It is often assumed, particularly by outsiders, that the conflict in Northern Ireland—known euphemistically as “the Troubles”—in which some 3,600 people lost their lives, was an atavistic throwback to Europe's religious wars of earlier centuries. In 1979, by which time some 2,000 people had already been killed in the Troubles, Pope John Paul II proposed to pay a visit to Ireland and perhaps to cross the border into Ulster's sectarian cockpit. The idea provoked outrage from some Ulster Protestants and high anxiety for the British, concerned that the Pope might inadvertently inflame the situation or embarrass the British by raising difficult issues. But there were hopes, too, that an unequivocal condemnation of violence by the head of the Catholic Church might help to bring the conflict to an end. This article, based on extensive research in diplomatic archives, reveals deep divisions within the Catholic Church on the Irish question and points to the power and limitations of the British diplomatic reach into the Vatican. It reveals also, however, the powerlessness of prayer and pleadings in the face of terrorist violence.

“How has the ecumenical movement changed in the twenty-five years since Ut Unum Sint was written?”

This article surveys the evolution of the Catholic Church's official response to same-sex relations over the last two centuries. While the church has not altered its condemnation of same-sex relations, the justifications it offers for this negative judgment have shifted substantially, and they have moved, especially recently, in a direction that makes possible the acceptance of same-sex relations at some future—and perhaps not too-distant—date. This article explores the manualist tradition of the nineteenth and early to mid-twentieth centuries; twentieth-century developments in canon law; and the period of retrenchment and reaction under popes John Paul II and Benedict XVI. Its final section looks at developments under Pope Francis. It closes by considering the way the church's teaching shifted over the course of its history—penance and the forgiveness of sins; anti-Semitism; and the sin against natural-law of taking interest on a loan (usury). It proposes that we might witness the church undergo a similar shift on same-sex relations.

Vatican II's documents Gaudium et Spes and Ad gentes reveal two interrelated dialogues: a dialogue between Church and other religious traditions, and a more general dialogue between faith and particular societies. The theme takes its cue form Paul VI's first encyclical, Ecclesiam Suam (1964) and, in the last fifty years, has flowered into a rich body of teaching expressed in various documents. It became central to the teaching of John Paul II with his passionate concern for the dignity of the human person. Benedict XVI in a series of speeches delivered both before and after becoming Pope introduced a note of caution to such cultural dialogue. While accepting that he offered an impressive case against the positivism, which he considered to be undermining contemporary culture, we should be hesitant in following his more cautious approach.

During his long pontificate, John Paul II pursued a wide and carefully articulated policy of canonisations whose aim was to underwrite his magisterium by presenting hagiographical models that would convey well-defined pastoral teaching and contain both ecclesiastical and ecclesiological messages for the faithful. The high number of Italians declared blessed and/or made saints analysed in the present article is proof of the special interest the Pope showed in Italy and specifically in the sanctity of the country. The high concentration of beatifications and canonisations of hagiographical figures from Italy can be explained only in part by the canonical system, which regulates the process of canonisation and which makes it easier to open and support a cause, above all from a financial point of view, if the pressure group behind the candidate for sainthood is located near the Vatican. More precisely, what emerges is both the attempt to create a specific public image of Italy as a nation which has been a historic stronghold of Catholicism and is still capable of reacting to secularisation, and the objective of laying down more effective guidelines and robust directives for civil society. In other words, by proposing Italian hagiographical models, John Paul II was striving to mould Italy's national identity in a Christian form, conferring on the country the role of model for other European states.

John Paul II's “Letter to Artists” identified two ways artists, particularly literary artists, can help reveal the nature of man to himself by showing both 1) the threat to human dignity from humans themselves, as well as 2) the possibility of transcendence and redemption as achievement and divine gift breaking into this life. We offer close readings of two contemporary novels as examples. The first way is illustrated by Robert Clark's In the Deep Midwinter, a novel at whose centre is an illegal abortion in the 1950's. We argue that the novel's portrait of suffering and abiding loss effectively shows the devastating effects of moral evil. The characters are conflicted in their desires and chosen actions, and they defend different positions; however, the plot in particular underscores the harm humans can inflict on themselves and others. The second way is illustrated using Hansen's Atticus. We argue that the character of Atticus serves both as an example of a virtuous Christian everyman and as an allegorical representation of God the Father. Redemption becomes possible for the dissolute son Scott when he turns to Atticus, his loving father, for forgiveness.