The Baden culture, like others in central Europe, has long been assumed to be the material indication of a people. In a searing analytical deconstruction, the author shows that ‘Baden’ pottery has no equivalence with other cultural practices, and is itself an amalgam of a number of different pottery fabrics and styles, many of them regionally diverse. Singled out among them is the early Boreláz fine ware which is actively spread in central Europe, perhaps accompanied by a knowledge of the first wheeled vehicles.
