Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 2 - Blindness and / as Punishment

  • Marchella Ward, The Open University, Milton Keynes
  • Book:
    Blindness and Spectatorship in Ancient and Modern Theatres
    Published online:
    30 November 2023
    Print publication:
    14 December 2023, pp 75-108

  • Summary

    Chapter Two addresses the first example of a metaphorical use of blindness: the idea that blindness is a kind of punishment (and results from immoral behaviour). In particular, the chapter focuses on a particularly dangerous category of this trope that persists into the present day – the idea that blind people (and blind characters) are immoral because they are pretending to be blind. Ancient examples in this chapter are Sophocles’ Oedipus Tyrannus and Oedipus at Colonus and Euripides’ Hecuba and Cyclops (these ancient texts recur in almost every chapter). Modern texts under examination here include Shakespeare’s Henry VI part 2, and King Lear, French medieval drama (especially farce) and the anonymous Historie of Jacob and Esau. As well as introducing this metaphorical use of blindness, this chapter also delves further into the question of temporality and origin-positioning.