The life of Ayuba Sulayman Diallo (also known as Job ben Solomon) receives a fresh examination in this article, based primarily on his own writings. The son of an Imam from Bundu in Senegambia, Diallo was enslaved in 1731 and transported to America. He survived to gain his freedom, make his mark in London society, and return to Africa in 1734. This article offers an analysis of documents from the British Library, including items that have not been previously analysed and are here translated into English for the first time. In addition, they bring together what is known of his archive, including the letters he wrote before, during, and after his time in London, the Qur'ans he scribed there, and the scraps and snippets created as he discussed the Arabic language with friends.

A close analysis of Diallo's writings reveals new information about his life history; his relationships with the elites in both Bundu and London; his scholarly abilities; and the history of Bundu itself. Diallo used the technology of writing to direct the course of his own life and career, converting a disastrous course of events into favourable opportunities for himself.

The Atlantic era marks a turbulent period in the history of Senegambia, defined by dramatic reconfigurations in local socio-economic conditions. These ‘global encounters’ have often been equated with the subjection of African societies to the whims of an expanding capitalist economy. While the long-term effects of the Atlantic economy cannot be denied, conventional histories have often prioritized macro-trends and generalized process, thus glossing the complex mosaic of experiences that constituted the African Atlantic. By contrast, a closer look at how different categories of objects were consumed and circulated over time may provide more nuanced assessments of the impact of global forces on coastal societies. This article examines how these material entanglements took place in the Siin (Senegal), by following the social trajectories of several classes of objects in space and time, and charting their enmeshment in regimes of value, patterns of action, forms of power and historical experience. Combining these empirical insights with a broader theoretical reflection, the paper attempts to draw out the implications of rethinking the historical space of the African Atlantic through a more intimate engagement with the historicities, contingencies and materialities that fashioned African historical experiences. While this shift in conceptual priorities inevitably creates new silences, I suggest that it also re-establishes Africans as cultural and historical subjects, firmly grounded in world history, and that this perspective can provide a point of departure for the production of alternative historical imaginations and subjectivities.