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2 results

French Gothic Ivories
  • Material Theologies and the Sculptor’s Craft
  • Sarah M. Guérin
  • Published online:
    29 September 2022
    Print publication:
    08 September 2022
  • This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.

  • 18 - Mary

  • from PART IV - SHAPES OF A CHRISTIAN WORLD
  • Edited by Miri Rubin, Queen Mary University of London, Walter Simons, Dartmouth College, New Hampshire
  • Book:
    The Cambridge History of Christianity
    Published online:
    28 March 2010
    Print publication:
    02 July 2009, pp 283-296

  • Summary

    The artistic and devotional effects of interrelated emphases are still visible throughout Europe, in the pilgrimage churches built to house the many miracle-working statues of the Virgin as the Throne of Wisdom, as well as in the many paintings and sculptures of Mary suffering under the Cross or being crowned heavenly Queen. At stake in exchange was far more than simply Mary's obedient willingness to become the mother of God. The antiphons and psalms sung for the Marian office reinforced this emphasis on Mary's literally all-encompassing role with respect to creation. God knew from the first day of creation that it was through this woman's body that he would effect his entry into the world. It was right to praise the Virgin Mary, or so medieval European Christians insisted in their devotions and prayers, because it was Mary who, by giving birth to him in the flesh, made the God-man visible in his human form.