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1 results

  • Chapter 4 - Darwin’s Birdsong

  • from Part I - Environments after Darwin
  • Edited by Devin Griffiths, University of Southern California, Deanna Kreisel, University of Mississippi
  • Book:
    After Darwin
    Published online:
    01 December 2022
    Print publication:
    15 December 2022, pp 45-56

  • Summary

    This chapter highlights passages from Darwin’s early writings that explore phonetics and phonology in the natural world, illuminating how sound lies at the heart of Darwin’s observational methodology. Darwin’s handwritten notes and early manuscripts, for example, demonstrate that his writing process relies upon experiencing the sonic texture and physiological dimension of nature. In order to communicate this sonic texture, Darwin uses elaborate metaphors and descriptions to recreate his own auditory experience within the mind’s eye (or ear) of his readers, in a process of auditory ekphrasis. Darwin’s attempts to represent birdsong, as well as his admittedly imperfect attempts to compare the sounds of a variety of animals, informed his understanding of the boundaries that differentiated species from each other. Ultimately, Darwin’s approaches to labeling sound at the intersection of different physiological, behavioral, and cultural registers exemplify the productive nature of a sound studies methodology in Victorian studies and beyond.