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This chapter sheds light on the uses of modern alchemical discourse by three artists and writers who were affiliated with surrealism: British-born artist Leonora Carrington, British artist and occultist Ithell Colquhoun, and Greek poet and critic Nanos Valaoritis. All three writers experimented with the potentialities of alchemical language, writing novels premised upon esotericism and myth in terms of imagery, plot, and sensibility: The Stone Door (1977) and The Hearing Trumpet (1976) by Carrington; Goose of Hermogenes (1961) and I Saw Water (2014) by Colquhoun; From the Bones Rising (1982) and Xerxes’s Treasure (1984) by Valaoritis. Influenced by several strands of the alchemical discourse, Carrington, Colquhoun, and Valaoritis resorted to ideas corroborating the transgression of the dominant Enlightenment concept of the unified rational subject, and utilized them as subversive tropes in their revision of hegemonic body politics. In this revision, identity constitution is conceptualized as a process that is open-ended, non-teleological, and performative. The chapter charts these corporeal cartographies, shedding light on the three writers’ appropriations of alchemy in their writing practices; it shows that the alchemical genre primarily functioned as a platform for the exploration of performative manifestations of identity and contributed to fecund redefinitions of the novel.
This paper critically assesses the portrayal of late life development
in
psychoanalysis and the wider psychodynamic tradition. Attention is drawn
to
the importance of this tradition both as a vehicle for personal change
and as
a cultural phenomenon in its own right. An analysis of historical trends
indicates successive phases of accommodation to the practice of psychotherapy
with mature adults, moving from a view that older people made unsuitable
analysands to one that outlined the possibility of such work, and finally
to a
rejection of traditional Freudian frameworks as in themselves inappropriate.
Two themes, the explanation of adult development in terms of formative
childhood experience and a focus on transferential relationships across
generations, are examined in greater detail. It is concluded that whilst
psychoanalytic thinking can usefully draw on the age-sensitised perspective
of
social gerontology, much can also be learned about the experience of ageing
through the use of psychodynamic concepts.
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