We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Chapter 8 treats Ivan Turgenev’s influential portrait of a nihilist in his character Bazarov from the novel Fathers and Sons. Turgenev portrays the rise of nihilism as a conflict between the older and the younger generation in Russia that took place after the emancipation of the serfs in 1861. With his character sketch of Bazarov, Turgenev made the Russian nihilist movement famous throughout Europe. The story tells of the homecoming of the young Arkady Kirsanov who brings with him his friend from the university, Bazarov. The novel depicts the conflicts that arise when the two young men stay at the rural estate of Arkady’s father. Bazarov claims that nihilism is about negation, and his goal is to destroy everything and start again. When asked what his positive program is for afterwards, he surprisingly says that he does not have one. While Turgenev generally gives a sympathetic sketch of Bazarov, he cannot subscribe to his ideas. Like Jean Paul and Møller, he believes it is impossible to accept the idea that death is annihilation. His model is rather Bazarov’s simple grieving parents, who believe in something higher than death.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.