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from Part IV - The Art in Action
Published online by Cambridge University Press: 05 December 2024
The bulk of Part IV digs into the repertoire to explore the myriad ways composers activated an esthetics of opposition across a nearly 100-year span. Chapter 11 considers how Guillaume Du Fay’s early songs pit introductory melismas against densely texted phrases to create productive oppositions. The chapter also shows how Du Fay’s stunning Malheureulx cueur gives voice to the virelai form.
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