We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
As an academic and writer in England, W. G. Sebald’s intellectual baggage was distinctly German with only a small minority of texts explicitly devoted to Anglophone literature. Yet, the atmosphere that permeated his essayistic narratives was distinctly English. In that sense, Sebald occupied a literary space in the in-between, oscillating between times past and times present. This article examines in three steps Sebald’s approach to this space in terms of thematic scope, style and perspectives that characterized his German wanderings in England. It assesses the interplay of memory and imagination in this creative process firmly located in this space of overlapping concerns, mainly rooted in the experience of exile, both real and, in his own case, simulated.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.