Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-24T11:17:36.894Z Has data issue: false hasContentIssue false

Chapter 27 - Literature

from Part IV - Society and Culture

Published online by Cambridge University Press:  15 May 2019

Natasha Loges
Affiliation:
Royal College of Music, London
Katy Hamilton
Affiliation:
Royal College of Music, London
Get access

Summary

Brahms was among the many avid consumers of the print culture which burgeoned unprecedentedly during his century. The mid-eighteenth century onwards saw a surge in German-language publishing, following the gradual supplanting of Latin as a scholarly language and Johann Gottfried von Herder’s advocacy of popular literature as the highest expression of the national spirit. During the long nineteenth century, a vast amount of printed matter was devoured by an eager public. Apart from journalism, there were huge numbers of magazines that serialised popular fiction, science, geography, history and suchlike, as well as handsome bound collected editions of classical authors such as Goethe, Schiller and Shakespeare in translation, aimed at aspirational middle-class households. Literature was crucial to the wider nation-building agenda to unite the various disparate German-speaking territories and principalities under the umbrella of language. It was inseparable from shifts in religion, philosophy and science, and was shaped and re-shaped by successive waves of political censorship.

Type
Chapter
Information
Brahms in Context , pp. 269 - 276
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Bozarth, G., ‘Brahms’s Lieder Inventory of 1859–60 and Other Documents of his Life and Work’, Fontes Artis Musicae 30/3 (July–September 1983), 98117Google Scholar
Geiringer, K., ‘Brahms as a Reader and Collector’, trans. M. D. Herter Norton, Musical Quarterly 19/2 (April 1933), 158–68, reprinted in K. Geiringer, Brahms: His Life and Work, 3rd edn (New York: Da Capo, 1982), 369–79Google Scholar
Heuberger, R., Erinnerungen an Johannes Brahms, 2nd edn (Tutzing: Hans Schneider, 1976)Google Scholar
Hofmann, K., Die Bibliothek von Johannes Brahms: Bücher-und Musikalienverzeichnis (Hamburg: Wagner, 1974)Google Scholar
Krebs, C. (ed.), Des jungen Kreislers Schatzkästlein: Aussprüche von Dichtern, Philosophen und Künstlern (Berlin: Verlag der Deutschen Brahmsgesellschaft, 1909);Google ScholarGoogle Scholar
Kross, S., ‘Brahms and E. T. A. Hoffmann’, 19th-Century Music 5/3 (Spring 1982), 193200Google Scholar
Loges, N., Brahms and His Poets: A Handbook (Woodbridge: Boydell Press, 2017)Google Scholar
Ophüls, G. (ed.), Brahms-Texte: sämtliche von Johannes Brahms vertonten und bearbeiteten Texte (Ebenhausen: Langewiesche-Brandt, 1983)Google Scholar
Widmann, M. (ed.), Gottfried Keller und J. V. Widmann. Briefwechsel (Zurich, Leipzig and Berlin: Orell Füssli, 1925)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×