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Summary

This chapter argues that Plato wrote the Phaedo so that we would see Socrates as a philosophical hero, a replacement for traditional heroes such as Theseus or Heracles. The dialogue tells a new sort of story of how a hero faces death, providing an alternative to tragedy, as Plato thought that tragedy was actually practiced. I discuss the topic here because the opening of the dialogue plays an important role in setting up the Phaedo as an alternative to tragedy. But my case’s strength comes from cumulative evidence drawn from across the dialogue, and so this chapter provides an overall reading of the dialogue as an alternative to tragedy. After arguing for this, I turn to two other ways in which storytelling arises in the opening of the dialogue: in Socrates’ Aesop fable and in his dream that tells him to compose poetry.

Summary

This essay focuses on the influence of Indo-European and ancient Near Eastern myth on Homeric poetry. It considers the relationship between the Epic of Gilgamesh and the Iliad, and the motif of the hero’s combat with a dragon.

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2 - The Phaedo as an Alternative to Tragedy and Socrates as a Poet

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Mythic Background

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2 results

2 - The Phaedo as an Alternative to Tragedy and Socrates as a Poet

Summary

Mythic Background

Summary