Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-18T06:37:53.799Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  14 October 2019

Viccy Coltman
Viccy Coltman
Affiliation:
University of Edinburgh
Get access
Type
Chapter
Information
Art and Identity in Scotland
A Cultural History from the Jacobite Rising of 1745 to Walter Scott
 , pp. 263 - 291
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

A complete historical account of His Majesty King George the fourth to the kingdom of Scotland (Edinburgh, 1822).Google Scholar
A description of the paintings in the Hall of Ossian at Pennycuik, near Edinburgh (Edinburgh: A. Kincaid and W. Creech, 1773).Google Scholar
A narrative of the visit of George IV to Scotland (Edinburgh, 1822).Google Scholar
A picturesque sketch of the landing of his most gracious majesty King George IV (Edinburgh, 1822).Google Scholar
Account of the royal visit of George IVth to Scotland (Kilmarnock: H. Crawford, 1822).Google Scholar
Argyll, Duke of, Intimate Society Letters of the Eighteenth Century (London: S. Paul & Co., 1910), 2 volumes.Google Scholar
Brady, Frank and Pottle, F. A. (eds.), Boswell on the Grand Tour: Italy, Corsica and France, 1765–1766 (London: Heinemann, 1955).Google Scholar
Bristed, John, Antroplanomenos; or a pedestrian tour through parts of the Highlands of Scotland in 1801 (London, 1803).Google Scholar
Cunningham, Allan, The lives of the most eminent British painters, sculptors and architects (New York: Harper & Bros., 1834), 5 volumes.Google Scholar
Fergusson, James (ed.), Letters of George Dempster to Sir Adam Fergusson, 1756–1813 (London: Macmillan, 1934).Google Scholar
Fletcher, E. (ed.), Conversations with James Northcote, R.A. (London, 1901).Google Scholar
Forbes, Robert, The Lyon in Mourning, Paton, Henry (ed.) (Edinburgh, 1895–96), 3 volumes.Google Scholar
Gardenstone, Francis Garden, Travelling Memorandums made in a tour upon the continent of Europe in the years 1786, 1787 and 1788 (Edinburgh, 1795), 3 volumes.Google Scholar
Garnett, Thomas, Observations on a tour through the Highlands and Western Isles of Scotland (London: T. Cadell and W. Davies, 1800), 2 volumes.Google Scholar
Hurd, Richard, Dialogues on the uses of foreign travel; considered as part of an English gentleman’s education (London, 1764).Google Scholar
Johnson, Samuel, A Journey to the Western Islands of Scotland, McGowan, Ian (ed.), (Edinburgh: Canongate, 1996).Google Scholar
Journal of Henry Cockburn; being a continuation of the Memorials of his time (Edinburgh: Edmonston & Douglas, 1874), 2 volumes.Google Scholar
Lockhart, J. G., Life of Scott (Edinburgh: T. C. & E. C. Jack, 1902), 10 volumes.Google Scholar
Leslie, Charles Robert, Autobiographical Recollections (London, 1860).Google Scholar
[Lockhart, John Gibson], Peter’s Letters to his Kinsfolk (Edinburgh: W. Blackwood, 1819).Google Scholar
Low, Ursula, Fifty years with John Company (London, 1936).Google Scholar
McNayr, James, A Guide from Glasgow, to some of the most remarkable scenes in the Highlands of Scotland (Glasgow: Courier Office, 1797).Google Scholar
Memes, J. S., Letter to John Steell, Esq. S.A. regarding the Scott monument (Edinburgh, 1838).Google Scholar
Memoirs of the Life of William Collins (London, 1848), 2 volumes.Google Scholar
Moore, John, A View of Society and Manners in Italy (London: W. Strahan & T. Cadell, 1781), 2 volumes.Google Scholar
Moore, John A View of Society and Manners in France, Switzerland, and Germany (London: W. Strahan & T. Cadell, 1779), 2 volumes.Google Scholar
[Mudie, Robert], A Historical Account of His Majesty’s Visit to Scotland (Edinburgh, 1822).Google Scholar
Otter, William, The Life and Remains of the Rev. Edward Daniel Clarke (London, 1824).Google Scholar
Pennant, Thomas, A Tour in Scotland (Chester: John Monk, 1771).Google Scholar
Pennant, Thomas A Tour in Scotland and Voyage to the Hebrides (Dublin: A. Leathley, 1775), 2 volumes.Google Scholar
Poole, Herbert Edmund (ed.), Music, Men and Manners in France and Italy, 1770, being the journal written by Charles Burney (London: Folio Society, 1969).Google Scholar
Second report of the subcommittee for erecting a monument to Sir Walter Scott (Edinburgh, 1835).Google Scholar
Scott, Walter, Reliquiae Trotcosienses, or, the gabions of the late Jonathan Oldbuck Esq. of Monkbarns, Carruthers, Gerald and Lumsden, Alison (eds.) (Edinburgh: Edinburgh University Press, 2004).Google Scholar
Scott, Walter The Letters of Sir Walter Scott, Grierson, H. J. C. (ed.) (London: Constable, 1932–7), 12 volumes.Google Scholar
[Scott, Walter], Hints addressed to the inhabitants of Edinburgh and others, in prospect of his Majesty’s visit by an old citizen (Edinburgh, 1822).Google Scholar
Silliman, Benjamin, A journal of travels in England, Holland and Scotland and two passages over the Atlantic in the years 1805 and 1806, 3rd edition (New Haven: S. Converse, 1820), 3 volumes.Google Scholar
[Simpson, James], Letters to Sir Walter Scott, Bart. on the moral and political character and effects of the visit to Scotland in August 1822 (Edinburgh: Waugh & Innes, 1822).Google Scholar
Spence, Elizabeth Isabella, Letters from the North Highlands during the summer 1816 (London, 1817).Google Scholar
Spence, Elizabeth Isabella Sketches of the present manners, customs and scenery of Scotland (London, 1811).Google Scholar
Third report of the sub-committee for erecting a monument to Sir Walter Scott (Edinburgh, 1838).Google Scholar
Walker, Ralph S. (ed.), The Correspondence of James Boswell and John Johnstone of Grange (London: Heinemann, 1966).Google Scholar
Wendeborn, Gebhard August, Friedrich, A view of England towards the close of the eighteenth century (London, 1791), 2 volumes.Google Scholar
Williams, S. T. (ed.), Tour in Scotland 1817 and other manuscript notes by Washington Irving (New Haven, CT, 1927).Google Scholar
Abrams, M. H., Doing Things with Texts: Essays in Criticism and Critical Theory (New York and London: Norton, 1989).Google Scholar
Adam Smith, Janet, ‘Some eighteenth-century ideas of Scotland,’ in Phillipson, N. T. and Mitchison, Rosalind (eds.) Scotland in the Age of Improvement (Edinburgh: Edinburgh University Press, 1970), pp. 107–124.Google Scholar
Alexander, David, Richard Newton and English Caricature in the 1790s (Manchester: Whitworth Art Gallery, 1998).Google Scholar
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 1983).Google Scholar
Appadurai, Arjun, The Social Life of Things: Commodities in Cultural Perspective (Cambridge: Cambridge University Press, 1986).Google Scholar
Archer, Mildred, India and British Portraiture, 1770–1825 (London: Philip Wilson, 1979).Google Scholar
Arnold, Dana, Cultural Identities and the Aesthetics of Britishness (Manchester: Manchester University Press, 2004).Google Scholar
Auerbach, Jeffrey, ‘Imperial Boredom’, Common Knowledge 11.2 (2005), pp. 283–305.Google Scholar
Bailey, Richard W., ‘Scots and Scotticisms: Language and ideology’, Studies in Scottish Literature 26 (1991), pp. 65–77.Google Scholar
Baines, Paul, ‘Ossianic geographies: Fingalian figures on the Scottish tour, 1760–1830’, Scotlands 4.1 (1997), pp. 44–61.Google Scholar
Bann, Stephen, ‘Historicizing Horace’, in Snodin, Michael (ed.), Horace Walpole’s Strawberry Hill (New Haven, CT, and London: Yale University Press, 2009), pp. 117–133.Google Scholar
Bann, Stephen ‘The sense of the past: images, text and object in the formation of historical consciousness in nineteenth-century Britain’, in Aram Veeser, H. (ed.), The New Historicism (London: Routledge, 1989), pp. 102–115.Google Scholar
Bann, Stephen Under the Sign: John Bargrave as Collector, Traveler and Witness (Ann Arbor: University of Michigan Press, 1994).Google Scholar
Bannet, Eve Tavor, Empire of Letters: Letters, Manuals and Transatlantic Correspondence, 1688–1820 (Cambridge: Cambridge University Press, 2005).Google Scholar
Barnard, Toby and Clark, Jane (eds.), Lord Burlington: Architecture, Art and Life (London: Hambleton, 1995).Google Scholar
Barrell, John, ‘Sir Joshua Reynolds and the Englishness of English art’, in Bhabha, Homi K. (ed.), Nation and Narration (London: Routledge, 1999), pp. 154–176.Google Scholar
Basker, James G., ‘Scotticisms and the problem of cultural identity in eighteenth-century Britain’, Eighteenth-Century Life 15.1 & 2 (1991), pp. 81–95.Google Scholar
Baucom, Ian, Out of Place: Englishness, Empire and the Locations of Identity (Princeton, NJ: Princeton University Press, 1999).Google Scholar
Bennett, A. G., Fans in Fashion: Selections from the Fine Arts Museums of San Francisco (Rutland: Fine Arts Museum of San Francisco, 1981).Google Scholar
Bhabha, Homi K. (ed.), Nation and Narration (London: Routledge, 1990).Google Scholar
Bickham, Troy, ‘Eating the Empire: intersections of food, cookery and imperialism in eighteenth-century Britain’, Past & Present 198 (2008), pp. 71–109.Google Scholar
Black, Jeremy, The British and the Grand Tour (London: Croom Helm, 1985).Google Scholar
Blench, B. J. R., ‘Symbols and sentiment: Jacobite glass’, in Woosnam-Savage, Robert C., 1745: Charles Edward Stuart and the Jacobites (Edinburgh: HMSO, 1995), pp. 87–102.Google Scholar
Bolla, Peter de, ‘The visibility of visuality: Vauxhall Gardens and the siting of the viewer’, in Melville, Stephen and Readings, Bill (eds.), Vision and Textuality (Basingstoke: Macmillan, 1995), pp. 282–295.Google Scholar
Bonehill, John and Daniels, Stephen, ‘Designs on the landscape: Paul and Thomas Sandby in North Britain’, Oxford Art Journal 40.2 (2017), pp. 223–238.Google Scholar
Bourdieu, Pierre, Outline of a Theory of Practice (Cambridge: Cambridge University Press, 1977).Google Scholar
Bowen, H. V., The Business of Empire: The East India Company and Imperial Britain, 1756–1833 (Cambridge: Cambridge University Press, 2006).Google Scholar
Bowers, Terence, ‘Reconstituting the national body in Smollett’s Travels through France and Italy’, Eighteenth-Century Life 21.1 (1997), pp. 1–25.Google Scholar
Bowron, Edgar Peters, Pompeo Batoni: A Complete Catalogue of His Paintings (New Haven, CT: Yale University Press, 2016), 2 volumes.Google Scholar
Bowron, Edgar Peters and Kerber, Peter Björn Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome (New Haven, CT and London: Yale University Press, 2008).Google Scholar
Bowron, Edgar Peters and Kerber, Peter Björn and Rishel, Joseph J. (eds.), Art in Rome in the Eighteenth Century (Philadelphia, PA: Philadelphia Museum of Art, 2000).Google Scholar
Brady, Frank, ‘So fast to ruin: The personal element in the collapse of Douglas, Heron and Company’, Ayrshire Archaeological and Natural History Society 11.2 (1973), pp. 27–44.Google Scholar
Brant, Clare, Eighteenth-Century Letters and British Culture (Basingstoke: Palgrave Macmillan, 2006).Google Scholar
Brewer, John, ‘Between distance and sympathy: Dr John Moore’s philosophical travel writing’, Modern Intellectual History 11.3 (2014), pp. 655–675.Google Scholar
Brooks, George R., ‘A portrait by Anton von Maron in the Busch-Reisinger Museum’, Gazette des Beaux Arts 67 (1966), pp. 115–118.Google Scholar
Brown, Bill, ‘Thing theory’, Critical Enquiry 28.1 (2001), pp. 1–22.Google Scholar
Brown, Iain Gordon (ed.), Abbotsford and Sir Walter Scott: The Image and the Influence (Edinburgh: Society of Antiquaries of Scotland, 2003).Google Scholar
Brown, Peter, The Cult of the Saints: Its Rise and Function in Latin Christianity (London: SCM Press, 1981).Google Scholar
Brubaker, Rogers and Cooper, Frederick, ‘Beyond “identity”’ Theory and Society 29 (2000), pp. 1–47.Google Scholar
Bryant, G. J., ‘The Scots in India in the eighteenth century’, Scottish Historical Review 64 (1985), pp. 22–41.Google Scholar
Brydall, Robert, Art in Scotland: Its Origin and Progress (Edinburgh: W. Blackwood & Sons, 1889).Google Scholar
Bryson, Norman, Vision and Painting: The Logic of the Gaze (London: Macmillan, 1983).Google Scholar
Burton, Antoinette, ‘Introduction: on the Inadequacy and the Indispensability of the Nation,’ in Burton, Antoinette (ed.) After the Imperial Turn: Thinking with and through Nation (London and Durham, NC: Duke University Press, 2003), pp. 1–23.Google Scholar
Burwick, Frederick, ‘Competing Histories in the Waverley Novels’, European Romantic Review 13 (2002), pp. 261–271.Google Scholar
Busco, Marie, Sir Richard Westmacott, Sculptor (Cambridge: Cambridge University Press, 1994).Google Scholar
Busco, Marie F., ‘The “Achilles” in Hyde Park’, Burlington Magazine 130 (1988), pp. 920–924.Google Scholar
Butler, Richard W., ‘Tartan mythology: the traditional tourist image of Scotland’, in Ringer, Greg (ed.), Destinations: Cultural Landscapes of Tourism (London: Routledge 1998), pp. 121–39.Google Scholar
Butt, John, The Industrial Archaeology of Scotland (Newton Abbot: David & Charles, 1967).Google Scholar
Butt, John ‘The Scottish cotton industry during the industrial revolution, 1780–1840’, in Cullen, L. M. and Smout, T. C. (eds.), Comparative Aspects of Scottish and Irish Economic and Social History, 1600–1900 (Edinburgh: Donald, 1977), pp. 116–128.Google Scholar
Butterworth, D. S., ‘Tinto, Pattieson, and the theories of pictorial and dramatic representation in Scott’s “The Bride of Lammermoor”’, South Atlantic Review 56.1 (1991), pp. 1–15.Google Scholar
Bynum, Caroline Walker, Metamorphosis and Identity (New York: Zone Books, 2005).Google Scholar
Bynum, Caroline Walker ‘Why all the fuss about the body? A medievalist’s perspective’, Critical Inquiry 22.1 (1995), pp. 1–33.Google Scholar
Cage, R. A. (ed.), The Scots Abroad: Labour, Capital, Enterprise, 1750–1914 (London: Croom Helm, 1985).Google Scholar
Caldwell, David H., ‘The re-arming of the Clans, 1822’, Review of Scottish Culture 21 (2009), pp. 67–86.Google Scholar
Cannizzo, Jeanne, ‘“He was a gentleman even to his dogs”: Portraits of Scott and his canine companions’, in Brown, Iain Gordon (ed.), Abbotsford and Sir Walter Scott: The Image and the Influence (Edinburgh: Society of Antiquaries of Scotland, 2003), pp. 115–135.Google Scholar
Cant, R. G., ‘David Steuart Erskine, 11th Earl of Buchan: Founder of the Society of Antiquaries of Scotland’, in Bell, Alan S. (ed.), The Scottish Antiquarian Tradition: Essays to Mark the Bicentenary of the Society of Antiquaries and its Museum, 1780–1980 (Edinburgh: Donald, 1981), pp. 1–30.Google Scholar
Carson, J. P., ‘Scott and the romantic dog’, Journal for Eighteenth-Century Studies 33.4 (2010), pp. 647–661.Google Scholar
Castle, Terry, Masquerade and Civilisation: The Carnivalesque in Eighteenth-Century English Culture and Fiction (London: Methuen, 1986).Google Scholar
Causey, Andrew, ‘Pevsner and Englishness’, in Draper, Peter (ed.), Reassessing Nikolaus Pevsner (Aldershot: Ashgate, 2004), pp. 123–144.Google Scholar
Caw, James L., Scottish Painting Past and Present, 1620–1908 (Edinburgh: T. C. & E. C. Jack, 1908).Google Scholar
Chalmers, Alan, ‘Scottish prospects: Thomas Pennant, Samuel Johnson and the possibilities of travel narrative’, in Clymer, Lorna and Mayer, Robert (eds.), Historical Boundaries, Narrative Forms: Essays on British Literature in the Long Eighteenth Century in Honor of Everett Zimmerman (Newark: University of Delaware Press, 2007), pp. 199–214.Google Scholar
Chalus, Elaine, ‘Fanning the flames: women, fashion and politics’, in Potter, Tiffany (ed.), Women, Popular Culture and the Eighteenth Century (Toronto and London: University of Toronto Press, 2012), pp. 92–112.Google Scholar
Chapman, Malcolm, The Gaelic Vision in Scottish Culture (London: Croom Helm, 1978).Google Scholar
Charlesworth, Michael, ‘Thomas Sandby climbs the Hoober Stand: The politics of panoramic drawing in eighteenth-century Britain’, Art History 19 (1996), pp. 247–266.Google Scholar
Chartier, Roger, ‘Culture as appropriation: Popular cultural uses in early modern France’, in Kaplan, Steven Laurence (ed.), Understanding Popular Culture: Europe from the Middle Ages to the Nineteenth Century (Berlin and New York: Moulton, 1984), pp. 229–254.Google Scholar
Chatterjee, Partha, The Nation and its Fragments: Colonial and Postcolonial Histories (Princeton, NJ: Princeton University Press, 1993).Google Scholar
Chaudhuri, K. N., The Trading World of Asia and the English East India Company, 1660–1760 (Cambridge: Cambridge University Press, 1978).Google Scholar
Cheape, Hugh, ‘The culture and material culture of Jacobitism’, in Lynch, Michael (ed.), Jacobitism and the ’45 (London: Historical Association Committee for Scotland and the Historical Association, 1995), pp. 32–48.Google Scholar
Cherry, Deborah and Harris, Jennifer, ‘Eighteenth-century portraiture and the seventeenth-century past: Gainsborough and Van Dyck’, Art History 5.3 (1982), pp. 287–309.Google Scholar
Christensen, Jerome, Romanticism at the End of History (Baltimore, MD and London: Johns Hopkins University Press, 2000).Google Scholar
Christian, Jessica, ‘Paul Sandby and the military survey of Scotland’, in Alfrey, Nicholas and Daniels, Stephen (eds.), Mapping the Landscape: Essays on Art and Cartography (Nottingham: University Art Gallery, 1990), pp. 18–22.Google Scholar
Clark, Anthony M., Pompeo Batoni: A Complete Catalogue of his Works (Oxford: Phaidon, 1985).Google Scholar
Clark, Jane, ‘Lord Burlington is here’, in Barnard, Toby and Clark, Jane (eds.), Lord Burlington: Architecture, Art and Life (London: Hambledon, 1995), pp. 251–310.Google Scholar
Clive, John and Bailyn, Bernard, ‘England’s cultural provinces: Scotland and America’, William and Mary Quarterly 11.2 (1954), pp. 200–213.Google Scholar
Cohen, Michèle, Fashioning Masculinity: National Identity and Language in the Eighteenth Century (London: Routledge, 1996).Google Scholar
Cohen, Michèle ‘The Grand Tour: constructing the English gentleman in eighteenth-century France’, History of Education 21.3 (1992), pp. 241–257.Google Scholar
Cohen, Michèle ‘The Grand Tour: national identity and masculinity’, Changing English: Studies in Culture and Education 8.2 (2001), pp. 129–141.Google Scholar
Cohen, Michèle ‘Manliness, effeminacy and the French: Gender and the construction of national character in eighteenth-century England’, in Hitchcock, Tim and Cohen, Michèle (eds.), English Masculinities, 1660–1800 (London: Longman, 1999), pp. 44–62.Google Scholar
Cohn, Bernard S., Colonialism and Its Forms of Knowledge: The British in India (Princeton, NJ: Princeton University Press, 1996).Google Scholar
Coleridge, Anthony, ‘The 3rd & 4th Dukes of Atholl and the firm of Chipchase, cabinet-makers’, Connoisseur 161 (1966), pp. 96–101.Google Scholar
Colley, Linda, ‘Britishness and otherness: An argument’, Journal of British Studies 31.4 (1992), pp. 309–329.Google Scholar
Colley, Linda Britons: Forging the Nation, 1707–1837 (New Haven, CT and London: Yale University Press, 1992).Google Scholar
Coltman, Viccy, ‘The aesthetics of colonialism: George Chinnery’s portrait of Gilbert Elliot, 1st Earl of Minto, 1812’, Visual Culture in Britain 17.2 (2016), pp. 1–26.Google Scholar
Coltman, Viccy ‘Material culture and the history of art(efacts)’, in Gerritsen, Anne and Riello, Giorgio (eds.), Writing Material Culture History (London: Bloomsbury, 2015), pp. 17–31.Google Scholar
Coltman, Viccy ‘Party-coloured plaid? Portraits of eighteenth-century Scots in tartan’, Textile History 41.2 (2010), pp. 182–216.Google Scholar
Coltman, Viccy ‘Scottish architects in eighteenth-century London: George Steuart, the competition for patronage and the representation of Scotland’, in Nenadic, Stana (ed.), Scots in London in the Eighteenth Century (Lewisburg, PA: Bucknell University Press, 2010), pp. 91–108.Google Scholar
Coltman, Viccy ‘Sojourning Scots and the portrait miniature in colonial India, 1770–1780’, Journal for Eighteenth-Century Studies 40.3 (2017), pp. 421–441.Google Scholar
Constantine, Mary-Ann and Leask, Nigel (eds.), Enlightenment Travel and British Identities: Thomas Pennant’s Tours in Scotland and Wales (London: Anthem Press, 2017).Google Scholar
Conway, Stephen, ‘Scots, Britons and Europeans: Scottish military service, c. 1739–1783’, Historical Research 82 (2009), pp. 114–130.Google Scholar
Conway, Stephen ‘War and national identity in the mid-eighteenth-century British Isles’, English Historical Review 116 (2001), pp. 863–893.Google Scholar
Cooke, Anthony, The Rise and Fall of the Scottish Cotton Industry, 1778–1914 (Manchester: Manchester University Press, 2010).Google Scholar
Corp, , Edward, T. (ed.), Lord Burlington, the Man and His Politics: Questions of Loyalty (Lewiston, NY: Edwin Mellen Press, 1998).Google Scholar
Corp, , Edward, T. ‘Maurice Quentin de la Tour’s portrait of Prince Charles Edward Stuart’, Burlington Magazine 139 (1997), pp. 322–325.Google Scholar
Craig, Maggie, ‘The fair sex turns ugly: Female involvement in the Jacobite rising of 1745’, in Brown, Yvonne Galloway and Ferguson, Rona (eds.), Twisted Sisters: Women, Crime and Deviance in Scotland since 1400 (East Linton: Tuckwell Press, 2002), pp. 84–100.Google Scholar
Cross, Anthony, ‘Cultural relations between Britain and Russia in the eighteenth century’, in Allen, Brian and Dukelskaya, Larissa (eds.), British Art Treasures from Russian Imperial Collections in the Hermitage (New Haven, CT and London: Yale University Press, 1996), pp. 16–35.Google Scholar
Cullen, Fintan, ‘The art of assimilation: Scotland and Its heroes’, Art History 16 (1993), pp. 600–618.Google Scholar
Cullen, Fintan and Morrison, John (eds.), A Shared Legacy: Essays on Irish and Scottish Visual Art and Culture (Aldershot: Ashgate, 2005).Google Scholar
Curtin, Philip D., Death by Migration: Europe’s Encounter with the Tropical World in the Nineteenth Century (Cambridge: Cambridge University Press, 1989).Google Scholar
Dalgleish, George, ‘Objects as icons: Myths and realities of Jacobite relics’, in Fladmark, J. M. (ed.), Heritage and Museums: Shaping National Identity (Shaftesbury: Donhead, 2000), pp. 91–102.Google Scholar
Darby, Michael, ‘Jacobite Garters’, Victoria and Albert Museum Bulletin 2.4 (1966), pp. 157–163.Google Scholar
Daston, Lorraine, Biographies of Scientific Objects (Chicago and London: Chicago University Press, 2000).Google Scholar
Daston, Lorraine (ed.), Things that Talk: Object Lessons from Art and Science (New York: Zone, 2004).Google Scholar
Daunton, Martin and Halpern, Rick (eds.), Empire and Others: British Encounters with Indigenous Peoples, 1600–1850 (London: UCL Press, 1999).Google Scholar
Davis, Leith, Duncan, Ian and Sorensen, Janet (eds.), Scotland and the Borders of Romanticism (Cambridge: Cambridge University Press, 2004).Google Scholar
Debord, Guy, The Society of the Spectacle (New York: Zone Books, 1994).Google Scholar
Devine, T. M., Scotland’s Empire, 1600–1815 (London: Allen Lane, 2003).Google Scholar
Devine, T. M. The Tobacco Lords: A Study of the Tobacco Merchants of Glasgow and their Trading Activities, c. 1740–90 (Edinburgh: Donald, 1975).Google Scholar
Devine, T. M. and McCarthy, Angela (eds.), The Scottish Experience in Asia c. 1700 to the Present: Settlers and Sojourners (Cham, Switzerland: Palgrave Macmillan, 2017).Google Scholar
Dingwall, Christopher, ‘Gardens in the wild’, Garden History 22 (1994), pp. 133–156.Google Scholar
Dingwall, Christopher ‘The Hercules Garden at Blair Castle, Perthshire’, Garden History 20 (1992), pp. 153–172.Google Scholar
Dingwall, Christopher ‘Ossian and Dunkeld: A hall of mirrors’, Scotlands 4. 1 (1997), pp. 62–70.Google Scholar
Donnachie, Ian and Hewitt, George, Historic New Lanark: The Dale and Owen Industrial Community since 1785 (Edinburgh: Edinburgh University Press, 1993).Google Scholar
Dormont, Richard, British Painting in the Philadelphia Museum of Art from the Seventeenth through the Nineteenth Century (London: Philadelphia Museum of Art in association with Weidenfeld & Nicolson, 1986).Google Scholar
Dorrian, Mark, ‘The king and the city: On the iconology of George IV in Edinburgh’, Edinburgh Architecture Research 30 (2006), pp. 32–36, reprinted in his Writing on the Image: Architecture, the City and the Politics of Representation (London: I.B. Tauris, 2015), pp. 13–21.Google Scholar
Duffy, Michael, The Englishman and the Foreigner (Cambridge: Chadwyck-Healey, 1986).Google Scholar
Duncan, Ian, Scott’s Shadow: The Novel in Romantic Edinburgh (Princeton, NJ: Princeton University Press, 2007).Google Scholar
Durie, Alastair, ‘“Scotland is Scott-Land”: Scott and the development of tourism’, in Pittock, Murray (ed.), The Reception of Sir Walter Scott in Europe (London: Continuum, 2006), pp. 313–322.Google Scholar
Durie, Alastair ‘Tourism in Victorian Scotland: The case of Abbotsford’, Scottish Economic and Social History 12 (1992), pp. 42–54.Google Scholar
Eaves, Morris, ‘The sister arts in British Romanticism’, in Curran, Stuart (ed.), The Cambridge Companion to British Romanticism (Cambridge: Cambridge University Press, 2006), pp. 236–270.Google Scholar
Entwistle, Joanne, ‘Fashion and the fleshy body: Dress as embodied practice’, Fashion Theory 4.3 (2000), pp. 323–347.Google Scholar
Entwistle, Joanne The Fashioned Body: Fashion, Dress and Modern Social Theory (Cambridge: Polity, 2000).Google Scholar
Epstein, James, ‘Radical dining, toasting and symbolic expression in early nineteenth-century Lancashire’, Albion 20.2 (1988), pp. 271–291.Google Scholar
Errington, Lindsay, ‘Sir Walter Scott and nineteenth-century painting in Scotland’, in Kaplan, Wendy (ed.), Scotland Creates: 5000 Years of Art and Design (London: Weidenfeld & Nicolson, 1990), pp. 121–135.Google Scholar
Fanon, Franz, The Wretched of the Earth (London: Penguin, 2001).Google Scholar
Farquhar, Helen, ‘Some portrait-medals struck between 1745 and 1752 for Prince Charles Edward Stuart’, British Numismatics Journal 17.7 (1923–4), pp. 170–225.Google Scholar
Fielding, Penny, ‘Writing at the North: Rhetoric and dialect in eighteenth-century Scotland’ The Eighteenth Century 39.1 (1998), pp. 25–43.Google Scholar
Finlay, Richard J., ‘Caledonia or North Britain’, in Broun, Dauvit, Finlay, Richard J. and Lynch, Michael (eds.), Image and Identity: The Making and Re-making of Scotland through the Ages (Edinburgh: John Donald, 1998), pp. 143–156.Google Scholar
Finley, Gerald, ‘J. M. W. Turner’s proposal for a “Royal Progress”’, Burlington Magazine 117 (1975), pp. 27–33+35.Google Scholar
Finley, Gerald Turner and George the Fourth in Edinburgh, 1822 (London: Tate Gallery, 1981).Google Scholar
Finn, Margot C., ‘Colonial gifts: Family politics and the exchange of goods in British India, c. 1780–1820’, Modern Asian Studies 40.1 (2006), pp. 203–231.Google Scholar
Forbes, Duncan, ‘Scottish historical painting in the 1820s: Tory hegemony and the spectacle of literary celebrity’, in Brotherstone, Terry, Clark, Anna and Whelan, Kevin (eds.), These Fissured Isles: Ireland, Scotland and British History, 1798–1848 (Edinburgh: John Donald 2005), pp. 141–162.Google Scholar
Ford, Brinsley, Dictionary of British and Irish Travellers in Italy, 1701–1800 (New Haven, CT and London: Yale University Press, 1997).Google Scholar
Ford, Brinsley ‘A portrait group by Gavin Hamilton: with some notes on portraits of Englishmen in Rome’, Burlington Magazine 97 (1955), pp. 372–378.Google Scholar
Forsyth, David (ed.), Bonnie Prince Charlie and the Jacobites (Edinburgh: National Museums Scotland, 2017).Google Scholar
Forth, Christopher E. and Crozier, Ivan (eds.), Body Parts: Critical Explorations in Corporeality (Oxford: Lexington Books, 2005).Google Scholar
Francis, Grant R., ‘Disguised Jacobite glasses’, Burlington Magazine 69 (1936), pp. 174–176.Google Scholar
Fraser, William, The Chiefs of Grant (Edinburgh, 1883), 3 volumes.Google Scholar
French, Henry and Rothery, Mark, ‘“Upon your entry into the world”: Masculine values and the threshold of adulthood among landed elites in England, 1680–1800’ Social History 33.4 (2008), pp. 402–422.Google Scholar
Fulford, Tim and Kitson, Peter J. (eds.), Romanticism and Colonialism: Writing and Empire, 1780–1830 (Cambridge: Cambridge University Press, 1998).Google Scholar
Garside, Peter, ‘Picturesque figure and landscape: Meg Merrilies and the gypsies’, in Copley, Stephen and Garside, Peter (eds.), The Politics of the Picturesque: Literature, Landscape and Aesthetics since 1770 (Cambridge: Cambridge University Press, 1994), pp. 145–174.Google Scholar
Geary, Patrick J., Furta Sacra: Thefts of Relics in the Central Middle Ages (Princeton, NJ: Princeton University Press, 1978).Google Scholar
Geary, Patrick J. Living with the Dead in the Middle Ages (Ithaca, NY and London: Cornell University Press, 1994).Google Scholar
Gifford, John, ‘The National Monument of Scotland’, Architectural Heritage 25 (2014), pp. 43–83.Google Scholar
Gikandi, Simon, Maps of Englishness: Writing Identity in the Culture of Colonialism (New York: Columbia University Press, 1996).Google Scholar
Gillis, John R. (ed.), Commemorations: The Politics of National Identity (Princeton, NJ: Princeton University Press, 1994).Google Scholar
Gilroy, Amanda and Verhoven, W. M., Epistolary Histories: Letters, Fiction, Culture (Charlottesville and London: University Press of Virginia, 2000).Google Scholar
Gleason, Philip, ‘Identifying identity: A semantic history’, Journal of American History 69.4 (1983), pp. 910–931.Google Scholar
Gold, John R., and Gold, Margaret M., Imagining Scotland: Tradition, Representation and Promotion in Scottish Tourism since 1750 (Aldershot: Scolar Press, 1995).Google Scholar
Goodsir, Sally, ‘George Steuart and Robert Adam: A professional relationship revealed’, Georgian Group Journal 18 (2010), pp. 91–104.Google Scholar
Gordon, Catherine, ‘The illustration of Sir Walter Scott: Nineteenth-century enthusiasm and adaptation’, Journal of the Warburg and Courtauld Institutes 34 (1971), pp. 297–317.CrossRefGoogle Scholar
Graham, Ian Cargill, Charles, Colonists from Scotland: Emigration to North America, 1707–1783 (Ithaca, NY: Cornell University Press, 1956).Google Scholar
Gray, John, ‘Lawlessness on the frontier: The Anglo-Scottish borderlands in the fourteenth to sixteenth century’, History and Anthropology 12.4 (2001), pp. 381–408.Google Scholar
Greene, Jack P., ‘Empire and identity from the Glorious Revolution to the American Revolution’, in Marshall, P. J. (ed.), The Oxford History of the British Empire: Volume II, the Eighteenth Century (Oxford: Oxford University Press, 1998), pp. 208–230.Google Scholar
Gregg, Stephen H., ‘Representing the nabob: India, stereotypes and eighteenth-century theatre’, in Shakur, Tasleem and D’Souza, Karen (eds.), Picturing South Asian Culture in English: Textual and Visual Representations (Liverpool: Open House, 2003), pp. 19–31.Google Scholar
Grosvenor, Bendor, ‘Bonnie Prince Charlie returns to Edinburgh’, Country Life 11 May 2016, pp. 122–125.Google Scholar
Guha, Ranafit, ‘Not at home in Empire’, Critical Inquiry 23.3 (1997), pp. 482–493.Google Scholar
Gust, Onni, ‘Remembering and forgetting the Scottish Highlands: Sir James Mackintosh and the forging of a British Imperial identity’, Journal of British Studies 52 (2013), pp. 615–637.Google Scholar
Guthrie, Neil, The Material Culture of the Jacobites (Cambridge: Cambridge University Press, 2013).Google Scholar
Gutiérrez, Natividad, ‘The study of national identity’, in Dieckhoff, Alain and Gutiérrez, Natividad (eds.), Modern Roots: Studies of National Identity (Aldershot: Ashgate, 2001), pp. 3–17.Google Scholar
Hall, Catherine, ‘William Knibb and the constitution of the new Black subject’, in Daunton, Martin and Halpern, Rick (eds.), Empire and Others: British Encounters with Indigenous Peoples, 1600–1850 (London: UCL Press, 1999), pp. 303–324.Google Scholar
Hall, Catherine and Rose, Sonya O., At Home with the Empire: Metropolitan Culture and the Imperial World (Cambridge: Cambridge University Press, 2006).Google Scholar
Hall, Stuart, ‘Cultural identity and diaspora’, in Mirzoeff, Nicholas (ed.), Diaspora and Visual Culture: Representing Africans and Jews (London: Routledge, 2000), pp. 21–33.Google Scholar
Hamilton, Douglas J., Scotland, the Caribbean and the Atlantic World, 1750–1820 (Manchester: Manchester University Press, 2005).Google Scholar
Hamilton, Henry, ‘The failure of the Ayr Bank, 1772’, Economic History Review 8.3 (1956), pp. 405–417.Google Scholar
Hancock, David, Citizens of the World: London Merchants and the Integration of the British Atlantic community, 1735–1785 (Cambridge: Cambridge University Press, 1995).Google Scholar
Handler, Richard, ‘Is “identity” a useful cross-cultural concept?’ in Gillis, John R. (ed.), Commemorations: The Politics of National Identity (Princeton, NJ: Princeton University Press, 1994), pp. 27–40.Google Scholar
Harrison, Mark, ‘“The Tender Frame of Man”: Disease, climate and racial difference in India and the West Indies, 1760–1860’, Bulletin of the History of Medicine 70.1 (1996), pp. 68–93.Google Scholar
Harvey, Karen, ‘Barbarity in a teacup? Punch, domesticity and gender in the eighteenth century’, Journal of Design History 21.3 (2008), pp. 205–221.Google Scholar
Harvey, Karen ‘Ritual encounters: Punch parties and masculinity in the eighteenth century’, Past & Present 214 (2012), pp. 165–203.Google Scholar
Hart, Avril and Taylor, E., Fans (London: Victoria & Albert Museum, 1998).Google Scholar
Hazard, Erin, ‘The Author’s House: Abbotsford and Wayside’, in Watson, Nicola J. (ed.), Literary Tourism and Nineteenth-Century Culture (Basingstoke: Palgrave Macmillan, 2009), pp. 63–72.Google Scholar
Henderson, Andrea K., Romantic Identities: Varieties of Subjectivity, 1774–1830 (Cambridge: Cambridge University Press, 1996).Google Scholar
Hill, R. J., Picturing Scotland through the Waverley Novels: Walter Scott and the Origins of the Victorian Illustrated Book (Farnham: Ashgate, 2010).Google Scholar
Holcomb, Adele M., ‘Scott and Turner’, in Bell, Alan S. (ed.), Scott Bicentenary Essays (Edinburgh: Scottish Academic Press, 1973), pp. 199–212.Google Scholar
Hollander, John, ‘The poetics of ekphrasis’, Word & Image 4 (1988), pp. 209–218.Google Scholar
Holloway, James and Errington, Lindsay, The Discovery of Scotland: The Appreciation of Scottish Scenery through Two Centuries of Painting (Edinburgh: National Gallery of Scotland, 1978).Google Scholar
Holm, Christiane, ‘Sentimental cuts: Eighteenth-century mourning jewelry with hair’, Eighteenth-Century Studies 38.1 (2004), pp. 139–143.Google Scholar
Hoock, Holgar, ‘From beefsteak to turtle: Artists’ dinner culture in eighteenth-century London’, Huntington Library Quarterly 66 (2003), pp. 27–54.Google Scholar
Hoppit, Julian, ‘Financial crises in eighteenth-century England’, Economic History Review 2nd series, 39.1 (1986), pp. 39–58.Google Scholar
Hoppit, Julian Risk and Failure in English Business, 1700–1800 (Cambridge: Cambridge University Press, 1987).Google Scholar
Hoppit, Julian (ed.), Parliaments, Nations and Identities in Britain and Ireland, 1660–1850 (Manchester: Manchester University Press, 2003).Google Scholar
Hughes, G. Bernard, English Snuff-Boxes (London: MacGibbon and Kee, 1971).Google Scholar
Hunter, Margaret, ‘Mourning jewellery: A collector’s account’, Costume 27.1 (1993), pp. 9–22.Google Scholar
Irvine, James (ed.), Parties and Pleasures: The Diaries of Helen Graham, 1823 to 1826 (Edinburgh: Paterson, 1957).Google Scholar
Irwin, David, ‘A ‘picturesque’ experience: The Hermitage at Dunkeld’, The Connoisseur 187 (1974), pp. 196–199.Google Scholar
Irwin, David and Irwin, Francina, Scottish Painters at Home and Abroad, 1700–1900 (London: Faber, 1975).Google Scholar
Jagger, Nicholas, ‘The iconising of Walter Scott’, in Hewitt, Martin (ed.), Representing Victorian Lives (Leeds: Leeds Centre for Victorian Studies, 1999), pp. 101–112.Google Scholar
Jenkins, Ralph E., ‘“And I travelled after him”: Johnson and Pennant in Scotland’, Texas Studies in Literature and Language 14.3 (1972), pp. 445–462.Google Scholar
Johns, , Christopher, M. S., ‘Portraiture and the making of cultural identity: Pompeo Batoni’s The Honourable Colonel William Gordon (1765–66) in Italy and North Britain’, Art History 27 (2004), pp. 382–411.Google Scholar
Jones, Ann R., and Stallybrass, Peter, Renaissance Clothing and the Materials of Memory (Cambridge: Cambridge University Press, 2000).Google Scholar
Jones, Lindsay (ed.), Encyclopedia of Religion (Detroit and London: Thomson/Gale, 2005).Google Scholar
Jordanova, Ludmilla, ‘The art and science of seeing in medicine: Physiognomy, 1780–1820’, in Bynum, W. F. and Porter, Roy (eds.), Medicine and the Five Senses (Cambridge: Cambridge University Press, 1993), pp. 122–133.Google Scholar
Jordanova, Ludmilla ‘Picture-talking: Portraiture and conversation in Britain, 1800–1830’, in Halsey, Katie and Slinn, Jane (eds.), The Concept and Practice of Conversation in the Long Eighteenth Century, 1688–1848 (Newcastle: Cambridge Scholars Publishing, 2008), pp. 151–169.Google Scholar
Joseph, Betty, Reading the East India Company, 1720–1840: Colonial Currencies of Gender (Chicago and London: Chicago University Press, 2003).Google Scholar
Juneja, Renu, ‘The Native and the Nabob: Representations of Indian experience in eighteenth-century English literature’, Journal of Commonwealth History 27.1 (1992), pp. 183–198.Google Scholar
Kaiser, Thomas E., ‘The drama of Charles Edward Stuart: Jacobite propaganda and French political protest, 1745–1750’, Eighteenth-Century Studies 30.4 (1997), pp. 365–381.Google Scholar
Karras, A. L., Sojourners in the Sun: Scottish Migrants in Jamaica and the Chesapeake, 1740–1800 (Ithaca, NY and London: Cornell University Press, 1992).Google Scholar
Kemp, Martin, The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat (New Haven, CT and London: Yale University Press, 1990).Google Scholar
Keymer, Tom, ‘Smollett’s Scotlands: Culture, politics and nationhood in “Humphry Clinker” and Defoe’s “Tour”’, History Workshop Journal 40.1 (1995), pp. 118–132.Google Scholar
Kidd, Colin, British Identities before Nationalism: Ethnicity and Nationhood in the Atlantic World, 1600–1800 (Cambridge: Cambridge University Press, 1999).Google Scholar
Kidd, Colin ‘North Britishness and the nature of eighteenth-century British patriotisms’, Historical Journal 39.2 (1996), pp. 361–382.Google Scholar
Kiernan, Victor, ‘Scottish soldiers and the conquest of India’, in Simpson, Grant G. (ed.), The Scottish Soldier Abroad, 1247–1967 (Edinburgh: John Donald, 1992), pp. 97–110.Google Scholar
Koditschek, Theodore, ‘The making of British nationality’, Victorian Studies 44.3 (2002), pp. 389–398.Google Scholar
Kumar, Krishnan, The Making of English National Identity (Cambridge: Cambridge University Press, 2003).Google Scholar
Kumar, Krishnan ‘Nation and Empire: English and British national identity in comparative perspective’, Theory and Society 29.5 (2000), pp. 576–608.Google Scholar
Kupperman, Karen Ordahl, Indians & English: Facing Off in Early America (Ithaca, NY: Cornell University Press, 2000).Google Scholar
Langford, Paul, A Polite and Commercial People: England, 1727–1783 (Oxford: Oxford University Press, 1989).Google Scholar
Langford, Paul ‘South Britons’ reception of North Britons, 1707–1820’, in Smout, T. C. (ed.), Anglo-Scottish Relations from 1603–1900 (Oxford: Oxford University Press, 2005), pp. 143–169.Google Scholar
Langford, Paul ‘Tories and Jacobites 1714–51’, in Sutherland, L. S. and Mitchell, L. G. (eds.), The History of the University of Oxford: Volume V, the Eighteenth Century (Oxford: Clarendon, 1986), pp. 99–127.Google Scholar
Lawson, Philip and Phillips, Jim, ‘“Our Execrable Banditti”: Perceptions of nabobs in mid-eighteenth century Britain’, Albion 16.3 (1984), pp. 225–241.Google Scholar
Leask, Nigel, ‘Fingalian topographies: Ossian and the Highland tour, 1760–1805’, Journal for Eighteenth-Century Studies 39.2 (2011), pp. 183–196.Google Scholar
Ledbury, Mark, James Northcote, History Painting and the Fables (New Haven, CT and London: Yale University Press, 2014).Google Scholar
Lee, Yoon Sun, ‘A divided inheritance: Scott’s antiquarian novel and the British nation’, English Literary History 64.2 (1997), pp. 537–567.Google Scholar
Lelièvre, F. J., ‘Jacobite glasses and their inscriptions’, The Glass Circle 5 (1986), pp. 62–74.Google Scholar
Leneman, Leah, Promises, Promises: Marriage Litigation in Scotland, 1698–1830 (Edinburgh: NMS Enterprises Ltd, 2003).Google Scholar
Lenman, Bruce, ‘The Scottish Episcopal clergy and the ideology of Jacobitism’, in Cruickshanks, Eveline (ed.), Ideology and Conspiracy: Aspects of Jacobitism, 1689–1759 (Edinburgh: Donald, 1982), pp. 36–48.Google Scholar
Lester, Alan, ‘Constructing colonial discourse: Britain, South Africa and the Empire in the nineteenth century’, in Blunt, Alison and McEwan, Cheryl (eds.), Postcolonial Geographies (New York and London: Continuum, 2002), pp. 29–45.Google Scholar
Lieberman, Ilene D., Potts, Alex, and Yarrington, Alison, ‘An edition of the ledger of Sir Francis Chantrey, R. A., at the Royal Academy, 1809–1841’, The Walpole Society 56 (1991/2), pp. 1–343.Google Scholar
López, Rosa, ‘The garter: Function and seduction’, Datatèxtil 13 (2005), pp. 4–19.Google Scholar
Lowenthal, Cynthia, Lady Mary Wortley Montagu and the Eighteenth-Century Familiar Letter (Athens and London: University of Georgia Press, 1994).Google Scholar
Lowrey, John, ‘From Caesarea to Athens: Greek Revival Edinburgh and the question of Scottish identity within the Unionist State’, Journal of the Society of Architectural Historians 60 (2001), pp. 136–157.Google Scholar
Löwy, Michael and Sayre, Robert, Romanticism against the Tide of Modernity (Durham, NC and London: Duke University Press, 2002).Google Scholar
Lukács, Georg, The Historical Novel (London: Merlin, 1962).Google Scholar
Lutz, Deborah, ‘The dead still among us: Victorian secular relics, hair jewelry and death culture’, Victorian Literature and Culture 39 (2011), pp. 127–142.Google Scholar
Macdonald, Murdo, ‘Finding Scottish art’, in Norquay, Glenda and Smyth, Gerry (eds.), Across the Margins: Cultural Identity and Change in the Atlantic Archipelago (Manchester: Manchester University Press, 2002), pp. 171–184.Google Scholar
Macinnes, Allan I., ‘Scottish Jacobitism: In search of a movement’, in Devine, T. M. and Young, J. R. (eds.), Eighteenth-Century Scotland: New Perspectives (East Linton: Tuckwell Press, 1999), pp. 70–89.Google Scholar
MacInnes, Ian, ‘Mastiffs and spaniels: Gender and nation in the English dog’, Textual Practice 17.1 (2003), pp. 21–40.Google Scholar
Mackenzie, John M., ‘Empire and national identities: The case of Scotland’, Transactions of the Royal Historical Society 8 (1998), pp. 215–231.Google Scholar
Mackenzie, John M. and Devine, T. M. (eds.), Scotland and the British Empire (Oxford: Oxford University Press, 2011).Google Scholar
Mackillop, Andrew, ‘Europeans, Britons and Scots: Scottish sojourning networks and identities in Asia, c. 1700–1815’, in McCarthy, Angela, A Global Clan: Scottish Migrant Networks and Identities since the Eighteenth Century (London: Tauris Academic Studies, 2006), pp. 19–47.Google Scholar
Mackillop, Andrew ‘The Highlands and the returning nabob: Sir Hector Munro of Novar, 1760–1807’, in Harper, Marjory (ed.), Emigrant Homecomings: The Return Movement of Emigrants, 1600–2000 (Manchester: Manchester University Press, 2005), pp. 233–261.Google Scholar
Mackillop, Andrew ‘Locality, nation and empire: Scots and the Empire in Asia, c. 1695–c. 1813’, in Mackenzie, J. M. and Devine, T. M. (eds.), Scotland and the British Empire (Oxford: Oxford University Press, 2011), pp. 4–83.Google Scholar
Maclean, James N. M., and Skinner, Basil, The Royal Visit of 1822 (Edinburgh: University of Edinburgh Department of Educational Studies, 1972).Google Scholar
Macmillan, Duncan, ‘The canon in Scottish art: Scottish art in the canon’, Scotlands 1. 1(1994), pp. 87–103.Google Scholar
Macmillan, Duncan Scottish Art, 1460–2000 (Edinburgh: Mainstream, 2000).Google Scholar
Macmillan, J. Duncan, ‘“Truly national designs”: Runciman’s Scottish themes at Penicuik’, Art History 1 (1978), pp. 90–98.Google Scholar
Malley, Shawn, ‘Walter Scott’s Romantic Archaeology: New/Old Abbotsford and The Antiquary’, Studies in Romanticism 40.2 (2001), pp. 233–251.Google Scholar
Mandler, Peter, ‘What is “national identity”? Definitions and applications in modern British historiography’, Modern Intellectual History 3.2 (2006), pp. 271–297.Google Scholar
Manners, Victoria, and Williamson, G. C., John Zoffany, R.A. (London: John Lane, 1920).Google Scholar
Mannings, David, ‘Notes on some eighteenth-century portrait prices in Britain’, Journal for Eighteenth-Century Studies 6.2 (1983), pp. 185–196.Google Scholar
Mari, Francesca, ‘The microhistorian’, Dissent 60 (2013), pp. 81–86.Google Scholar
Markus, Thomas A. (ed.), Order in Space and Society: Architectural Form and Its Context in the Scottish Enlightenment (Edinburgh: Mainstream, 1982).Google Scholar
Marshall, P. J., ‘British society in India under the East India Company’, Modern Asian Studies 31 (1997), pp. 89–108.Google Scholar
Marshall, P. J. East Indian Fortunes: The British in Bengal in the Eighteenth Century (Oxford: Clarendon Press, 1976).Google Scholar
Marshall, P. J. ‘Private British investment in eighteenth-century Bengal’, Bengal Past and Present 86 (1967), pp. 52–67.Google Scholar
Marshall, P. J. ‘The white town of Calcutta under the rule of the East India Company’, Modern Asian Studies 43 (2000), pp. 307–331.Google Scholar
McCausland, Hugh, Snuff and Snuff-Boxes (London: Batchworth, 1951).Google Scholar
McCracken-Flesher, Caroline, Possible Scotlands: Walter Scott and the Story of Tomorrow (Oxford: Oxford University Press, 2005).Google Scholar
McCracken-Flesher, Caroline ‘Walter Scott’s Romanticism: A theory of performance’, in Pittock, Murray (ed.), The Edinburgh Companion to Scottish Romanticism (Edinburgh: Edinburgh University Press, 2011), pp. 139–149.Google Scholar
McCullen, J. T., ‘Tobacco: A recurrent theme in eighteenth-century literature’, The Bulletin of the Rocky Mountain Modern Language Association 22.2 (1968), pp. 30–39.Google Scholar
McGilvary, George K., East India Patronage and the British State: The Scottish Elite and Politics in the Eighteenth Century (London: Tauris Academic Studies, 2008).Google Scholar
McMillen, Krystal, ‘Eating turtle, eating the world: comestible things in the eighteenth century’, Baird, Ileana and Ionescu, Christina (eds.), Eighteenth-Century Thing Theory in a Global Context: From Consumerism to Celebrity Culture (Aldershot: Ashgate, 2013), pp. 191–207.Google Scholar
McNairn, Alan, Behold the Hero: General Wolfe and the Arts in the Eighteenth Century (Liverpool: Liverpool University Press, 1997).Google Scholar
Meyer, Arline, ‘Re-dressing classical statuary: The eighteenth-century “hand in waistcoat” portrait’, Art Bulletin 77.1 (1995), pp. 45–63.Google Scholar
Miles, H. A. D., and Brown, David Blayney, Sir David Wilkie of Scotland (1785–1841) (Raleigh: North Carolina Museum of Art, 1987).Google Scholar
Miles, Robert, Romantic Misfits (Basingstoke: Palgrave Macmillan, 2008).Google Scholar
Millen, Ronald Forsyth, and Wolf, Ronald Erich, Heroic Deeds and Mystic Figures: A New Reading of Rubens’ Life of Maria de’ Medici (Princeton, NJ: Princeton University Press, 1989).Google Scholar
Miller, Daniel, Stuff (Cambridge: Polity Press, 2010).Google Scholar
Mirzoeff, Nicholas, Bodyscapes: Art, Modernity and the Ideal Figure (London and New York: Routledge, 1995).Google Scholar
Mitchell, Sebastian, Visions of Britain, 1730–1830: Anglo-Scottish Writing and Representation (New York: Palgrave Macmillan, 2013).Google Scholar
Mitchison, Rosalind, ‘Patriotism and national identity in eighteenth-century Scotland’, in Moody, T. W. (ed.), Nationality and the Pursuit of National Independence (Belfast: The Appletree Press, 1978), pp. 73–95.Google Scholar
Mole, Tom, What the Victorians Made of Romanticism: Material Artifacts, Cultural Practices, and Reception History (Princeton, NJ: Princeton University Press, 2017).Google Scholar
Monod, Paul Kleber, Jacobitism and the English People, 1688–1788 (Cambridge: Cambridge University Press, 1989).Google Scholar
Monod, Paul Kleber ‘A Restoration? 25 years of Jacobite studies’, Literature Compass 10.4 (2013), pp. 311–330.Google Scholar
Monod, PaulPittock, Murray and Szechi, Daniel (eds.), Loyalty and Identity: Jacobites at Home and Abroad (Basingstoke: Palgrave Macmillan, 2010).Google Scholar
Moore, John, A View of Society and Manners in Italy (London, 1781), 2 volumes.Google Scholar
Morrison, John, Painting the Nation: Identity and Nationalism in Scottish Painting, 1800–1920 (Edinburgh: Edinburgh University Press, 2003).Google Scholar
Murdoch, Alexander, ‘Scotland and the idea of Britain in the eighteenth century’, in Devine, T. M. and Young, J. R. (eds.), Eighteenth-Century Scotland: New Perspectives (East Linton:Tuckwell Press, 1999), pp. 106–121.Google Scholar
Murray, Arthur C., The Five Sons of ‘Bare Betty’ (London: John Murray, 1936).Google Scholar
Myrone, Martin, Bodybuilding: Reforming Masculinities in British Art, 1750–1810 (New Haven, CT and London: Yale University Press, 1995).Google Scholar
Navickas, Katrina, ‘“That sash will hang you”: Political clothing and adornment in England, 1780–1840’, Journal of British Studies 49.3 (2010), pp. 540–565.Google Scholar
Nead, Lynda, The Haunted Gallery: Painting, Photography, Film, c. 1900 (New Haven, CT and London: Yale University Press, 2007).Google Scholar
Nechtman, , Tillman, W., ‘A Jewel in the Crown? Indian wealth in domestic Britain in the late eighteenth century’, Eighteenth-Century Studies 41.1 (2007), pp. 71–86.Google Scholar
Nechtman, , Tillman, W., Nabobs: Empire and Identity in Eighteenth-Century Britain (Cambridge: Cambridge University Press, 2010).Google Scholar
Nechtman, , Tillman, W., ‘Nabobs Revisited: A cultural history of British Imperialism and the India Question in late eighteenth-century Britain’, History Compass 4.4 (2006), pp. 645–667.Google Scholar
Nevinson, J. L., ‘Vandyke dress’, Connoisseur 157 (1964), pp. 166–171.Google Scholar
Nevinson, J. L. ‘Vogue of the Vandyke dress’, Country Life Annual 1959, pp. 25–27.Google Scholar
Newman, Gerald, The Rise of English Nationalism: A Cultural History, 1740–1830 (London: Weidenfeld & Nicolson, 1987).Google Scholar
Nicholson, Eirwen E. C., ‘Evidence for the authenticity of portrait-engraved Jacobite drinking-glasses’, Burlington Magazine 138 (1996), pp. 396–397.Google Scholar
Nicholson, Eirwen E. C., ‘The oak v. the orange tree: Emblematizing dynastic union and conflict, 1600–1796’, in Westerwell, Bart (ed.), Anglo-Dutch Relations in the Field of the Emblem (Leiden: Brill, 1997), pp. 227–251.Google Scholar
Nicholson, Eirwen E. C. ‘“Revirescit”: The exilic origins of the Stuart oak motif’, in Corp, Edward T. (ed.), The Stuart Court in Rome: The Legacy of Exile (Aldershot: Ashgate, 2003), pp. 25–48.Google Scholar
Nicholson, Robin, Bonnie Prince Charlie and the Making of a Myth: A Study in Portraiture, 1720–1892 (Lewisburg, PA: Bucknell University Press, 2002).Google Scholar
Norman, A. V. B., ‘Arms and Armour at Abbotsford’, Apollo 76 (1962), pp. 525–529.Google Scholar
Norman, A. V. B. ‘George IV and Highland dress’, Review of Scottish Culture 10 (1997), pp. 5–15.Google Scholar
Normand, Tom, ‘55º North 3º West: A panorama from Scotland’, in Arnold, Dana and Corbett, David Peters (eds.), A Companion to British Art: 1600 to the Present (Chichester: Wiley-Blackwell, 2013), pp. 265–288.Google Scholar
Novotny, Jennifer, ‘Polite war: Material culture of the Jacobite era’, in Macinnes, Allan I., German, Kieran and Graham, Lesley (eds.), Living with Jacobitism: The Three Kingdoms and Beyond, 1690–1788 (London: Pickering & Chatto, 2014), pp. 153–172.Google Scholar
Oettermann, Stephan, The Panorama: History of a Mass Medium (New York: Zone Books, 1997).Google Scholar
Oleksijczuk, Denise Blake, ‘Gender in perspective: The King and Queen’s visit to the Panorama in 1793’, in Adams, Steven and Robins, Anna Gruetzner (eds.), Gendering Landscape Art (Manchester: Manchester University Press, 2000), pp. 146–161.Google Scholar
Palmeri, Frank (ed.), Humans and Other Animals in Eighteenth-Century British Culture: Representation, Hybridity, Ethics (Aldershot: Ashgate, 2006).Google Scholar
Park, Katharine, ‘Was there a Renaissance body?’, in Kaiser, Walter and Rocke, Michael (eds.), The Italian Renaissance in the Twentieth Century (Florence: Olschki, 2002), pp. 321–335.Google Scholar
Parker, J. G. ‘Scottish enterprise in India, 1750–1914’, in Cage, R. A. (ed.), The Scots Abroad: Labour, Capital, Enterprise, 1750–1914 (London: Croom Helm, 1985), pp. 191–219.Google Scholar
Peacocke, E. R., ‘Facing history: galleries and portraits in Waverley’s historiography’, European Romantic Review 22.2 (2011), pp. 57–86.Google Scholar
Pearce, Susan, ‘The matériel of war: Waterloo and its culture’, in Bonehill, John and Quilley, Geoff (eds.), Conflicting Visions: War and Visual Culture in Britain and France, c. 1700–1830 (Aldershot: Ashgate, 2005), pp. 207–226.Google Scholar
Pearsall, Sarah M. S., Atlantic Families: Lives and Letters in the Later Eighteenth Century (Oxford: Oxford University Press, 2008).Google Scholar
Pentland, Gordon, ‘“We speak for the Ready”: Images of Scots in political prints, 1707–1832’, Scottish Historical Review 90.1 (2011), pp. 64–95.Google Scholar
Percival, Melissa, The Appearance of Character: Physiognomy and Facial Expression in Eighteenth-Century France (Leeds: W. S. Maney for the NHRA, 1999).Google Scholar
Perry, Seamus, ‘Romanticism: The brief history of a concept’, in Duncan, Wu (ed.), A Companion to Romanticism (Oxford: Blackwell, 1998), pp. 3–11.Google Scholar
Pevsner, Nikolaus, The Englishness of English Art (London: British Broadcasting Corporation, 1956).Google Scholar
Pinnington, Edward, Sir David Wilkie and the Scottish School (Edinburgh, 1900).Google Scholar
Pittock, Murray, ‘The Aeneid in the Age of Burlington: A Jacobite text?’, in Barnard, Toby and Clark, Jane, Lord Burlington: Architecture, Art and Life (London: Hambleton, 1995), pp. 231–249.Google Scholar
Pittock, Murray Material Culture and Sedition, 1688–1760: Treacherous Objects, Secret Places (Basingstoke: Palgrave Macmillan, 2013).Google Scholar
Pittock, Murray The Myth of the Jacobite Clans (Edinburgh: Edinburgh University Press, 1995).Google Scholar
Pittock, Murray ‘Treacherous Objects: Towards a theory of Jacobite material culture’, Journal for Eighteenth-Century Studies 34.1 (2011), pp. 39–63.Google Scholar
Plumb, Christopher, The Georgian Menagerie: Exotic Animals in Eighteenth-Century London (London: I.B. Tauris, 2015).Google Scholar
Pointon, Marcia, Brilliant Effects: A Cultural History of Gem Stones & Jewellery (New Haven, CT and London: Yale University Press, 2009).Google Scholar
Pointon, Marcia Portrayal and the Search for Identity (London: Reaktion, 2013).Google Scholar
Pointon, Marcia ‘“Surrounded with brilliants”: Miniature portraits in eighteenth-century England’, Art Bulletin 133 (2001), pp. 48–71.Google Scholar
Pointon, Marcia ‘Wearing memory: Mourning, jewellery and the body’, in Ecker, Gisela (ed.), Trauer tragen – Trauer zeigen: Inszenierungen der Geschlechter (Munich: Fink, 1999), pp. 65–81.Google Scholar
Port, M. H., ‘Town house and country house: Their interaction’, in Arnold, Dana (ed.), The Georgian Country House: Architecture, Landscape and Society (Stroud: Sutton, 1998), pp. 117–38.Google Scholar
Port, M. H. ‘West End palaces: The aristocratic town house in London, 1730–1830’, The London Journal 20 (1995), pp. 17–46.Google Scholar
Porter, Roy, Bodies Politic: Disease, Death and Doctors in Britain, 1650–1900 (London: Reaktion, 2001).Google Scholar
Porter, Roy ‘History of the body’, in Burke, Peter (ed.), New Perspectives on Historical Writing (Cambridge: Polity, 1991), pp. 206–232.Google Scholar
Pottle, Frederick A., James Boswell: The Earlier Years, 1740–1769 (New York: McGraw-Hill, 1966).Google Scholar
Prebble, John, The King’s Jaunt: George IV in Scotland, August 1822 (London: Collins, 1988).Google Scholar
Prown, Jules D., ‘Mind in matter: An introduction to material culture theory and method’, Winterthur Portfolio 17.1 (1982), pp. 1–19.Google Scholar
Raeburn, Michael, Voronikhina, Ludmila and Nurnberg, Andrew (eds.), The Green Frog Service (London: Cacklegoose Press, 1995).Google Scholar
Ragussis, Michael, ‘Jews and other “Outlandish Englishmen”: Ethnic performance and the invention of British identity under the Georges’, Critical Inquiry 26.4 (2000), pp. 773–797.Google Scholar
Raleigh, John Henry, ‘What Scott meant to the Victorians’, Victorian Studies 7 (1963), pp. 7–34.Google Scholar
Rappaport, Erika, ‘“The Bombay Debt”: Letter writing, domestic economies and family conflict in colonial India’, Gender & History 16.2 (2004), pp. 233–260.Google Scholar
Raven, James, Judging New Wealth: Popular Publishing and Responses to Commerce in England, 1750–1800 (Oxford: Clarendon Press, 1992).Google Scholar
Redford, Bruce, Venice and the Grand Tour (New Haven, CT and London: Yale University Press, 1996).Google Scholar
Ribeiro, Aileen, The Art of Dress: Fashion in England and France, 1750 to 1820 (New Haven, CT and London: Yale University Press, 1995).Google Scholar
Ribeiro, Aileen The Dress Worn at Masquerades in England, 1730 to 1790, and its Relation to Fancy Dress in Portraiture (New York and London: Garland, 1984)Google Scholar
Richards, Eric, ‘Scotland and the uses of the Atlantic Empire’, in Bailyn, Bernard and Morgan, Philip D. (eds.), Strangers within the Realm: Cultural Margins of the First British Empire (Chapel Hill and London: University of North Carolina Press, 1991), pp. 67–114.Google Scholar
Richardson, H. E., ‘George Bogle and his children’, Scottish Genealogist 29 (1982), pp. 73–83.Google Scholar
Riddy, John, ‘Warren Hastings: Scotland’s benefactor’, in Carnall, Geoffrey and Nicholson, Colin (eds.), The Impeachment of Warren Hastings: Papers from a Bicentenary Commemoration (Edinburgh: Edinburgh University Press, 1989), pp. 30–57.Google Scholar
Rigney, Ann, ‘Abbotsford: Dislocation and cultural remembrance’, in Hendrix, Harald (ed.), Writers’ Houses and the Making of Memory (New York and London: Routledge, 2008), pp. 75–91.Google Scholar
Rigney, Ann The Afterlives of Walter Scott: Memory on the Move (Oxford: Oxford University Press, 2012).Google Scholar
Rix, M. M., and Serjeant, W. R., ‘George Steuart, Architect, in the Isle of Man’, The Journal of the Manx Museum 6 (1962–3), pp. 177–179.Google Scholar
Robertson, Fiona, ‘Romancing and Romanticism’, in Robertson, Fiona (ed.), The Edinburgh Companion to Sir Walter Scott (Edinburgh: Edinburgh University Press, 2012), pp. 93–105.Google Scholar
Rosenthal, Angela, ‘Unfolding gender: Women and the “secret” sign language of fans in Hogarth’s work’, in Fort, Bernadette and Rosenthal, Angela (eds.), The Other Hogarth: Aesthetics of Difference (Princeton, NJ and Oxford: Princeton University Press, 2001), pp. 120–141.Google Scholar
Ross, Ian, ‘A bluestocking over the border: Mrs Elizabeth Montagu’s aesthetic adventures in Scotland, 1766’, Huntington Library Quarterly 28.3 (1965), pp. 213–233.Google Scholar
Rothschild, Emma, The Inner Life of Empires: An Eighteenth-Century History (Princeton, NJ: Princeton University Press, 2011).Google Scholar
Rothstein, Eric, ‘Scotophilia and Humphry Clinker: The politics of beggary, bugs and buttocks’, University of Toronto Quarterly 52 (1982–3), pp. 63–78.Google Scholar
Rowan, Alistair J., ‘After the Adelphi: Forgotten years in the Adam brothers’ practice’, Journal of the Royal Society of Arts 122 (1974), pp. 659–710.Google Scholar
Russell, Francis, ‘Notes on Luti, Batoni and Nathaniel Dance’, Burlington Magazine 130 (1988), pp. 853–855.Google Scholar
Russell, Francis Portraits of Sir Walter Scott: A Study of Romantic Portraiture (London: F. Russell, 1987).Google Scholar
Sahlins, Peter, Boundaries: The Making of France and Spain in the Pyrenees, 1659–1868 (Berkeley: University of California Press, 1989).Google Scholar
Samuel, Raphael (ed.), Patriotism: The Making and Unmaking of British National Identity (London: Routledge, 1989).Google Scholar
Sanderson, Margaret H. B., ‘A Proper Repository’: The Building of the General Register House (Edinburgh: Scottish Record Office, 1992).Google Scholar
Sanderson, Margaret H. B. Robert Adam and Scotland: Portrait of an Architect (Edinburgh: HMSO, 1992).Google Scholar
Sanger, Alice E., ‘Sensuality, sacred remains and devotion in Baroque Rome’, in Sanger, Alice E. and Walker, Siv Tove Kulbrandstad (eds.), Sense and the Senses in Early Modern Art and Cultural Practice (Farnham: Ashgate, 2012), pp. 199–215.Google Scholar
Sankey, Margaret and Szechi, Daniel, ‘Elite culture and the decline of Scottish Jacobitism, 1716–1745’, Past & Present 173 (2001), pp. 90–128.Google Scholar
Schlarman, Julie, ‘The social geography of Grosvenor Square: Mapping gender and politics, 1720–1760’, The London Journal 28 (2003), pp. 8–28.Google Scholar
Schwarzer, Mitchell, ‘Origins of the art history survey text’, Art Journal 53.4 (1995), pp. 24–29.Google Scholar
Seddon, Geoffrey B., The Jacobites and Their Drinking Glasses (Woodbridge: Antique Collectors’ Club, 1995).Google Scholar
de Seta, Cesare, ‘Grand Tour: the lure of Italy in the eighteenth century’ in Wilton, Andrew and Bignamini, Ilaria (eds.), Grand Tour: The Lure of Italy in the Eighteenth Century (London: Tate Gallery, 1996), pp. 13–19.Google Scholar
Sharp, Richard, The Engraved Record of the Jacobite Movement (Aldershot: Scolar Press, 1996).Google Scholar
Shaw, Philip, Waterloo and the Romantic Imagination (Basingstoke: Palgrave Macmillan 2002).Google Scholar
Sheumaker, Helen, ‘“This Lock You See”: Nineteenth-century hair work as the commodified self’, Fashion Theory 1.4 (1997), pp. 421–445.Google Scholar
Shields, Juliet, Sentimental Literature and Anglo-Scottish Identity, 1745–1820 (Cambridge: Cambridge University Press, 2010).Google Scholar
Siegfried, Susan L., ‘Picturing the battlefield of victory: Document, drama, image’, in Padiyar, Satish, Shaw, Philip and Simpson, Philippa (eds.), Visual Culture and the Revolutionary and Napoleonic Wars (Routledge: London and New York, 2017), pp. 213–245.Google Scholar
Simpson, Kenneth, Protean Scot: The Crisis of Identity in Eighteenth-Century Scottish Literature (Aberdeen: Aberdeen University Press, 1988).Google Scholar
Skinner, Basil, ‘A note on four British artists in Rome’, Burlington Magazine 99 (1957), pp. 237–239.Google Scholar
Skinner, Basil Scots in Italy in the Eighteenth Century (Edinburgh: Scottish National Portrait Gallery, 1966).Google Scholar
Skinner, Basil ‘Scott as pageant-master: The royal visit of 1822’, in Bell, Alan S. (ed.), Scott Bicentenary Essays (Edinburgh: Scottish Academic Press, 1973), pp. 228–237.Google Scholar
Skinner, Basil ‘Some aspects of the work of Nathaniel Dance in Rome’, Burlington Magazine 101 (1959), pp. 346–349.Google Scholar
Slater, John, ‘The Strand and the Adelphi’, Journal of the Royal Society of Arts 71 (1922), pp. 19–32.Google Scholar
Smailes, Helen, Andrew Geddes, 1783–1844: ‘A Man of Pure Taste’ (Edinburgh: National Galleries of Scotland, 2001).Google Scholar
Smethurst, Paul, ‘Peripheral vision, landscape and nation-building in Thomas Pennant’s tours of Scotland, 1769–72’, in Colbert, Benjamin (ed.), Travel Writing and Tourism in Britain and Ireland (Basingstoke and New York: Palgrave Macmillan, 2012), pp. 13–30.Google Scholar
Smith, Anthony D., The Nation made Real: Art and National Identity in Western Europe, 1600–1850 (Oxford: Oxford University Press, 2013).Google Scholar
Smith, Anthony D. National Identity (London: Penguin, 1991).Google Scholar
Smout, Christopher, ‘Tours in the Scottish Highlands from the eighteenth to the twentieth centuries’, Northern Scotland 5.1 (1982–3), pp. 99–121.Google Scholar
Smout, Thomas Christopher, ‘Perspectives on the Scottish identity,’ Scottish Affairs 6 (1994), pp. 101–113.Google Scholar
Smout, Thomas Christopher ‘Problems of nationalism, identity and improvement in later eighteenth-century Scotland’, in Devine, T. M. (ed.), Improvement and Enlightenment (Edinburgh: John Donald, 1989), pp. 1–21.Google Scholar
Smylitopoulos, Christina, ‘Portrait of a nabob: Graphic satire, portraiture and the Anglo-Indian in the late eighteenth century’, Revue d’art canadienne 37 (2012), pp. 10–25.Google Scholar
Smylitopoulos, Christina ‘Rewritten and reused: Imaging the Nabob through “Upstart iconography”’, Eighteenth-Century Life 32 (2008), pp. 39–59.Google Scholar
Spivak, Gayatri Chakravorty, Outside in the Teaching Machine (New York and London: Routledge, 1993).Google Scholar
Stafford, Barbara Maria, Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine (Cambridge, MA and London: MIT Press, 1991).Google Scholar
Stafford, Fiona, ‘Scottish Romanticism and Scotland in Romanticism’, in Ferber, Michael (ed.), A Companion to European Romanticism (Oxford: Blackwell, 2005), pp. 49–66.Google Scholar
Standen, Edith A., ‘Instruments for agitating the air’, Metropolitan Museum of Art Bulletin 23.1 (1965), pp. 243–258.Google Scholar
Steegman, John, ‘Some English portraits by Pompeo Batoni’, Burlington Magazine 88 (1946), pp. 56–63.Google Scholar
Stewart, Keith, ‘Towards defining an aesthetic for the familiar letter in eighteenth-century England’, Prose Studies 5 (1982), pp. 179–192.Google Scholar
Stewart, Rachel, The Town House in Georgian London (New Haven, CT and London: Yale University Press, 2009).Google Scholar
Strawhorn, John, ‘The background to Burns. Part II: Industry and commerce in eighteenth-century Ayrshire’, Ayrshire Collections 4 (1958), pp. 182–215.Google Scholar
Synnott, Anthony, ‘Shame and glory: A sociology of hair’, British Journal of Sociology 38.3 (1987), pp. 381–413.Google Scholar
Szechi, Daniel, The Jacobites: Britain and Europe, 1688–1788 (Manchester: Manchester University Press, 1994).Google Scholar
Tague, Ingrid H., Animal Companions: Pets and Social change in Eighteenth-Century Britain (University Park: Pennsylvania State University Press, 2015).Google Scholar
Taylor, Charles, ‘Modernity and identity’, in Scott, Joan W. and Keates, Debra (eds.), Schools of Thought: Twenty-Five Years of Interpretative Social Science (Princeton, NJ and Oxford: Princeton University Press, 2001), pp. 139–153.Google Scholar
Taylor, Miles, ‘John Bull and the iconography of public opinion in England, c. 1712–1929’, Past and Present 134 (1992), pp. 93–128.Google Scholar
Teltscher, Kate, ‘Writing home and crossing cultures: George Bogle in Bengal and Tibet, 1770–1775’, in Wilson, Kathleen (ed.), A New Imperial History: Culture, Identity and Modernity in Britain and the Empire, 1660–1840 (Cambridge: Cambridge University Press, 2004), pp. 281–296.Google Scholar
Thom, Danielle, ‘“William, the Princely Youth”: The Duke of Cumberland and anti-Jacobite visual strategy, 1745–46’, Visual Culture in Britain 16 (2015), pp. 269–286.Google Scholar
Thomson, Duncan, Raeburn: The Art of Sir Henry Raeburn, 1756–1823 (Edinburgh: Scottish National Portrait Gallery, 1997).Google Scholar
Tobin, Beth Fowkes, Picturing Imperial Britain: Colonial Subjects in Eighteenth-Century British Painting (Durham, NC and London: Duke University Press, 1999).Google Scholar
Travers, Robert, ‘Death and the nabob: Imperialism and commemoration in eighteenth-century India’, Past and Present 196 (2007), pp. 83–124.Google Scholar
Trevor-Roper, Hugh, ‘The invention of tradition: The Highland tradition of Scotland’, in Hobsbawm, Eric and Ranger, Terence (eds.), The Invention of Tradition (Cambridge: Cambridge University Press, 1983), pp. 15–41.Google Scholar
Tromans, Nicholas, David Wilkie: The People’s Painter (Edinburgh: Edinburgh University Press, 2007).Google Scholar
Trumpener, Katie, Bardic Nationalism: The Romantic Novel and the British Empire (Princeton, NJ: Princeton University Press, 1997).Google Scholar
Turner, Katherine, ‘Defoe’s Tour: The changing “Face of Things”’, British Journal for Eighteenth-Century Studies 24 (2001), pp. 189–206.Google Scholar
Tytler, Graeme, ‘“Faith in the Hand of Nature”: Physiognomy in Sir Walter Scott’s fiction’, Studies in Scottish Literature 33.1 (2004), pp. 223–246.Google Scholar
Vaughan, William, ‘The Englishness of British Art’, Oxford Art Journal 13.2 (1990), pp. 11–23.Google Scholar
Vincent, Susan, Dressing the Elite: Clothes in Early Modern England (Oxford: Berg, 2003).Google Scholar
Wahrman, Dror, ‘Change and the corporeal in seventeenth- and eighteenth-century gender history: or can cultural history be rigorous?’, Gender & History 20.3 (2008), pp. 584–602.Google Scholar
Wahrman, Dror ‘The English problem of identity in the American Revolution’, American Historical Review 106.4 (2001), pp. 1236–1262.Google Scholar
Wahrman, Dror The Making of the Modern Self: Identity and Culture in Eighteenth-Century England (New Haven, CT and London: Yale University Press, 2004).Google Scholar
Wahrman, Dror ‘National society, communal culture: An argument about the recent historiography of eighteenth-century Britain’, Social History 17.1 (1992), pp. 43–72.Google Scholar
Wainwright, Clive, The Romantic Interior: The British Collector at Home, 1750–1850 (New Haven, CT and London: Yale University Press, 1989).Google Scholar
Walsham, Alexandra (ed.), Relics and Remains (Oxford: Oxford University Press, 2010).Google Scholar
Watson, Nicola J., ‘Readers of Romantic locality: Tourists, Loch Katrine and The Lady of the Lake’, in Bode, Christoph and Labbe, Jacqueline (eds.), Romantic Localities: Europe Writes Place (London: Pickering & Chatto, 2010), pp. 67–79.Google Scholar
Webb, Ruth, ‘Ekphrasis ancient and modern: The invention of a genre’, Word & Image 15.1 (1999), pp. 7–18.Google Scholar
Webster, Mary, Johan Zoffany, 1733–1810 (New Haven, CT and London: Yale University Press, 2011).Google Scholar
Weschenfelder, Klaus, ‘Belisar und sein Begleiter: Die Karriere eines Blinden in der Kunst vom 17. bis zum 19. Jahrhundert’, Marburger Jahrbuch für Kunstwissenschaft 30 (2003), pp. 245–268.Google Scholar
Westover, Paul, Necromanticism: Traveling to Meet the Dead, 1750–1860 (Basingstoke: Palgrave Macmillan, 2012).Google Scholar
Whatley, Christopher A., Scottish Society, 1707–1830: Beyond Jacobitism, Towards Industrialisation (Manchester: Manchester University Press, 2000).Google Scholar
White, Jerry, London in the Eighteenth Century: A Great and Monstrous Thing (London: Bodley Head, 2012).Google Scholar
Whyman, Susan E., The Pen and the People: English Letter Writers, 1660–1800 (Oxford: Oxford University Press, 2009).Google Scholar
Wilson, Kathleen, ‘Citizenship, empire and modernity in the English provinces, c. 1720–1790’, Eighteenth-Century Studies 29.1 (1995), pp. 69–96.Google Scholar
Wilson, Kathleen (ed.), A New Imperial History: Culture, Identity and Modernity in Britain and the Empire, 1660–1840 (Cambridge: Cambridge University Press, 2004).Google Scholar
Wilton-Ely, John, ‘Lord Burlington and the virtuoso portrait’, Architectural History 27 (1984), pp. 376–381.Google Scholar
Withers, Charles, ‘The historical creation of the Scottish Highlands’, in Donnachie, Ian and Whatley, Christopher (eds.), The Manufacture of Scottish History (Edinburgh: Polygon, 1992), pp. 143–156.Google Scholar
Wood, Gillen d’Arcy, The Shock of the Real: Romanticism and Visual Culture, 1760–1860 (New York: Palgrave, 2001).Google Scholar
Woolf, Noel, The Medallic Record of the Jacobite Movement (London: Spink & Son Ltd, 1988).Google Scholar
Wright, B. S., ‘Scott’s historical novels and French historical painting, 1815–1855’, Art Bulletin 63 (1981), pp. 268–287.Google Scholar
Wright, B. S. ‘“Seeing with the Painter’s Eye: Sir Walter Scott’s challenge to nineteenth-century art’, in Pittock, Murray (ed.), The Reception of Sir Walter Scott in Europe (London: Continuum, 2006), pp. 293–312.Google Scholar
Wrigley, Richard, The Politics of Appearance: Representations of Dress in Revolutionary France (Oxford: Berg, 2002).Google Scholar
Wu, Duncan (ed.), A Companion to Romanticism (Oxford: Blackwell, 1998).Google Scholar
Young, Hilary (ed.), The Genius of Wedgwood (London: V&A, 1995).Google Scholar
Zuelow, Eric G. E.,‘“Kilts versus Breeches”: The royal visit, tourism and Scottish national memory’, Journeys 7.2 (2006), pp. 33–53.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Viccy Coltman, University of Edinburgh
  • Book: Art and Identity in Scotland
  • Online publication: 14 October 2019
  • Chapter DOI: https://doi.org/10.1017/9781108278133.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Viccy Coltman, University of Edinburgh
  • Book: Art and Identity in Scotland
  • Online publication: 14 October 2019
  • Chapter DOI: https://doi.org/10.1017/9781108278133.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Viccy Coltman, University of Edinburgh
  • Book: Art and Identity in Scotland
  • Online publication: 14 October 2019
  • Chapter DOI: https://doi.org/10.1017/9781108278133.009
Available formats
×