We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This volume offers an overview of the state of the field, and shows the importance of Islamic inscriptions for disciplines such as art history, history and literature. The chapters range from surveys to detailed exploration of individual topics, providing an insight to some of the most recent cutting-edge work on Islamic inscriptions. It focuses on the period from the rise of Islam to the fifteenth century, ranging across the Islamic world from the Maghreb to India and Central Asia, and inscriptions in Arabic, Persian and Turkish.
The five sections of the book draw together some of the principal themes: 'Royal Power' investigates the role of sultanic patronage in epigraphy, and the use of inscriptions for projecting royal power. 'Piety' examines the relationship between epigraphy and religious practice. 'Epigraphic Style and Function' explores the relationship between the use of specific epigraphic styles and scripts and the function of a monument. 'Inscribed Objects' moves from monumental inscriptions to those on objects such as ceramics and pen-cases. The final section considers the interplay between inscriptions and historical sources as well as the utility of inscriptions as historical sources.