Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-26T03:06:03.357Z Has data issue: false hasContentIssue false

The Art of Memory: The Posthumous Reputation of King Harold II Godwineson:(The Des Seal Memorial Lecture)

Published online by Cambridge University Press:  14 October 2020

Get access

Summary

As W. C. Sellar and R. J. Yeatman wrote, long ago, ‘History is not what you thought. It is what you can remember.’ I myself would go a little further: ‘history is what people want you to remember’, and if that sounds paranoid, a little paranoia never did anyone any harm and is, as far as historians are concerned, a healthy addition to their professional repertoire. The point can be illustrated by considering the posthumous reputation of King Harold II Godwineson, whose defeat at Hastings provided Sellar and Yeatman with the title of their work. Harold's fall meant the loss not only of the battle, his kingdom and his life, but also his good name, and the almost unanimous strictures on him and on his family from both medieval and modern historians warrant examination.

Harold's claim to the kingship was threefold: he had been chosen by the previous king, elected by the English magnates and consecrated in the coronation ritual. Even in near-contemporary sources there is some doubt about the first element, the designation by King Edward. All three recensions of the Anglo-Saxon Chronicle, written within a few years of the Conquest, say that Edward chose Harold as his heir, and the claim is grudgingly accepted in the panegyric on Duke William penned by William of Poitiers in the early 1070s. The Bayeux Tapestry is more ambiguous. In its scene depicting King Edward's deathbed only the dying king is identified by name, and the text says merely that he is speaking to his faithful companions (hic Eadwardus rex iniecto alloquit fideles), with no hint of what he is actually saying. The other participants in the scene can be identified from the more or less contemporary description of the king's deathbed in the Life of King Edward who Rests at Westminster. Here the Tapestry's ‘faithful companions’ appear as Queen Edith, ‘who was sitting on the floor warming [Edward’s] feet in her lap’, Earl Harold, Robert fitzWymarc and Archbishop Stigand, all of whom the king had summoned to hear his prophetic dream of England as a green tree, cut down and carried three furlongs from its stump before regrowing and fruiting once again.

Type
Chapter
Information
Anglo-Norman Studies XLII
Proceedings of the Battle Conference 2019
, pp. 29 - 44
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×