While most accounts see worshippers of Saturn as indigenous Africans or rural peasants, this chapter argues that stele-dedicants used stelae to articulate positions for themselves within the frameworks of the wider empire. Unlike earlier stelae, which worked to imagine stele-dedicants as a horizontal community of equals, stelae dedicated from the first century BCE onward became billboards that asserted the prestige of dedicants in the deeply localized but also vertically structured world of the Roman Empire. This can be seen in the adoption of new anthropocentric iconographies that adapt a koine of imagery, the composition of stelae, and new titles for worshippers like sacerdos that are borrowed from a civic sphere.

This chapter analyses the novels’ poetic language, presenting some preliminary sondages which might indicate how much poetic vocabulary there is in three of our five complete Greek texts, and how much has classical and Hellenistic ancestry. It also looks selectively at the lexicon of some near-contemporary poets. Eight tables illustrate these heterogeneous sondages. After reviewing terms in Longus evoking epic, early melic poetry, and epigram, and some technical terms, it concludes that many words in Valley’s 1926 lists are not ‘simply’ poetic but are chosen to trigger some intertextuality, while others have little claim to be ‘poetic’ at all. Those remaining that cannot so be explained are few. Longus’ prose may be poetic in terms of his Theocritean subject, rhythmical sentences, and preference for parataxis over subordination: but his language is chiefly the language of prose. A brief overview of a small selection of potentially ‘poetic’ words in Achilles Tatius and Heliodorus suggests that they too have only a low proportion of ‘poetic’ words, a view corroborated by the paucity of ‘poetic’ words in Marcellus poems from the Via Appia, in the poet(s) of the Sacerdos monument at Nicaea, and in a sample from Ps.-Oppian’s Cynegetica that are also in the novelists. It concludes that in this period poets and writers of novelistic prose still draw vocabulary from two different linguistic pools.

This chapter argues that, whereas many poets in the Garland of Philip never use Doric, several do so to evoke either a Leonidean or Theocritean pastoral world, and sometimes because their subject has a Dorian connection – so Myrinus, Adaeus, Thallus, Erucius of Cyzicus, and Antiphilus of Byzantium. That Cyzicus was originally a colony of Corinth and Byzantium of Megara seems not to be relevant, since Doric appears only rarely in these cities’ inscribed poetry. Finally I examine the puzzling case of the five epigrams on Sacerdos of Nicaea preserved in the Palatine Anthology (15.4–8), of which three use Doric, two do not. I suggest that more than one poet may have been chosen to composed sepulchral epigrams for this grandiose obelisk-monument of around AD 130, and that the composer of the Doric poems might have been Philostratus’ ancestry-conscious sophist, Memmius Marcus of Byzantium