Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • 14 - The White Elephant in the Room:

  • Edited by Mira T. Sundara Rajan
  • Book:
    Cambridge Handbook of Intellectual Property in Central and Eastern Europe
    Published online:
    11 June 2019
    Print publication:
    13 June 2019, pp 238-258

  • Summary

    Today’s viewers are increasingly consuming audiovisual content via online services, which are better equipped, compared with traditional cinema or linear TV, to respond to their demand for immediate access to any content, anywhere, on any user interface. At the same time, consumers – particularly linguistic and cultural minorities, short-term and long-term migrants, exchange students, and those keen on a foreign language and culture – are also interested in content which is offered by online services abroad.1 The European digital market is, however, divided by virtual barriers that block consumers from cross-border access to audiovisual content based on the user’s location in a particular Member State.