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Using Coins as Sources
Liv Mariah Yarrow
Published online:

22 June 2021

Print publication:

06 May 2021
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The narrative of Roman history has been largely shaped by the surviving literary sources, augmented in places by material culture. The numerous surviving coins can, however, provide new information on the distant past. This accessible but authoritative guide introduces the student of ancient history to the various ways in which they can help us understand the history of the Roman republic, with fresh insights on early Roman-Italian relations, Roman imperialism, urban politics, constitutional history, the rise of powerful generals and much more. The text is accompanied by over 200 illustrations of coins, with detailed captions, as well as maps and diagrams so that it also functions as a sourcebook of the key coins every student of the period should know. Throughout, it demystifies the more technical aspects of the field of numismatics and ends with a how-to guide for further research for non-specialists.

4 - Publica numina
- By Nandini B. Pandey
Edited by Amy Russell, Brown University, Rhode Island, Monica Hellström, University of Durham
Book:

The Social Dynamics of Roman Imperial Imagery

Published online:

09 November 2020

Print publication:

12 November 2020, pp 76-99
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Summary

Ovid’s Epistulae ex Ponto 2.8 commemorates the exiled poet’s receipt of a gift of silver images of the Caesars from Rome. This paper argues, with reference to Augustan coinage and Marx’s theory of commodity fetishism, that the poem deconstructs Romans’ self-subjugation to imperial iconography and highlights their role in vesting it with power. Through comic deployment of the pathetic fallacy via a naïve narrative persona, Ovid shows how, from a provincial perspective, the emperor's numen might really appear to reside in his image, placing the emperor literally in his subjects’ hands. Pont. 2.8 therefore comments more generally on the interpretive possibilities, social practices, and psychology surrounding Roman imperial images, locating their power in plural, subjective, democratic acts of creative consumption.

Antinous, Archaeology and History *
Caroline Vout
Journal:

The Journal of Roman Studies / Volume 95 / November 2005

Published online by Cambridge University Press:

08 March 2010, pp. 80-96

Print publication:

November 2005
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Antinous was the young, male lover of Hadrian. His premature death in A.D. 130 led to an oddly extravagant commemoration. Post-Renaissance he became one of the most collectable portrait types. This article re-examines the corpus of portraits as it is currently configured. Its primary aim is not to exclude or add pieces but to question the criteria on which inclusion and exclusion are based. This questioning cuts to the heart of issues of identification, dating, and authenticity which impact on art-historical classification more generally. It exposes how in some ways the modern Antinous is one of the discipline's making.