Lagos is a recurrent theme in Nigerian music videos. Eromosele examines this phenomenon in relation to the objectives of the music video and the musician’s star image. Various studies involving emotion and forms of capital help to reveal how Lagos is appropriated into the iconography of music stars in ways that extend the city’s affective capital while serving the promotional aims of the music video. Capital is viewed chiefly as value accumulated through circulation and capable of being transubstantiated into different forms. The economic and political prominence of Lagos influences and is fed by the city’s affective power.

Celebrity scandals are a useful tool to reveal the pervasiveness of expected ways of behaving within a particular culture or society. Italy of the early 1960s was particularly marked by these kinds of scandals, including that of singer Mina’s pregnancy by Corrado Pani in 1963. This article takes this scandal as a case study to explore how star image in this period in Italy was influenced by the established ideologies that governed social convention, morality, and traditional gender roles. It examines in detail the ways in which the popular press reported on this scandal, using the reports that covered the announcement of the pregnancy and then the birth to cast light on the extent to which the mainstream social values and ideas regarding the status quo and expected ways of behaving for women in Italy during the early 1960s were destabilised and/or reasserted through the star persona of Mina.