This chapter addresses some of the scientific, philosophical and theological arguments brought to bear on the debates surrounding human–robot relationships. Noting that we define robots through our relationships with them, it shows how factors such as emotion and agency can indicate things such as a theory of mind that condition users to expect reciprocal relationships that model a sense of partnership. These factors are important in ‘lovotics’, or a trend in social robotics to produce robots that people want to develop relationships with. Such relationships, however, at least given current capabilities in robotics, will always fall short of conditioned expectations because robots, rather than being full partners, are largely reducible to the self or user. The chapter introduces the notions of anthropomorphism and anthropocentrism to demonstrate these critiques, and then moves on to consider alternative figurations of relationships – drawing in particular on articulations of relationality – that may enable us to rethink how we image and imagine robots.

This chapter challenges the supposed transformation “from Baal Hammon to Saturn” in North Africa one of the chief grounds upon which narratives of cultural continuity are predicated. It argues that instead of simple syncretism or the persistence of a god, the material signs used to construct and identify the deity to whom stelae were dedicated underwent important transformations in the second and third centuries CE, changes closely tied to the experiences and practices of empire. Stelae of the third and second centuries BCE made a god present indexically; stelae of the imperial period embraced iconicity in ways that were entangled with empire, including new divine epithets tied to imperial authority and new road systems in the province. And by the end of the second century CE, this iconic system could even work to perpetuate clear social hierarchies.

In human–robot interactions in legal proceedings, human responses to robot-generated evidence will present unique challenges to the accuracy of litigation as well as ancillary goals such as fairness and transparency, though it may also enhance accuracy in other respects. The most important feature of human–robot interactions is the human tendency to anthropomorphize robots, which can generate misleading impressions and be manipulated by designing robots to make them appear more trustworthy and believable. Although robot-generated evidence may also offer unique advantages, there are concerns about the degree to which the traditional methods of testing the accuracy of evidence, particularly cross-examination, will be effective. We explore these phenomena in the autonomous vehicles context, comparing the forums of litigation, alternative dispute resolution, and the National Transportation Safety Board. We suggest that the presence of expert decision-makers might help mitigate some of the problems with human–robot interactions, though other aspects of the procedures in each of the forums still raise concerns.

This chapter examines how movable renderings of animals contributed to sociopolitical experience in Minoan Crete, with close attention to zoomorphic vessels. Beginning in the Prepalatial period, we examine a group of clay body-form vessels that could stand independently. While typically labelled “anthropomorphic,” the vessels’ identities are more complex: their forms do not neatly suggest a particular species, and their affordances as objects are integral to what they are and how they are experienced. Through analysis of their unique corporeal characters and depositional circumstances, I argue that these figures could have been experienced as distinct productive agents, who participated in cultivating community space between Prepalatial tombs and settlements. Next, looking forward, we consider how animalian vessels continued to contribute to Cretan social venues, while subtle changes to how they embodied animals could imply profound shifts in their presence and performance. From the late Protopalatial, we see rhyta rendered as bodiless animal heads, most bovine. Unlike the Prepalatial vessels, these appeared dramatically dependent on living people to become productive, placing emphasis on human action. I contextualize these rhyta with a problematization of palatial-era politico-environmental developments and changes in social performance and “cattle culture.”

Darwin’s theory, in its uniformitarianism, its materialism, and its elimination of all metaphysical explanations and any element of intelligent agency from the world’s biological phenomena has been taken as an important influence in the growth of the idea that all living creatures are automata – more or less “conscious machines.” Darwin himself, in a least four different aspects of his writing, belies this inference from his theories: the metaphorical work done by his dominant idea – natural selection; his anthropomorphism; his views on instinct; and his theory of sexual selection.

Chapter 5 carries out a methodological experiment starting from perspectivism as a theory of reality, used as a heuristic device, producing a dialogue mediated by translating this native theory into our archaeological terms. The focus is on the relations between humans and things where materiality has all the qualities seen previously, non-human entities can be persons, and the capacity for agency relates to the possibility that objects will become persons. The focus is on anthropomorphic vessels from Ambato and their contexts, considered as objects that can be subjects with a point of view. Three relational situations are analysed: the manufacturing process, the contexts of use and abandonment. Manufacture, as the genesis of these vessels as subjects, is analysed through three procedures: as a copy of a model, as mimesis of a mythical object with human properties and as a form of quotation or reference to socially inscribed ways of making. It is argued that such object subjects could be de-subjectivized to turn them into pure objects. Finally, the chapter details how the relationships people established with such vessels responded to the principles of predation and commensality, just as other forms of relationship between humans and non-humans.

This chapter illustrates the power of the animal story to challenge anthropocentric positions and ideas of human exceptionalism. It centres upon the famous story of Androclus and the lion (as told by Gellius and other ancient and modern authors) to show that anthropomorphizing is not merely a tool of human appropriation of the animal; it can also bring out real sympathies and correspondences between human and non-human creatures. With its particular focus on the capacity to experience pain as a shared feature of humans and animals, the story driving this chapter anticipates modern attempts to bring questions of sentience and suffering into the picture and to reimagine justice as extending beyond the human.

The author seeks to unpack five of the main discursive moves witnessed in the literature and case law pertaining to the question of consent to international law. He argues that these five specific discursive moves are performed by almost anyone engaging with the question of consent to international law, be such engagement on the more orthodox side or on the more critical side of the argumentative spectrum. The author claims that these five discursive moves correspond to the reproduction of a very modernist understanding of authority, the constitution of the very subject that is consenting, the anonymization of the author of consent, the reversal of the temporality of the legal discourse on consent and the adoption of very binary patterns of thought. This chapter shows that discursive moves made by international lawyers around the idea of consent bears heavily upon the type of political legitimacy, the type of geography, the type of responsibility, the type of temporality, and the type of hermeneutics that international law is serving.

This chapter argues that two works of Victorian children’s literature – Alfred Elwes’s The Adventures of a Bear (1853) and The Adventures of a Dog (1854) – capture the complex politics of selfhood in relation to animality and law. They also demonstrate the trope of transformation from animal to human: the dog becomes a trusted policeman (or equivalent) and the bear ends up a blind beggar. In both cases, the choice of animals as protagonists allows for a frank discussion of violence, gender, and class conflict.

The introduction charts the ways in which literary studies and animal studies have formed a mutually enriching dialogue. Starting with a selection of contemporary short stories, and exploring questions of exploitation, anthropomorphism, and metaphor, it demonstrates how animals alter the way we think about, write, and read literature. The introduction includes a summary of the chapters contained in the book.

Economic, technological, and demographic changes after World War II created new pressures on species, habitats, and human environments. Concerns about human impacts on the environment mounted. Rachel Carson, Charles Elton, Barry Commoner, and others articulated concerns about pesticides and other harmful substances in air and water, introduced species, escalating extinction rates, and the modification and fragmentation of habitats. Ecologists, economists, and philosophers like Paul Ehrlich, Garrett Hardin, John Kenneth Galbraith, Lynne White, Norman Myers, and Arne Naess attributed these problems to varied causes, including population growth, tragedies of the commons, excessive resource consumption and disparities in consumption, militarism, the misuse of science and technology, externalities, and anthropocentrism. In response to these developments and to increasing awareness of the limitations of utilitarian conservation, a preservationist approach to conservation that seeks to protect species and regardless of their economic value became prominent.