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The words of its writers are part of the texture of Dublin, an invisible counterpart to the bricks and pavement we see around us. Beyond the ever-present footsteps of James Joyce's characters, Leopold Bloom or Stephen Dedalus, around the city centre, an ordinary-looking residential street overlooking Dublin Bay, for instance, presents the house where Nobel Laureate Seamus Heaney lived for many years; a few blocks away is the house where another Nobel Laureate, W. B. Yeats, was born. Just down the coast is the pier linked to yet another, Samuel Beckett, from which we can see the Martello Tower that is the setting for the opening chapter of Ulysses. But these are only a few. Step-by-step, Dublin: A Writer's City unfolds a book-lover's map of this unique city, inviting us to experience what it means to live in a great city of literature. The book is heavily illustrated, and features custom maps.
The chapter places Churchill’s lifespan firmly within ‘the golden age of print’. It looks at his apprenticeship as a writer, served while in the army, explaining how his early books helped him earn the war chest that allowed him to launch his political career, before showing how his shrewd and selective use of sources for his biography of Lord Randolph Churchill allowed him to reconcile his role as a defender of his father’s political legacy with his own move to the Liberal Party. Churchill’s working methods also changed as he entered government. He used a team to help produce his multi-volume history of the First World War in order to defend his role in the Dardanelles operation. Thereafter, Churchill had to juggle managing his tax liability as an author with his need for more income, but by the 1930s he was committed to several major publishing projects. After the war, he sought to capitalise on his premiership through his multi-volume histories of the Second World War and the History of the English-Speaking Peoples. The chapter analyses how Churchill managed his various literary projects, sheds light on his own role in the creative process and looks at how this changed over time.
Have you ever wanted to write a novel or short story but didn't know where to start? If so, this is the book for you. It's the book for anyone, in fact, who wants to write to their full potential. Practical and jargon-free, rejecting prescriptive templates and formulae, it's a storehouse of ideas and advice on a range of relevant subjects, from boosting self-motivation and confidence to approaching agents and publishers. Drawing on the authors' extensive experience as successful writers and inspiring teachers, it will guide you through such essentials as the interplay of memory and imagination; plotting your story; the creation of convincing characters; the uses of description; the pleasures and pitfalls of research; and the editing process. The book's primary aim is simple: to help its readers to become better writers.
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