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Most studies of narrative art in the Bible scarcely mention Chronicles, but this chapter explores ways that readers can build a greater appreciation for the unique art and style of Chronicles, and for its theologically rich portrait of history.
The Cambridge Companion to Biblical Narrative offers an overview and a concise introduction to an exciting field within literary interpretation of the Hebrew Scriptures and New Testament. Analysis of biblical narrative has enjoyed a resurgence in recent decades, and this volume features essays that explore many of the artistic techniques that readers encounter in an array of texts. Specially commissioned for this volume, the chapters analyze various scenes in Genesis, Exodus and the wilderness wanderings, Israel's experience in the land and royal experiment in Kings and Chronicles, along with short stories like Ruth, Jonah, Esther, and Daniel. New Testament essays examine each of the four gospels, the book of Acts, stories from the letters of Paul, and reading for the plot in the book of Revelation. Designed for use in undergraduate and graduate courses, this Companion will serve as an excellent resource for instructors and students interested in understanding and interpreting biblical narrative.
Uses the ideas of revision and reuse to reframe scholarly conversations about rewriting within manuscripts and versions of the Hebrew Bible. Shows how canonically oriented labels like “rewritten Bible” and “innerbiblical exegesis” impede our understanding, and how the neutral terms used here can facilitate comparison to rewriting in other corpora.
Provides an overview of the aims and scope of the project, introducing the ongoing transformation of scriptural texts as a key issue in our understanding of early Judaism. Introduces several key texts that have served as prototypes in the scholarly discussion of early Jewish rewriting.
In this book, Molly Zahn investigates how early Jewish scribes rewrote their authoritative traditions in the course of transmitting them, from minor edits in the course of copying to whole new compositions based on prior works. Scholars have detected evidence for rewriting in a wide variety of textual contexts, but Zahn's is the first book to map manuscripts and translations of biblical books, so-called 'parabiblical' compositions, and the sectarian literature from Qumran in relation to one another. She introduces a new, adaptable set of terms for talking about rewriting, using the idea of genre as a tool to compare and contrast different cases. Although rewriting has generally been understood as a vehicle for biblical interpretation, Zahn moves beyond that framework to demonstrate that rewriting was a pervasive textual strategy in the Second Temple period. Her book contributes to a powerful new model of early Jewish textuality, illuminating the rich and diverse culture out of which both rabbinic Judaism and early Christianity eventually emerged.
Although the term ‘rewritten Bible’ has been used primarily of postbiblical Jewish retellings of the Hebrew Bible, the phenomenon which it describes extends to the present day, and pertains to the NT as well as the Hebrew Bible. This paper examines two examples of ‘rewritten Gospel’—Dorothy Sayers's play cycle, The Man Born to Be King (1941–2) and Sholem Asch's novel, The Nazarene (1939)—in order to argue that such postcanonical Jesus narratives should be of interest to NT scholarship just as ‘rewritten Bible’ is of interest to scholars of the Hebrew Bible.
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