Book contents
- Aboriginal Rock Art and the Telling of History
- Aboriginal Rock Art and the Telling of History
- Copyright page
- Dedication
- Contents
- Figures
- Foreword
- Acknowledgements
- Note on the Text
- Abbreviations
- Chapter 1 Rock Beats Paper
- Chapter 2 Change and Tradition in West Arnhem Land Rock Art
- Chapter 3 The Counter-Archive of First Nations Biography
- Chapter 4 Reading the Writing on the Wall
- Chapter 5 Touchstones for Memory, Bedrocks for History
- Chapter 6 Timelessness and Permanence
- Conclusions
- Afterword
- Glossary
- Bibliography
- Index
Chapter 5 - Touchstones for Memory, Bedrocks for History
Published online by Cambridge University Press: 12 November 2024
- Aboriginal Rock Art and the Telling of History
- Aboriginal Rock Art and the Telling of History
- Copyright page
- Dedication
- Contents
- Figures
- Foreword
- Acknowledgements
- Note on the Text
- Abbreviations
- Chapter 1 Rock Beats Paper
- Chapter 2 Change and Tradition in West Arnhem Land Rock Art
- Chapter 3 The Counter-Archive of First Nations Biography
- Chapter 4 Reading the Writing on the Wall
- Chapter 5 Touchstones for Memory, Bedrocks for History
- Chapter 6 Timelessness and Permanence
- Conclusions
- Afterword
- Glossary
- Bibliography
- Index
Summary
This chapter turns to intergenerational historical memory and the function of rock art as both archive and mnemonic as the art’s own communicative power. Through the biography of Josie Maralngurra, we reveal the art’s function in passing historical knowledge to the next generation at its production, content, through evoking memory and its speaking to future generations. Rock art is a means of transferring knowledge in the present to future generations; a living practice as well as ancient record.
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- Aboriginal Rock Art and the Telling of History , pp. 103 - 125Publisher: Cambridge University PressPrint publication year: 2024