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The 1870s expansion of Tehran was a vehicle for the spatial commodification of vast sections of the new city. Through this expansion, the Qajar court managed to produce the new spatiality as a lucrative commodity. The commodification of the city accompanied an unprecedented socio-spatial bureaucratization. A combination of several factors –from preventing outbreaks of diseases to organizing a novel relationship between the state and society – helped the state to stretch its control and dominance over the spatiality of the city. In its initial steps, these early attempts were the manifestations of a fundamental shift in the relationship between the state, society, and the city. To use Lefebvre’s concept of abstract spaces, Tehran went through a process of spatial abstraction particularly after its 1870s expansion. This chapter demonstrates how this expansion followed delicate economic objectives, and how the Qajar court had pursued this commodification process through its spatial policies long before the actual expansion of Tehran. Afterwards, the chapter focuses on the bureaucratization process and argues that, from the first half of the nineteenth century, the state had already generated spatial strategies to prevent cholera outbreaks in the city. The chapter moves to the examination of the spatial strategies of the state for the legitimation of its power and demonstrates how the expansion of Tehran helped the state to stretch its spatial control and domination beyond the confines of the royal compound. It continues with the study of the social life and spaces of the new neighborhood at the end of the nineteenth century and finds that the Qajar elites produced semi-private spaces modeled after European social space. Finally, the chapter concludes with the investigation of the spatial strategies of the state and the impact of the two processes of commodification and bureaucratization on Tehran.
From the late eighteenth century, various sections of Iranian society, particularly the court and the elites, developed an acquaintance with European and American cities, their social lives, and spaces through direct visits, postcards, geographical texts, pictures, and other means of knowledge transfer. The analysis of Iranians’ wonder-like appreciations of Western cities helps to illustrate how this novel spatial knowledge determined the future of Iranian cities. This chapter suggests that the post-1870s spatial transformations of Tehran had been incubated in Iranian society – at least among the elites and the Qajar court – for decades. I argue that these transformations were the outcome of the gradual formation and development of a spatial discourse, rather than an abrupt change and a sudden disjuncture from the past. By adopting the Foucauldian conception of discourse, this chapter focuses on Iranians’ acquaintance with European cities, their social lives, and social spaces. The exposure to new ideas was not limited to the political landscape and had an impact on various aspects of Iranian society. In the nineteenth and twentieth centuries, the growing relationship between Iran and European countries generated new forms of knowledge and transferred them to Iranian society. From culinary culture to the establishment of a new educational system, and from painting and theater to industrial and monetary organizations, various aspects of this impact have been investigated before.
Tehran, the capital of Iran since the late eighteenth century, is now one of the largest cities in the Middle East. Exploring Tehran's development from the nineteenth to the mid-twentieth century, Ashkan Rezvani Naraghi paints a vibrant picture of a city undergoing rapid and dynamic social transformation. Rezvani Naraghi demonstrates that this shift was the product of a developing discourse around spatial knowledge, in which the West became the model for the social practices of the state and sections of Iranian society. As traditional social spaces, such as coffee houses, bathhouses, and mosques, were replaced by European-style cafes, theatres, and sports clubs, Tehran and its people were irreversibly altered. Using an array of archival sources, Rezvani Naraghi stresses the agency of everyday inhabitants in shaping urban change. This enlightening history not only allows us to better understand the contours of contemporary Tehran, but to develop a new way of imagining, talking about, and building 'the city'.
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