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Classics After Antiquity examines the twofold nature of the relationship between classics and 'classical' antiquity. In one sense, classics 'after' antiquity assumes a temporal relationship of tradition and descent, in which the literatures, histories, and cultures of the ancient Greek and Roman Mediterranean have been taken up by individuals, groups, and institutions from the medieval world to the present. But the preposition 'after' also suggests problems of succession, as subsequent ages have appropriated and imagined ancient Greece and Rome in their own image and have struggled to reinvent the classical past, caught between those who rushed to embrace this past and those who disowned it altogether. The scope of the series also includes works that explore the valence of Greek and Roman institutions and discourses for historical debates that continue to resonate in the present, to say nothing of the intellectual and cultural challenge that rival antiquities pose to the very idea of the 'classical' in an era of globalization.

  • General Editors: Nandini Pandey, The Johns Hopkins University, Eugenio Refini, New York University, Edmund Richardson, Durham University, Mathura Umachandran, University of Exeter

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15 results in Classics after Antiquity

Medieval Responses to Ovid's Exile
  • Rebecca Menmuir
  • Coming soon
  • Expected online publication date:
    July 2025
    Print publication:
    01 June 2026
  • The Augustan poet Ovid exerted significant influence over the Middle Ages, and his exile captured the later medieval imagination. Medieval Responses to Ovid's Exile examines a variety of creative scholastic and literary responses to Ovid's exile across medieval culture. It ranges across the medieval schoolroom, where new forms shape Ovidian exile anew, literary pilgrimages, medieval fantasies of dismemberment and visits to Ovid's tomb. These responses capture Ovid's metamorphosis into a poet for the Christian age, while elsewhere medieval poets such as John Gower and Geoffrey Chaucer demonstrate how to inhabit an Ovidian exilic voice. Medieval audiences fundamentally understood the foundations laid by the exilic Ovid, and so from antiquity and from exile Ovid shaped his own reception. The extent, enthusiasm and engagement of medieval responses to Ovid's exile are to such a degree that they must be considered when we read Ovid's exilic works, or indeed any of his poetry.

Translating Virgil
  • A Cultural History of the Western Tradition from the Eleventh Century to the Present
  • Susanna Morton Braund
  • Coming soon
  • Expected online publication date:
    April 2025
    Print publication:
    30 April 2025
  • Virgil remains one of the most important poets in the history of literature. This emerges in the rich translation history of his poems. Hardly a European language exists into which at least one of his poems has not been translated, from Basque to Ukrainian and Dutch to Turkish. Susanna Braund's book is the first synthesis and analysis of this history. It asks when, where, why, by whom, for whom and how Virgil's poems were translated into a range of languages. Chronologically it spans the eleventh- and twelfth-century adaptations of the Aeneid down to present-day translation activity, in which women are better represented than in earlier eras. The book makes a major contribution to western intellectual history. It challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond and offers a treasure-trove of insights to translation theorists and classicists alike.

Blindness and Spectatorship in Ancient and Modern Theatres
  • Towards New Ways of Looking and Looking Back
  • Marchella Ward
  • Published online:
    30 November 2023
    Print publication:
    14 December 2023
  • The use of disability as a metaphor is ubiquitous in popular culture – nowhere more so than in the myths, stereotypes and tropes around blindness. To be 'blind' has never referred solely to the inability to see. Instead blindness has been used as shorthand for, among other things, a lack of understanding, immorality, closeness to death, special insight or second sight. Although these 'meanings' attached to blindness were established as early as antiquity, readers, receivers and spectators into the present have been implicated in the stereotypes, which persist because audiences can be relied on to perpetuate them. This book argues for a new way of seeing – and of understanding classical reception - by offering assemblage-thinking as an alternative to the presumed passivity of classical influence. And the theatre, which has been (incorrectly) assumed to be principally a visual medium, is the ideal space in which to investigate new ways of seeing.

Civil War and the Collapse of the Social Bond
  • The Roman Tradition at the Heart of the Modern
  • Michèle Lowrie, Barbara Vinken
  • Published online:
    06 October 2022
    Print publication:
    13 October 2022
  • Can civil war ever be overcome? Can a better order come into being? This book explores how the Roman civil wars of the first century BCE laid the template for addressing perennially urgent questions. The Roman Republic's collapse and Augustus' new Empire have remained ideological battlegrounds to this day. Integrative and disintegrative readings begun in antiquity (Vergil and Lucan) have left their mark on answers given by Christians (Augustine), secular republicans (Victor Hugo), and disillusioned satirists (Michel Houellebecq) alike. France's self-understanding as a new Rome – republican during the Revolution, imperial under successive Napoleons – makes it a special case in the Roman tradition. The same story returns repeatedly. A golden age of restoration glimmers on the horizon, but comes in the guise of a decadent, oriental empire that reintroduces and exposes everything already wrong under the defunct republic. Central to the price of social order is patriarchy's need to subjugate women.

Classics and Celtic Literary Modernism
  • Yeats, Joyce, MacDiarmid and Jones
  • Gregory Baker
  • Published online:
    20 January 2022
    Print publication:
    03 February 2022
  • Celtic modernism had a complex history with classical reception. In this book, Gregory Baker examines the work of W. B. Yeats, James Joyce, David Jones and Hugh MacDiarmid to show how new forms of modernist literary expression emerged as the evolution of classical education, the insurgent power of cultural nationalisms and the desire for transformative modes of artistic invention converged across Ireland, Scotland and Wales. Writers on the 'Celtic fringe' sometimes confronted, and sometimes consciously advanced, crudely ideological manipulations of the inherited past. But even as they did so, their eccentric ways of using the classics and its residual cultural authority animated new decentered idioms of English - literary vernaculars so fragmented and inflected by polyglot intrusion that they expanded the range of Anglophone literature and left in their wake compelling stories for a new age. This title is also available as Open Access on Cambridge Core.

Brecht and Tragedy
  • Radicalism, Traditionalism, Eristics
  • Martin Revermann
  • Published online:
    16 December 2021
    Print publication:
    16 December 2021
  • This wide-ranging, detailed and engaging study of Brecht's complex relationship with Greek tragedy and tragic tradition argues that this is fundamental for understanding his radicalism. Featuring an extensive discussion of The Antigone of Sophocles (1948) and further related works (the Antigone model book and the Small Organon for the Theatre), this monograph includes the first-ever publication of the complete set of colour photographs taken by Ruth Berlau. This is complemented by comparatist explorations of many of Brecht's own plays as his experiments with tragedy conceptualized as the 'big form'. The significance for Brecht of the Greek tragic tradition is positioned in relation to other formative influences on his work (Asian theatre, Naturalism, comedy, Schiller and Shakespeare). Brecht emerges as a theatre artist of enormous range and creativity, who has succeeded in re-shaping and re-energizing tragedy and has carved paths for its continued artistic and political relevance.

The Nero-Antichrist
  • Founding and Fashioning a Paradigm
  • Shushma Malik
  • Published online:
    27 March 2020
    Print publication:
    16 April 2020
  • It has traditionally been assumed that biblical writers considered Nero to be the Antichrist.. This book refutes that view. Beginning by challenging the assumption that literary representations of Nero as tyrant would have been easily recognisable to those in the eastern Roman empire, where most Christian populations were located, Shushma Malik then deconstructs the associations often identified by scholars between Nero and the Antichrist in the New Testament. Instead, she demonstrates that the Nero-Antichrist paradigm was a product of late antiquity. Using now firmly established traits and themes from classical historiography, late-antique Christians used Nero as a means with which to explore and communicate the nature of the Antichrist. This proved successful, and the paradigm was revived in the nineteenth century in the works of philosophers, theologians, and novelists to inform debates about the era's fin-de-siècle anxieties and religious controversies.

Dionysus after Nietzsche
  • The Birth of Tragedy in Twentieth-Century Literature and Thought
  • Adam Lecznar
  • Published online:
    27 March 2020
    Print publication:
    16 April 2020
  • Dionysus after Nietzsche examines the way that The Birth of Tragedy (1872) by Friedrich Nietzsche irrevocably influenced twentieth-century literature and thought. Adam Lecznar argues that Nietzsche's Dionysus became a symbol of the irrational forces of culture that cannot be contained, and explores the presence of Nietzsche's Greeks in the diverse writings of Jane Harrison, D. H. Lawrence, Martin Heidegger, Richard Schechner and Wole Soyinka (amongst others). From Jane Harrison's controversial ideas about Greek religion in an anthropological modernity, to Wole Soyinka's reimagining of a postcolonial genre of tragedy, each of the writers under discussion used the Nietzschean vision of Greece to develop subversive discourses of temporality, identity, history and classicism. In this way, they all took up Nietzsche's call to disrupt pre-existing discourses of classical meaning and create new modes of thinking about the Classics that speak to the immediate concerns of the present.

Feeling and Classical Philology
  • Knowing Antiquity in German Scholarship, 1770–1920
  • Constanze Güthenke
  • Published online:
    28 February 2020
    Print publication:
    05 March 2020
  • Nineteenth-century German classical philology underpins many structures of the modern humanities. In this book, Constanze Güthenke shows how a language of love and a longing for closeness with a personified antiquity have lastingly shaped modern professional reading habits, notions of biography, and the self-image of scholars and teachers. She argues that a discourse of love was instrumental in expressing the challenges of specialisation and individual formation (Bildung), and in particular for the key importance of a Platonic scene of learning and instruction for imagining the modern scholar. The book is based on detailed readings of programmatic texts from, among others, Wolf, Schleiermacher, Boeckh, Thiersch, Dilthey, Wilamowitz and Nietzsche. It makes a case for revising established narratives, but also for finding new value in imagining distance and an absence of nostalgic longing for antiquity.

The Vernacular Aristotle
  • Translation as Reception in Medieval and Renaissance Italy
  • Eugenio Refini
  • Published online:
    10 February 2020
    Print publication:
    27 February 2020
  • This book explores the ways in which Aristotle's legacy was appropriated and reshaped by vernacular readers in Medieval and Renaissance Italy. It considers translation in a broad sense, looking at commentaries, compendia, rewritings, and abridgments alongside vernacular versions of Aristotle's works. Translation is thus taken as quintessential to the very notion of reception, with a focus on the dynamics - cultural, social, material - that informed the appropriation and reshaping of the 'master of those who know' on the part of vernacular readers between 1250 and 1500. By looking at the proactive and transformative nature of reception, this book challenges traditional narratives about the period and identifies the theory and practice of translation as a liminal space that facilitated the interaction between lay readers and the academic context while fostering the legitimation of the vernacular as a language suitable for philosophical discourse.

Afterlives of the Roman Poets
  • Biofiction and the Reception of Latin Poetry
  • Nora Goldschmidt
  • Published online:
    11 November 2019
    Print publication:
    05 December 2019
  • Conscious of ancient modes of reading poetry 'for the life', Roman poets encoded versions of their lives into their texts. The result is a body of literature that cries out to be read in terms of lives in reception. Afterlives of the Roman Poets shows how the fictional biographies (or 'biofictions') of its authors have shaped the reception of Latin poetry. From medieval biographies of Ovid inscribed in the margins of his texts to republican readings of Lucan's death in periods of revolution to the 'death of the author' in Hermann Broch's Der Tod des Vergil, the book tells a cultural history of the reception of ancient literature as imagined through the lens of poets' lives. Putting modern life-writing studies and ancient poetry into dialogue, it brings biofictional reception to debates in classics, and puts antiquity and its reception onto the map of modern studies in life-writing.

The Perpetual Immigrant and the Limits of Athenian Democracy
  • Demetra Kasimis
  • Published online:
    27 July 2018
    Print publication:
    16 August 2018
  • In the fifth and fourth centuries BCE, immigrants called 'metics' (metoikoi) settled in Athens without a path to citizenship. Galvanized by these political realities, classical thinkers cast a critical eye on the nativism defining democracy's membership rules and explored the city's anxieties over intermingling and passing. Yet readers continue to treat immigration and citizenship as separate phenomena of little interest to theorists writing at the time. In The Perpetual Immigrant and the Limits of Athenian Democracy, Demetra Kasimis makes visible the long-overlooked centrality of immigration to the originary practices of democracy and political theory in Athens. She dismantles the interpretive and political assumptions that have led readers to turn away from the metic and reveals the key role this figure plays in such texts as Plato's Republic. The result is a series of original readings that boldly reframes urgent questions about how democracies order their non-citizen members.

Borges' Classics
  • Global Encounters with the Graeco-Roman Past
  • Laura Jansen
  • Published online:
    30 April 2018
    Print publication:
    14 June 2018
  • In Borges' Classics, Laura Jansen reads the oeuvre of the Argentine author Jorge Luis Borges as a radically globalized model for reimagining our relationship with the classical past. This major study reveals how Borges constructs a new 'physics of reading' the classics, which privileges a paradoxical vision of the canon as universal yet centreless, and eschews fixed ideas about the cultural history of the West. Borges' unique approach transforms classical antiquity into a simultaneously familiar and remote world, whose legacy is both urgent and unstable. In the process, Borges repositions the classical tradition at the intersection of the traditional Western canon and modernist literature of the peripheral West. Jansen's study traces Borges' encounters with the classics through appeal to themes central to Borges' thought, such as history and fiction, memory and forgetfulness, the data of the senses, and the vectors that connect cultures and countries.

Modernism and Homer
  • The Odysseys of H.D., James Joyce, Osip Mandelstam, and Ezra Pound
  • Leah Culligan Flack
  • Published online:
    05 October 2015
    Print publication:
    16 September 2015
  • This comparative study crosses multiple cultures, traditions, genres, and languages in order to explore the particular importance of Homer in the emergence, development, and promotion of modernist writing. It shows how and why the Homeric epics served both modernist formal experimentation, including Pound's poetics of the fragment and Joyce's sprawling epic novel, and sociopolitical critiques, including H.D.'s analyses of the cultural origins of twentieth-century wars and Mandelstam's poetic defiance of the totalitarian Stalinist regime. The book counters a long critical tradition that has recruited Homer to consolidate, champion and, more recently, chastise an elitist, masculine modernist canon. Departing from the tradition of reading these texts in isolation as mythic engagements with the Homeric epics, Leah Flack argues that ongoing dialogues with Homer helped these writers to mount their distinct visions of a cosmopolitan post-war culture that would include them as artists working on the margins of the Western literary tradition.

Classical Victorians
  • Scholars, Scoundrels and Generals in Pursuit of Antiquity
  • Edmund Richardson
  • Published online:
    05 February 2013
    Print publication:
    07 February 2013
  • Victorian Britain set out to make the ancient world its own. This is the story of how it failed. It is the story of the headmaster who bludgeoned his wife to death, then calmly sat down to his Latin. It is the story of the embittered classical prodigy who turned to gin and opium - and the virtuoso forger who fooled the greatest scholars of the age. It is a history of hope: a general who longed to be an Homeric hero, a bankrupt poet who longed to start a revolution. Victorian classicism was defined by hope - but shaped by uncertainty. Packed with forgotten characters and texts, with the roar of the burlesque-stage and the mud of the battlefield, this book offers a rich insight into nineteenth-century culture and society. It explores just how difficult it is to stake a claim on the past.