The relationship between Zapatismo and women’s liberation has sparked heated debates between academics and activists alike. Although the Zapatistas’ official communiqués have promoted gender parity, criticism has been aimed at Zapatista fiction for accentuating gender stereotypes and for contradictions regarding women’s rights. This article discusses the children’s books Habrá una vez (2016) and Hablar colores (2018), encountered during archival and ethnographic research in Zapatista territory, and examines how “Zapafiction” embraces contradiction as constructive revolutionary politics. The children’s books analyzed here depict ecofeminist characters, including Defensa Zapatista (an approximately eight-year-old schoolgirl), Gato-Perro (a cat-dog symbolizing nonbinary identities), a disabled horse, and Loa Otroa (embodying queer identities). Instead of solving contradictions, I argue that these characters reject the romanticization of progressive political movements while viewing Zapatismo as the venue for advancing dignity as a way of life (jch’uleltik). Through the concept of imperfect politics, Zapafiction leverages the principle of caminando y preguntando, “walking, we ask questions,” to reimagine the governing structures of the organization through fiction, moving beyond theoretical doctrines on how politics should be.
