This chapter revolves around the famous story of how the Greeks managed to get into the city of Troy concealed in a gigantic wooden horse – and thus won a long and drawn-out war. The chapter follows this story and dismantles the odd human/animal hybrid at its core in the ultimate aim to explore how notions of animality define the human at war. Moving away from the ‘othering’ at work in the previous chapter, this one illustrates an area of existence in which analogies between human and animal prevail. Fighting emerges as an area of life in which our animal side comes to the fore.

“The Ties that Bind,” takes us in a new direction as we begin to explore Lucretius’ curative efforts toward his male audience. Quite naturally then, we train our focus on the famous honey-rimmed cup of medicine metaphor of 1.921–50 (4.1–25). We find that the verses present a figure denser than the simple doctor-patient-medicine schema. Rather surprisingly, Lucretius has woven into the image a complex set of allusions to mythical female characters. In overlapping ways, Lucretius identifies his authorial voice with Circe, Helen, and the Sirens as he seeks to seduce, drug, and divert his audience away from what they might imagine to be their dearest goals in life. Lucretius reveals that the emasculating web of deceit he spins becomes a safety net to rescue his audience from the trap of self-delusion and superstition in the face of nature’s laws.

Clemens must have continued to have his doubts about the head readers into the 1870s, because he decided to conduct an experiment of his own on a leading head reader in 1872. Having discovered some of the tricks mediums were using, he made two trips to Lorenzo Fowler’s phrenological emporium in London. He dressed and acted like a nobody during the first trip. Then, after some weeks had passed, he returned and presented himself as the famous American humorist and author Mark Twain. He would later describe his great awakening in a short but serious published letter, and with humor and artistic liberties in an autobiographical dictation and his posthumous but never-completed novel Eddypus. The letter and phrenological parts of his dictation and Eddypus are presented in this chapter. Being told on his first visit that his head had a cavity above the organ for a sense of humor and on his second that he had a Mount Everest in the same spot would change how he would depict the head readers in his most famous novels. Writing as Mark Twain, Samuel Clemens would now set forth to educate the gullible public.

Chapters 5–7 bring the story into the 1850s. Chapter 5 opens with the passage of the Fugitive Slave Act of 1850, and the distinct regional reactions to the legislation. The discussion then turns to the law’s impact on the operations of the Underground Railroad in the Borderland. Though attempts to remand fugitives from the Borderland accelerated, enslaved African Americans continued to strike out for freedom in ever greater numbers. The law empowered slave catchers to retaliate legally and violently against Underground activists, but this added pressure was at least partially offset by the completion of rail transportation networks linking the Borderland with the Upper North, which boosted activists’ capacity to help fugitives traverse the region quickly. Though the new fugitive slave law did not succeed in suppressing Underground activity, it did inhibit resistance to fugitive slave renditions: most fugitive slave rescues in the region in the 1850s employed trickery and misdirection as opposed to the large-scale riots that had characterized the region in the 1840s.