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Chapter 2 evokes the eighteenth-century hierarchical world of the Rajput zanana, highlighting the avenues to power available for the various women living behind purdah, especially via their access to poetry and religious education. Documenting how Bani Thani arrived as a young slave girl, it describes how she trained as a singer and entered in the service of Raj Singh of Kishangarh’s queen known by her pen name Brajdasi. There Bani Thani enjoyed exposure to poetry, including that of the queen’s stepson and crown prince Nagaridas and his friend the innovative love poet Anandghan. She also heard sermons by religious powerbrokers who were involved in the reforms of the powerful neighbor king Jai Singh II of Jaipur, in particular the Nimbarkan abbot of nearby Salemabad, Vrindavandev Acarya. Through pilgrimage trips to the holy land of Braj and sojourns in the fancy parts of Delhi she had access to the latest developments in music. This chapter documents this by featuring her own poetry under the penname Rasikbihari, as well as that of those to whom she responded.
The first study to explore the lives of female slaves of the Ottoman imperial court, including the period following their manumission and transfer from the imperial palace. Through an analysis of a wide range of hitherto unexplored primary sources, Betül İpşirli Argıt demonstrates that the manumission of female palace slaves and their departure from the palace did not mean the severing of their ties with the imperial court; rather, it signaled the beginning of a new kind of relationship that would continue until their death. Demonstrating the diversity of experiences in non-dynastic female-agency in the early-modern Ottoman world, Life After the Harem shows how these evolving relationships had widespread implications for multiple parties, from the manumitted female palace slaves, to the imperial court, and broader urban society. In so doing, İpşirli Argıt offers not just a new way of understanding the internal politics and dynamics of the Ottoman imperial court, but also a new way of understanding the lives of the actors within it.
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