We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
During the Renaissance, measuring played a critical role in shaping trade, material production (ranging from architecture to tailoring), warfare, legal studies, and even our understanding of the heavens and hell. This study delves into the applications of measuring, with a particular emphasis on the Italian states, and traces its wide-ranging cultural effects. The homogeneization of measurements was endorsed as a means to achieve political unity. The careful retrieval of ancient standards instilled a sense of connection and ownership toward the past. Surveying was fundamental in the process of establishing colonies. This study not only examines the perceived advantages of measuring, but it also highlights the overlooked distorting aspect of this activity. Measuring was not just a neutral quantification process but also a creative one. By suppressing or emphasizing information about the material world, measuring influenced people's perceptions and shaped their ideas about what was possible and what could be accomplished.
Paintings and other objects made in late medieval and early modern European sometimes contain what appears to be highly stylized ornamental writing, often reminiscent of contemporary Arabic scripts but seemingly devoid of linguistic content. Often called pseudo-kufic and now more commonly pseudoscript, these passages of apparently meaningless writing continue to vex historians of art. This chapter aims to advance our understanding of pseudoscript by examining its use in the paintings of the Florentine master Fra Filippo Lippi (c. 1406–1469). A close reading of Lippi’s pseudoscripts, including a few examples in which he surprisingly included legible content, emphasizes that while pseudoscript was a widespread phenomenon, it is perhaps best understood through careful consideration of its particular uses in specific contexts.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.