
- Chapter 14 Literature’s Audioptic Platform
- Chapter 15 Critique
- Index
- Cambridge Companions To Literature
Chapter 5 - The Archive
Published online by Cambridge University Press: 29 November 2024
- The Cambridge Companion to Literature in a Digital Age
- The Cambridge Companion to Literature in a Digital Age
- Copyright page
- Contents
- Figures
- Contributors
- Chronology
- Introduction
- Chapter 1 Literary Data
- Chapter 2 Literary Change
- Chapter 3 The Canon
- Chapter 4 Voice and Performance
- Chapter 5 The Archive
- Chapter 6 Editions
- Chapter 7 Materiality
- Chapter 8 The Literary Marketplace
- Chapter 9 Fanfiction, Digital Platforms, and Social Reading
- Chapter 10 Narrative and Interactivity
- Chapter 11 Generated Literature
- Chapter 12 Literary Gaming
- Chapter 13 The Printed Book in the Digital Age
- Chapter 14 Literature’s Audioptic Platform
- Chapter 15 Critique
- Index
- Cambridge Companions To Literature
Summary
Methods for analyzing and visualizing literary data receive substantially more attention in digital literary studies than the digital archives with which literary data are predominantly constructed. When discussed, digital archives are often perceived as entirely different from nondigital ones, and as passive – that is, as novel and enabling (or disabling) settings or backgrounds for research rather than active shapers of literary knowledge. This understanding produces abstract critiques of digital archives, and risks conflating events and trends in the histories of literary data with events and trends in literary history. By contrast, an emerging group of media-specific approaches adapt traditional philological and media archaeological methods to explore the complex and interdependent relationship between literary knowledges, technologies, and infrastructures.
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- Information
- The Cambridge Companion to Literature in a Digital Age , pp. 89 - 106Publisher: Cambridge University PressPrint publication year: 2024