The history of the print media”s engagement with sexuality is a topic of enormous complexity. Depictions of sexuality in the periodical press are shaped by cultural attitudes and beliefs, representational and reporting practices, political economies, and audiences across time and space. The print media have been richly social since their inception, and all but the most rigorously controlled media systems have covered topics of a sexual nature. Sexuality has been represented as an object of social regulation, a topic of prurient interest, a problem to be solved, regulated, or eradicated, a form of commerce, and even a patriotic or religious duty. The press has played a major role in the modern project of demarcating normal sex and sexual subjects from deviant practices and identities. It has fomented moral panics around sexuality and helped liberalize sexual norms, sometimes simultaneously. The commercial, advertising-driven press developed in tandem with the sexual content it contained, and has long been a vehicle for racialized narratives of rape, imperiled femininity, and vice, adultery, and divorce. Through advertisements, classifieds, and specialized content in “obscene” journals, print media have, in some contexts, advertised sexual services and even brought people together for various types of sex.

The chapter explores the emergence of the American short story in the context of a “culture of wonder” that dominated the Atlantic world of print prior to Washington Irving. Although ghost stories, and tales of apparitions and witchcraft were often discarded as formless pieces, these “small tales” were widely reprinted in the pages of early transatlantic magazines, fostering sensational effects as well as transgressive stories about individuals whose behavior was outside the norm. The chapter examines the circulation of early short narratives in the context of serialized imprints such as magazines and newspapers. It focuses on popular topics such as ghost stories and sensationalistic tales. Moreover, the chapter unearths the rich archive of transatlantic storytelling, demonstrating how the short form combines oral and textual performances conditioning the nineteenth-century tale as it can be found in the writings of Washington Irving and Edgar Allan Poe.

The ascendancy of French political power supported literary success and scientific achievement. Investigators such as Lagrange, Laplace, and Lavoisier gave mathematical and empirical support to modern chemistry, physics, and biology. In parallel, philosophical discourses on psychology led to a reinterpretation of Descartes’ formulation to focus on sensation. Condillac, Bonnet, and La Mettrie argued for the equation of mental operations and sensory input, with the result that they reduced psychology to sensation. Helvétius and Cabanis attempted to back off from such extremism by asserting the mediating role of a central ego, although both remained committed to sensory physiology. Biran and Comte recognized the consequences of reducing psychology to mere sensory physiology, but each worked out separate solutions. Biran rejected sensationalism as inadequate, suggesting an individual psychology based on consciousness and the will. In contrast Comte ultimately accepted sensationalism and dismissed psychology. For him, the individual person should properly be studied by physiology; the individual behaving in a group is the province of sociology. Comte, however, advocated a spirit of objective observation that was eventually useful to psychology. Thus, the successors to Descartes in France left psychology in a somewhat tenuous position, removed from recognition as a formal discipline.