The thought of Percy Dearmer was related to that of Augustus Pugin and Daniel Rock, Roman Catholics seeking to revive English medieval forms, and to his Anglican near-contemporaries Conrad Noel and William Palmer Ladd. In England, Noel was more ideologically committed than Dearmer and his imagined medieval society and the English Use were given applied expression at Thaxted. In the USA, William Palmer Ladd was a congenial colleague to Dearmer but his liturgical ideals were of the 1930s, and not an outcome of the nineteenth-century English ritual controversies. Dearmer, Ladd and Noel were all grounded in what has been called Sacramental Socialism, which saw a unity between the Eucharist, the corporate church, and its mission as part of the Kingdom of God.

The article surveys liturgical developments in the Anglican Church of Southern Africa from 1908 to 2010. The author uses numerous source documents from several Anglican archives to analyse the experimental and fully authorized liturgies, detailing the theological and sociological shifts which underpinned any significant changes. The author includes several sources which, until this point, have not been considered; particularly in relation to the reception of newer liturgies. These include letters, interviews and newspaper articles. Influences from the Roman Catholic Church, the Church of South India, the Church of England, the Episcopal Church in the USA and the Church of New Zealand all contributed to the authorized rites in the local church. Furthermore, the article shows that local, traditionally disenfranchised voices are now beginning to be included with liturgical transformation.

There is significant correspondence between two phenomena that are very rarely treated together yet reveal intriguing similarities: liturgical theology and German Romanticism. The key shared concept is “organism,” a category expressing active life as well as coherence. It shows a way out of the deadlock caused by a simple opposition of objectivism and subjectivism. This article first of all presents an interesting kind of liturgical theology that was done by representatives of the Catholic Tübingen School, and then shows that the emerging Liturgical Movement was intrinsically Romantic in its theological approach to the liturgy.