We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
The book of Esther is one of the most challenging books in the Hebrew Bible/Old Testament, not only because of the difficulty of understanding the book itself in its time, place, and literary contexts, but also for the long and tortuous history of interpretation it has generated in both Jewish and Christian traditions. In this volume, Isaac Kalimi addresses both issues. He situates 'traditional' literary, textual, theological, and historical-critical discussion of Esther alongside comparative Jewish and Christian interpretive histories, showing how the former serves the latter. Kalimi also demonstrates how the various interpretations of the Book of Esther have had an impact on its reception history, as well as on Jewish-Christian relations. Based on meticulous and comprehensive analysis of all available sources, Kalimi's volume fills a gap in biblical, Jewish, and Christian studies and also shows how and why the Book of Esther became one of the central books of Judaism and one of the most neglected books in Christianity.
Nabopolassar fought with an Assyrian-style army and took the throne of Babylon. Thirteen years later, Nineveh fell despite Egyptian help. Babylon took over much of the Assyrian empire. Later he defeated the last Assyrian king at Harran. His success was seen as Marduk’s revenge. Captured wealth from Assyrian royal cities allowed major building work at Babylon, which was continued by Nabopolassar’s son Nebuchadnezzar II. Neither king left statues of themselves, and cylinder seals represent gods by their symbols. Major subsidence in the citadel required frequent rebuilding on the Southern Palace. The names of temples and gates were compiled on to a clay tablet as a literary work. Colour-glazed bricks adorned the Processional Way leading to the temple of the New Year festival outside the citadel walls. That festival is described. Some of his creations Nebuchadnezzar described as a Wonder, but he made no mention of the Hanging Garden. In a separate part of the citadel, Nebuchadnezzar built a Summer Palace. His conquests included Tyre and Ashkelon but not Egypt or Lydia. He sacked the Temple in Jerusalem and deported its royal family to Babylon. Other captives settled on land nearby. Business archives of long duration continue into the Achaemenid period.
Darius I overcame rebellions and seized the throne of Babylon, but cuneiform scholarship continued and developed; religious practices did not change, nor did the great buildings on the citadel. The zodiac scheme came into use. The Achaemenid king took Babylonian royal titles and promoted the worship of Marduk for local purposes. Xerxes broke the continuity. Following an uprising, a purge led to the ending of many archives. The province of Babylon was divided in two. Subsequent Achaemenid kings continued to treat Babylon with reverence. Alexander the Great defeated Darius III, entered Babylon, retained the Persian satrap, and moved treasure from Susa and Ecbatana to Babylon. He was recognized as a god. Lack of sons at his premature death precipitated a civil war from which Alexander’s commander Seleucus emerged to take the throne jointly with his son Antiochus. The derelict ziggurat was demolished, but temples and rituals, chronicles and astronomical diaries, continued as before. Aramaic was widely used, and fewer texts were inscribed in cuneiform. Interest in the fall of Assyria and of the Babylonian empire is apparent in Greek literature. Famous scholars include Berossus and named astronomers. Parthians invaded and eventually ended the dynasty.
Early explorers and excavators knew only biblical and classical accounts, some of them garbled and confusing. They were unaware that Babylon had an advanced literate culture. Mud-brick ruins contrasted unfavourably with marble, and the sprawling site of Babylon had many separate mounds, with the Tower of Babel indistinguishable amid the rubble. As Babylon’s power grew, quarters of the citadel were named after more ancient cities, and branches of temples to deities in other cities became established there. Early travellers from the twelfth century onwards brought back to the west their accounts of what they saw. In the seventeenth century, cuneiform writing on stone was identified at Persepolis. In the seventeenth to nineteenth centuries, cuneiform inscriptions from Mesopotamia increasingly arrived in Europe and a few national museums were soon built to house the items discovered by travellers, dilettante collectors, and informal excavators. Decipherment then began to excite public interest, but literal understanding gave way only slowly to appreciation of symbolism and rhetoric. Official excavations in Babylon took place under German leadership between 1899 and 1917. A chronological sequence for the history still has a few unsolved problems. Cuneiform writing unexpectedly lasted into Roman times.
This chapter summarizes the characteristics of classic Achaemenian art as they are revealed in the principal monuments. The proudest monument of Persian art, Persepolis, whose ancient name was Parsa, owed its existence to Darius, a scion of a secondary line of Achaemenians. The combination of truly floral and geometrical motifs in these richly ornamented columns of Persepolis is in contrast to the strictly architectural development which eastern Mediterranean elements like scrolls and hanging sepals have taken in Ionian structures. The Apadana at Persepolis consisted of an immense columnar hall, as well as the furniture store-rooms which were accommodated at the back. The text of the Elamite inscription contained detailed references to the sources of building materials employed in the structure, as well as to craftsmen of different nationalities. In order to view the reliefs and sculptures in the round found at Persepolis and Susa in a stylistic sequence, the earlier works of Darius at Blsutun and Pasargadae must be mentioned.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.