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  • 6 - Cultivating a European Concert Culture in Colonial Sydney and Hobart, 1826–1840

  • from Part II - Encounters
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book:
    The Cambridge Companion to Music in Australia
    Published online:
    14 November 2024
    Print publication:
    14 November 2024, pp 93-110

  • Summary

    This chapter considers evidence of European music making in the early colonial towns of Sydney and Hobart. Two concert series in 1826 show the role of music in reimagining colonial towns as organised and aesthetic cities. The musicians that led the concerts shaped these musical worlds, bringing European instruments, forms of opera and vocal music, chamber, orchestral and solo instrumental music that would continue to develop over the next two centuries in Australia’s urban centres. We trace several key musicians who shaped the early phase of these towns’ music-making, looking to the cultural practices of the British Isles and continental Europe. While contextual evidence from this time reminds us of the ongoing presence of Aboriginal people, there is only an occasional glimpse of the musicians’ awareness that their efforts to import a European musical culture took place on Aboriginal land.